"As one of the mass media, the existence of radio in carrying out its role as a social institution to provide education for citizens, especially political education in a democratic country is an interesting topic. The purpose of this study is to analyze the way radio runs and controls political educ
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ation programs for citizens in public spheres and uncovers radio strategies to survive in the face of competition in the digital era. This study adopted descriptive qualitative methods and qualitative content analysis using radio interactive programs. The data were collected through interviews with the manager or directors of each radio. The subjects of this study were four radio stations in East Java, Indonesia. The results showed that radio carries out this role by organizing programs that involve participants. All radios have a mechanism for selecting participants, news and experts/informants. In carrying out its function as a social institution to provide education for citizens including political education, radio has made serious efforts by producing content that: 1) provides knowledge about local political dynamics; 2) criticizes public policies; and 3) activates citizen participation in public issues. Selectively choose the content of the program. Radio’s ability to survive was strongly supported by its ability to utilize of income opportunities and elegantly avoid economic and political pitfalls by empowering the role of the public sphere through massive involvement of external sources. Thus, the constructed opinion seems to be more of an extra media influence rather than an internal initiative of the radi o organization." (Abstract)
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"Africa's Voices Foundation in partnership with Rift Valley institute (RVI)'s Somali Dialogue Platform implemented a 3-month project between February 8th - May 7th 2022. The project promoted public dialogue around elections so as to understand citizens' perspectives on Somalia's national elections.
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It also amplified citizen voices in political processes and promoted peaceful messaging by using media spaces to contribute to the prevention - of violence. AVF utilized its existing Common Social Accountability Platform (CSAP) to deliver the project. The project aimed to contribute to RVI's Somali Dialogue Platform program by facilitating dialogue amongst Somalis on contentious political issues. At the end of the radio programming, AVF analyzed the rich audience engagement that emerged from the six interactive radio shows to generate insight from public opinion on the election and political processes from different demographic groups. The insights were synthesized to generate actionable recommendations for our partner, RVI, based on citizens' experiences and feedback on elections." (Executive summary)
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"Radio from its beginning has been a revolutionary technology adaptable both to violent overthrow of corrupt regimes and gradual almost unheeded social change. This issue of WPCC invited submission of papers on the subject of radio and revolution. We suggested that revolution be intended in its broa
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dest sense, encompassing not only the violent overthrow of governments and their counter measures but also revolution in the sense of radical social change. Radio’s long set of histories and traditions of activism and community-building are foremost in this issue’s material. This editorial reflects on key themes of the journal issue: motivations of free radio practitioners, key phases in development of community broadcasting, radio’s potential for social liberation of several kinds and its claims to be a form of mass self-communication in which users also take charge of the media platform itself and lastly radio’s presence alongside social media like Twitter in contemporary activism and protests." (Editorial abstract)
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"L’expérience radiophonique en Guinée a connu trois grandes périodes. Lors de la première, de 1950 à 1955, la radio était au service de la métropole, afin de servir les intérêts exclusifs des planteurs européens, franco-syriens et franco-libanais. Elle donnait des informations sur le mou
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vement des navires-bananiers et d’autres transports de produits. Cette période coïncide avec la relance économique en Europe, à la sortie de la Deuxième Guerre mondiale. Pendant la deuxième période, de 1956 à 1958, la radio a participé activement à l’éveil des consciences, à la lutte pour l’indépendance nationale, et à l’émancipation du continent. Elle a joué un rôle important dans la mise en place des structures de gestion en Afrique et singulièrement en Guinée. La loi-cadre du 23 juin 1956 a favorisé la participation des Africains à la gestion et à la prise de décisions importantes pour leur développement. Au cours de la troisième période, de 1958 à 1984, la radio a contribué à la consolidation des acquis de l’Indépendance nationale, à la lutte de libération des peuples africains encore sous le joug colonial, et à la valorisation de la culture nationale et africaine. Elle a joué un rôle de premier plan dans la propagande révolutionnaire et s’est illustrée comme porte-voix de l’Afrique combattante." (Dos de couverture)
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"When Jennifer Bakody steps off the plane in the Democratic Republic of the Congo in 2004, she walks right into the hardest and most inspiring job an idealistic young journalist from Nova Scotia could ever imagine. Six years of war involving eight countries and several million deaths have just ended
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in a ceasefire. A week later, Bakody finds herself two thousand kilometres up the Congo River in the heart of the jungle, managing a small UN-backed radio station. Welcome to Radio Okapi Kindu. Welcome, too, to its team of hard-working local reporters determined to cover the country's rapid march towards elections. One day rebel soldiers are walking out of the jungle and handing in their weapons; the next the station is airing comedy sketches and messages asking after missing people. When a public lynching is followed by an outbreak of violence, Bakody begins to realize how little she understands Congolese politics–and how little she has at stake compared to her colleagues, several of whom will die in the next decade. Maintaining the rigour of Radio Okapi's editorial line suddenly seems like a matter of life and death. Can one small station known as the "frequency of peace" stand the strain? Radio Okapi Kindu is a touching memoir of a young journalist's coming of age and a love song to a poor but astonishingly beautiful country recovering from six years of war." (Publisher description)
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"For several years, local radio stations in Uganda have broadcast “come home” messages that encourage the rebel Lord’s Resistance Army to demobilize. Since the rebels began carrying out attacks in the Democratic Republic of the Congo and Central African Republic, several international actors h
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ave introduced the same messages to these regions. This new effort has internationalized radio programming, benefited local radio stations, provided new forms of messaging, and functioned in collaboration with military actors. This article provides an overview of how “come home” messaging functions in different contexts, examines the effects of these actions, and calls for research into an important shift in military–humanitarian relations." (Abstract)
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"Das Radio galt in Russland lange als Biotop – ein Rückzugsraum für professionellen Journalismus. Die Berichterstattung über den Krieg in der „Volksrepublik Donec’k“ offenbart jedoch das Gegenteil. Manche Radiosender begreifen sich als Verlautbarungsorgane der Aufständischen, Moderatoren
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wirken als Agitatoren. Sie gehören zur neosowjetischen Generation der 20- bis 30-Jährigen. Das ist die Generation Putin. Doch am Mikrofon sind sie längst keine Putinisten mehr, sondern viel radikalere Revanchisten vom Schlage Girkins." (Abstract)
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"This paper examines the potential uses of community radio in political awareness, especially in Nigeria where community radio is not yet in existence. The existence of community radio in other parts of Africa but not Nigeria leaves a void because there may be a lot of uses to which community radio
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can be put to. This study explores the “would be” relationship between community radio and political awareness especially at the grassroots in Nigeria. Using a survey of radio producers, announcers, correspondents, reporters and other broadcast professionals who understand the concept and have had some experience with community radio elsewhere, the study finds that effective programme selection and scheduling will be essential to raising political awareness in Nigerian communities when such stations start operation. Also, interactive approaches in radio programme production will give listeners a chance to clear their doubts and seek illumination on complex issues. Radio producers, announcers, correspondents and reporters should realise that community radio will be a viable tool in raising political awareness in Nigeria, only if used appropriately. Lessons from other countries (where strategies in raising political awareness via community radio have been successful) should be learnt and used when community radio sets foot in Nigeria." (Abstract)
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"El kit se conforma de varios recursos para facilitar la tarea de los y las radialistas, tanto para la producción periodística previa a cada programa, como para el desarrollo del programa en sí. Se contempla como un eje de fundamental importancia la participación de la audiencia, y en ese sentid
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o, se incorpora varias sugerencias para lograr dicho objetivo. Los temas desarrollados en este kit, son de gran relevancia para la discusión con la ciudadanía en el marco del proceso electoral, tales como: proceso electoral abril 2013; democracia; política y participación política; participación política de las mujeres en Paraguay; políticas públicas; derechos humanos: los derechos económicos, sociales, culturales y ambientales (DESC); el derecho a la comunicación; la tierra en Paraguay. La estructura de cada tema se compone básicamente de un breve desarrollo teórico, una guía para el uso antes y durante los programas radiales, los microprogramas sobre cada tema, y un apartado en donde se explica en qué consiste cada una de las técnicas y formatos sugeridos para promover la participación de la audiencia, invitados e invitadas al programa. La información utilizada en el breve desarrollo teórico de los temas es una recopilación y posterior selección de publicaciones de diferentes organizaciones y autores, principalmente de la organización Decidamos, Campaña por la Expresión Ciudadana. En el apartado de fuentes y bibliografía de este kit se menciona detalladamente. Es importante mencionar que este Kit conto con el valioso aporte de validación en una jornada taller con las y los representantes de las 16 radios comunitarias involucradas, generando sugerencias, nuevos aportes y recomendaciones que garantizan una mayor adecuación del material, al uso de las y los radialistas desde su realidad comunitaria y práctica radiofónica." (Presentación del material, página 9)
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"The surge in the proliferation of Jordanian private radio stations can be seen as part of the broader expansion of media technologies in the Arab region. However, despite the massive expansion in the number of private sector stations, radio is not currently playing a decisive role in Jordan in incr
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easing political engagement and there is at best a mixed picture for its contribution to an information society. Radio stations are overwhelmingly devoted to apolitical issues and rarely engage people with political and social issues that are important to them. They are also hamstrung by a lack of media professionals. However, a complex picture is emerging in which there are signs of hope. The diversity of stations and audiences presented by radio is key to the role of radio in the Jordanian information society." (Conclusion, page 97)
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"The article explores the case of Radio Ndeke Luka, a UN-backed peace radio in the Central African Republic. It investigates whether government intimidation influences the radio’s public watchdog role and, if so, in what ways and to what extent, and whether and how the support of a European NGO an
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d the UN influence the impact of the intimidation. The conceptual framework for framing these questions is established by applying the media watchdog theory to processes of democratisation and interweaving it with peace-oriented media and Althusserian theory. The empirical data are gained through twelve semi-structured individual telephone interviews with journalists, an editorial delegate, local civil society representatives, a former diplomat and the Central African Minister of Justice. The study shows that government intimidation does not transform Radio Ndeke Luka into a lapdog but significantly reduces its bite. It is argued that protecting journalists from intimidation so that they can best act as watchdogs not only requires long-term efforts to change cultures and systems that breed press violence, but also necessitates new approaches that may lead to faster and smaller scale results." (Abstract)
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"Radio has been called ‘Africa’s medium’. Its wide accessibility is a result of a number of factors, including the liberalisation policies of the ‘third wave’ of democracy and its ability to transcend the barriers of cost, geographical boundaries, the colonial linguistic heritage and low l
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iteracy levels. This sets it apart from other media platforms in facilitating political debate, shaping identities and assisting listeners as they negotiate the challenges of everyday life on the continent. Radio in Africa breaks new ground by bringing together essays on the multiple roles of radio in the lives of listeners in Anglophone, Lusophone and Francophone Africa. Some essays turn to the history of radio and its part in the culture and politics of countries such as Angola and South Africa. Others – such as the essay on Mali, gender and religion – show how radio throws up new tensions yet endorses social innovation and the making of new publics. A number of essays look to radio’s current role in creating listening communities that radically shift the nature of the public sphere. Essays on the genre of the talk show in Ghana, Kenya and South Africa point to radio’s role in creating a robust public sphere. Radio’s central role in the emergence of informed publics in fragile national spaces is covered in essays on the Democratic Republic of Congo and Somalia. The book also highlights radio’s links to the new media, its role in resistance to oppressive regimes such as Zimbabwe, and points in several cases – for example in the essay on Uganda – to the importance of African languages in building modern communities that embrace both local and global knowledge." (Publisher description)
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"Analyses how radio journalism since the late 1990s has been shaped by and contributed to Reformasi, or the ambition of democratizing Indonesian politics, economy and society. The book examines ideas and practices such as independent journalism, peace journalism, meta-journalism, virtual interactivi
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ty, talk-back radio and community radio, which have all been designed to renew audience interest in media and societal affairs. It pays special attention to radio programmes that enable hosts, experts, listeners and other participants to discuss and negotiate the very rules and boundaries of Indonesia’s newly acquired media freedom. The author argues that these contemporary programmes provide dialogic alternatives to the official New Order discourse dominated by monologism." (Publisher description)
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"Brett Davidson makes a convincing case for radio being the most hospitable media environment for retaining the human characteristics of public deliberation. In South Africa, for example, radio reaches far more people in their own languages than other media do. Moreover, radio can broadcast live,
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allowing hundreds, perhaps thousands, more citizens to listen in.” Although television has the same theoretical advantage, in some countries channels may be limited to those supported by the government. Radio is also cheaper and more pervasive than television, particularly in poor countries. Brett Davidson did not find countless examples of radio being used as a space for public deliberation. What he did find, however, were examples of radio playing a role in strengthening civil society by hosting other forms of public talk. From there, it is comparatively easy to add deliberative fora to the roster of other events such as panel discussions or public hearings." (Foreword)
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"[...] tells the astonishing story of a bunch of Belgrade kids and their pirate radio station B92. B92 started in the late eighties with the naive desire to simply play music but ended up facing two wars, economic sanctions, violent police and government crackdowns, the attention of armed gangsters
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and neo-Nazi politicians, and ultimately became the focal point of a successful opposition movement against Slobodan Milosevic." (Back cover)
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