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The Power of the Puppet
Deep Insights
"The power of the puppet shows itself in diverse fields: not only in the puppet theatres, not only in rituals and magical spells, but also in the broad range of education and therapy. This has also been recognised by the international puppetry organisation – UNIMA – and the Puppets in Education
...
Mobilizing the Hordes: Radio Drama as Development Theatre in Sub-Saharan Africa
Bamenda (CM): Langaa (2012), xvi, 277 pp.
Using Participatory Theatre in International Community Development
Community Development Journal, volume 47, issue 1 (2012), pp. 42-57
"International community development is increasingly using theatre as a tool. This article analyses this use, arguing that for theatre to be successful to support social change and development, participatory practice must be at its core. In exploring this, it looks at what affects theatre’s succes
...
Theatre for Change: Education, Social Action and Therapy
Basingstoke: Palgrave Macmillan (2012), xxviii, 309 pp.
"Providing an international overview of the latest work and thinking in Drama and Education, and featuring interviews with a worldwide variety of leading practitioners and theorists, this book explores how Educational Theatre, Applied Theatre and Drama Therapy facilitate change within schools, commu
...
Theatre for Development: A Tanzanian Road Towards Citizenship and Cultural Renewal
Journal of Urban Culture Research, volume 5 (2012), pp. 44-52
"During the 60s, Theatre for Development was introduced into several states in Africa. The focus at that time was to utilize theatre as a tool of communication in development projects. During the 80s Tanzania developed their own variant of this genre through the initiative of the University of Dar e
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Teatro para la transformacion social: Herramientas pedagógicas. Tomo 3
Medellín: Corporación Jurídica Libertad (CJL); Asociación de Cooperación para el Desarrollo (AGEH) (2011), 93 pp.
"Desde hace más de seis años la Corporación Jurídica Libertad incorporó a su quehacer la atención de víctimas de crímenes de Estado como uno de sus propósitos estratégicos a ser desarrollado en el mediano y largo plazo. Reconocemos que el trabajo de representación de víctimas, y sobre to
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Theater probieren - Politik entdecken
Bonn: Bundeszentrale für politische Bildung (bpb) (2011), 262 pp.
Community Theatre and AIDS
Basingstoke et al.: Palgrave Macmillan (2011), xii, 179 pp.
"Applying research into assessments of community theatre, epidemiology, and young people's shared and private stories using a wide range of methodologies, this book explores the potential efficacy of community theatre to prevent the spread of HIV/AIDS in Tanzania with reference to several other comp
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Acting on HIV: Using Drama to Create Possibilities for Change
Rotterdam; Boston; Taipei: Sense Publishers (2011), xii, 153 pp.
"Acting on HIV offers a sustained and relatively systematic inquiry into drama as an approach to discussion of HIV/AIDS and related attitudes and behaviors. A distinctive feature of the research that is presented in Acting on HIV is the emphasis on the potential for and value of using drama to promo
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Theatre In/for Development in Tanzania: A Neoliberal Nightmare
In: Trends in Twenty-First-Century African Theatre and Performance
Amsterdam; New York: Rodopi (2010), pp. 191-215
"This chapter explores the relationship between theatre and neoliberal policies in Tanzania. It analyses the consequences of neoliberalism for the Tanzanian theatre and exposes the challenges it faces as a simulacrum of people’s culture. I also present evidence on why it is important, when analyzi
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Theatre for Transformation and Empowerment: A Case Study of Jana Sanskriti Theatre of the Oppressed
Development in Practice, volume 19, issue 4-5 (2009), pp. 550-559
"This article analyses the importance of participation in development discourse and examines the effectiveness of theatre as a participatory technique and communication channel. It considers how theatre forms and aesthetics have potential power to produce individual and collective knowledge and alte
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Applied Theatre: International Case Studies and Challenges for Practice
Bristol: intellect (2009), vii, 224 pp.
"Applied Theatre is the first collection to assist practitioners and students in developing critical frameworks for their own community-based theatrical projects. The editors draw on thirty case studies in applied theatre from fifteen countries—covering a wide range of applications from theatre, e
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The Applied Theatre Reader
New York: Routledge (2009), xvi, 380 pp.
Giving Voice: Instigating Debate on Issues of Citizenship, Participation, and Accountability
Development in Practice, volume 19, issue 4-5 (2009), pp. 678-687
"While there is a near unanimity on the need for participation, there is as yet no such agreement on the type and degree of participation to be adopted in projects. One thing that has never been doubted is the fact that local people have not been accorded their rightful recognition and respect by mo
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Sexual-Health Communication Across and Within Cultures: The Clown Project, Guatemala
Development in Practice, volume 19, issue 4-5 (2009), pp. 560-572
"The synergies created through the careful application of both organic and symbolic communication demonstrably reach those most vulnerable to the spread and impact of HIV and AIDS. The Clown Project uses labour-intensive face-to-face street theatre and dialogue, participatory workshops, and symbolic
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Participatory Theatre for Conflict Transformation: Training Manual
Key Guides
Washington, DC; Bukavu: Search for Common Ground (2009), 52 pp.
"Participatory theatre is an approach in which the actors interact with the public. Throughout the event, the public participates to adapt, change or correct a situation, an attitude or a behaviour that is developed during the show. The NGO “Search for Common Ground” combined forum theatre techn
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Puppets in Theatre for Social Change: An Analysis of the Popularity of Puppets in Africa
African Performance Review, volume 2, issue 2-3 (2008), pp. 7-31
"Theatre has become a prominent tool in the extensive struggle to address social problems in Africa, and it is fairly logical that puppets - as part of the traditional forms of dramatic expression of many African countries - would surface in theatre for social change. A variety of reasons are given
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