"This book, produced on behalf of the IFLA Copyright and other Legal Matters (CLM) Advisory Committee, provides basic and advanced information about copyright, outlines limitations and exceptions, discusses communicating with users and highlights emerging copyright issues. The chapters note the sign
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ificance of the topic; describe salient points of the law and legal concepts; present selected comparisons of approaches around the world; highlight opportunities for reform and advocacy; and help libraries and librarians find their way through the copyright maze." (Publisher description)
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"Este manual no pretende en ningún caso ser conclusivo, ni ofrecer recetas para migrar a software libre, quiere ser un espacio que reúne experiencias como coordenadas comunes de la brújula que marca la política tecnológica y de contenido de ALER. Por ello, dejamos abierta la posibilidad de segu
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ir dialogando sobre acuerdos que nos permitan profundizar la incidencia en favor de los derechos humanos y de la naturaleza, que se nos hace tan urgente en nuestra Abya Yala. Tenemos el gusto de compartir este manual de Migración a tecnologías libres que responde a la iniciativa de pensar, proponer e intercambiar prácticas comunicativas orientadas al Buen Vivir, que como sabemos, son diversos y variopintos caminos que están en debate y construcción permanente. Invitamos a dejarnos interpelar, a cuestionar nuestras rutinas de producción, con el compromiso ético que nos permita hacer los mundos que necesitamos a través de la palabra." (Presentación, página 4)
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"Este artigo propõe uma discussão sobre a autoria coletiva de fotografias do grupo brasileiro Mídia Ninja. Para isso, parte de um diálogo entre alguns movimentos de protesto organizados, especialmente, nos ambientes digitais, passando pela cultura hacker, cultura do compartilhamento e o midialiv
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rismo ciberativista para discutir sobre a autoria coletiva das fotografias da Mídia Ninja. O objetivo é refletir sobre o que significa usar uma autoria coletiva e a licença flexível de direitos autorais Creative Commons, pensando o caso específico da Mídia Ninja, um grupo brasileiro de comunicação independente – formado por midialivristas – que ficou conhecido durante as Jornadas de Junho." (Resumo)
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"Mit dieser Publikation möchten wir interessierten Personen und Organisationen einen praxisorientierten Leitfaden für die Nutzung und Anwendung von freien Lizenzen an die Hand geben: Wie funktionieren freie Lizenzen? Wie finde ich die geeignete Lizenz für meine individuellen Bedürfnisse? Wo find
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e ich freie Inhalte im Internet? Das sind nur einige der Fragen, die in diesem Leitfaden beantwortet werden sollen. So hoffen wir, zur sachkundigen Nutzung von Open-Content-Lizenzen beizutragen." (Vorwort, Seite 3)
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"With this publication, we intend to provide interested individuals and organisations with practical guidelines for the use and application of open content licences: How do open content licences work? How do I choose the most suitable licence for my individual needs? Where can I find open content on
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line? These are only some of the questions which these guidelines try to answer." (Editor's preface)
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"Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical
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flipside: the norms regulating culture's use —copyright and related rights —have become increasingly restrictive. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain —that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information —is fundamental to a healthy society. The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing. The book is essential reading for anyone interested in the current debate about copyright and the Internet." (Publisher description)
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Publishing and Alternative Licensing Models in Africa (PALM Africa) has been a two-country research programme conducted in South Africa and Uganda, using action research to explore the potential of open access and flexible and open intellectual property licences with the aim of enhancing the impact
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of African publishing.
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"Access to knowledge (A2K) is the umbrella term for a movement that aims to create more equitable public access to the products of human culture and learning. Fields of advocacy that it subsumes include most centrally copyright and patent law reform, open access, open data and open standards, but al
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so access to public information, broader communications rights such as freedom of expression, and issues around ownership of and participation in public media." (Page 2)
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"This report has looked at six successful intellectual property (IP) reform campaigns from around the world, and examined the strategies, messages and goals of the campaigners who fought them. Although each example has its own lessons to share, broad trends have emerged. Several of the most striking
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campaign successes employed the internet as a mobilising force. A template for such action emerges from examining these campaigns in concert. Almost without exception, campaigners worked in coalition with other stakeholders. These coalitions varied both in style and in substance, and examining those differences is instructive. The campaigns were fought on intellectual and emotional ground which was often some distance from the mechanism of intellectual property law itself. This observation should encourage campaigners to think about the merits and pitfalls of different messaging approaches. Finally, the observation that very few of the case studies emerge from countries in the developing world prompts the report to examine why this might be so, and to challenge campaigners to examine the value of a more global perspective. It’s fair to say that the issues that motivate IP reform activists go beyond the public messages their campaigns focussed upon. The upcoming campaign against the substantive issues contained in the plurilateral Anti-Counterfeiting Trade Agreement offers campaigners an opportunity to find and voice these concerns, concerns that have motivated them thus far to undertake the significant an impressive policy interventions in the global intellectual property space that have been detailed in this report. The time has come to for a mobilising critique against the flawed orthodoxy of tough, unwieldy global intellectual property regimes." (Conclusion, page 47)
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"Stealing Empire poses the question, "What possibilities for agency exist in the age of corporate globalisation?" Using the work of Antonio Negri and Michael Hardt as a point of entry, Adam Haupt delves into varied terrain to locate answers in this ground-breaking inquiry. He explores arguments abou
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t copyright via peer-to-peer (P2P) platforms such as Napster, free speech struggles, debates about access to information and open content licenses, and develops a politically incisive analysis of counterdiscourses produced by South African hip-hop artists. From empire stealing through their commodification of countercultures to the stealing empire activities of file-sharers, culture jammers and hip-hop activists, this book tells the story of people defining themselves as active, creative agents in a consumerist society." (Publisher description)
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"Die Transformation des wissenschaftlichen Publikationswesens von der Gutenberg-Galaxie in den Cyberspace verlangt allen Beteiligten eine Neudefinition ihrer Rolle in dem System ab. Bei den anstehenden Veränderungen ist eine Fülle technischer, rechtlicher und wirtschaftlicher Gegebenheiten zu ber
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cksichtigen. In der Definition ihrer neuen Rolle sind alle aufeinander angewiesen. In den nachfolgenden Kapiteln werden die Chancen und Risiken der möglichen Entwicklungspfade aus den unterschiedlichen Perspektiven der Akteure beleuchtet. Dieses Handbuch will damit einen Beitrag zur Bewältigung der Herausforderung leisten. Es ist in fünf Kapitel gegliedert: Nach einer Erläuterung des Begriffs und des Ursprungs von Open Access in Kapitel 1 stellen sich in Kapitel 2 drei innovative Publikationsmodelle vor. Das Kapitel 3 beschäftigt sich mit den Fragen, die die Umsetzung von Open Access aufwirft: Welche Herausforderungen stellen sich bei der Archivierung im Netz? Wie wird Qualität sichergestellt, wenn das traditionelle Begutachtungsverfahren an Bedeutung verliert? Wer trägt die Kosten des Publikationsprozesses, wenn der Zugang für den Nutzer kostenlos ist? In welcher Weise wird das Urheberrecht durch Open Access berührt? Wie verändert Open Access die Struktur der Wissenschaftskommunikation? Das Kapitel 4 präsentiert Stellungnahmen von Institutionen, die Open Access aus ihrer Sicht bewerten, und Kapitel 5 gibt einen Überblick zu den internationalen Aktivitäten." (Einleitung, Seite 16)
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"This unique dossier was assembled by the activist Copy South Research Group, a loosely-affiliated group of researchers based in a number of countries across the South and the North who seek to research the inner workings of the global copyright system and its effects on the Global South. The dossie
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r contains more than 50 articles examining many dimensions of the issue of copyright across the Global South, such as access, culture, economics, libraries, education, software, the Internet, the public domain, and resistance. The dossier is addressed to readers who want to learn more about the global role of copyright and, in particular, its sometimes negative role in the Global South. The articles critically analyze and assess a wide range of copyright-related issues that impact on the daily lives, and future lives, of those who live in the countries of the South. It aims to do so in a manner which the editors hope will bring these questions ‘alive’, show the direct human stakes of the many debates, “and make the issues accessible to those who want to go beyond the platitudes, half-truths, and serious distortions that often plague discussions of this topic." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1815)
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