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Made in Hollywwod, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence

PEN America (2021), v, 64 pp.

"Made in Hollywood, Censored by Beijing describes the ways in which the Chinese government and its ruling Chinese Communist Party successfully influence Hollywood films, warns how this type of influence has increasingly become normalized in Hollywood, and explains the implications of this influence ... on freedom of expression and on the types of stories that global audiences are exposed to on the big screen. Hollywood is one of the world’s most significant storytelling centers, a cinematic powerhouse whose movies are watched by millions across the globe. And yet the choices it makes, about which stories to tell and how to tell them, are increasingly influenced by an autocratic government with the world’s most comprehensive system of state-imposed censorship. The free expression implications of this fact are significant, and far-reaching. By influencing which stories Hollywood tells, the Chinese government can soften the edges or erase depictions of its human rights abuses; it can dampen movies’ call for change or encouragement of resistance in the face of oppression; and it can discourage or silence filmmakers interested in making movies that question or critique the Chinese government. Hollywood’s choices have global implications. If prominent Hollywood studios or filmmakers fear to push back against such influence, there is less chance that others around the world will dare to do so. It also reduces the opportunities for independent or exiled Chinese filmmakers looking for a new home for their talents, and undercuts any argument from Chinese filmmakers that the country’s censorship system is inconsistent with international norms of artistic freedom. There are countless stories to be told about China, and those that are non-controversial from Beijing’s perspective are no less valid. But there are also stories to be told about the ongoing crimes against humanity in Xinjiang, the ongoing struggle of Tibetans to maintain their language and culture in the face of both societal changes and government policy, the prodemocracy movement in Hong Kong, and honest, everyday stories about how government policies intersect with people’s lives in the world’s most populous nation. Yet the space for filmmakers to tell such stories is shrinking—at least, unless they are willing to forego access to the world’s largest box office." (Executive summary) more

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Media Imperialism: Continuity and Change

Oliver Boyd-Barrett, Tanner Mirrlees (eds.)

Lanham et al.: Rowman & Littlefield (2020), v, 338 pp.

"Media Imperialism: Continuity and Change advances applied theoretical research on 21st century media imperialism. The volume includes established and emerging researchers in international communications who examine the geopolitical, economic, technological and cultural dimensions of 21st century me ... more

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Visualität und Weltpolitik: Praktiken des Zeigens und Sehens in den Internationalen Beziehungen

Gabi Schlag, Axel Heck (eds.)

Wiesbaden: Springer VS (2020), xii, 347 pp.

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How Hollywood Projects Foreign Policy

Sally-Ann Totman

New York: Palgrave Macmillan (2009), xii, 226 pp.

"This book examines US foreign policy toward the so-called 'rogue states' and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that is popular culture." (Publisher description)

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Critical Readings: Media and Gender

Cynthia Carter, Linda Steiner (eds.)

Maidenhead: Open University Press (2004), 366 pp.

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The Oxford Guide to Film Studies

John Hill, Pamela Church Gibson (eds.)

New York: Oxford University Press (1998), xxii, 624 pp.

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The Oxford History of World Cinema: The Definitive History of Cinema Worldwide

Geoffrey Nowell-Smith (ed.)

Oxford: Oxford University Press (1997), 824 pp.