"Actualmente operan 2254 estaciones de televisión y 6450 de radio en Perú. Cusco lidera en cantidad de medios y Loreto ha experimentado el mayor crecimiento. En total, hay 8704 estaciones de televisión y radio de señal abierta, lo que representa una ligera disminución del 2% respecto al año an
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terior. El informe también destaca la importancia de que radio y televisión erradiquen la violencia, los prejuicios y los estereotipos sobre las mujeres, así como de contar con códigos de ética claros." (Descripción de la casa editorial)
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"The WRTH 2025 is the world's most comprehensive and up-to-date guide to broadcasting. This is the 79th edition of World Radio TV Handbook and this great directory continues to offer the most comprehensive guide to broadcasting on the planet. Step into the world of radio like never before with the W
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RTH 2025 edition, your definitive companion for all things broadcasting. This 79th edition of the World Radio TV Handbook offers over 800 pages of unparalleled content, bringing you closer to the heart of the global radio community. Join us in celebrating the timeless magic of radio. Witness the evolution and be part of this exciting journey with WRTH 2025.
Comprehensive Data: WRTH 2025 is tailor-made for the dedicated radio enthusiast. Discover frequencies and broadcasting evolution across LW, MW (AM), SW, FM, Digital Radio (HD and DAB), and National TV channels. Expert Insights: Now under the expert administration of Radio Data CenterGmbH, WRTH remains an unrivaled source of broadcasting knowledge, guiding you through the ever-changing landscape of radio. Global Perspective: Embrace a worldwide view of broadcasting, exploring new territories and understanding the future of shortwave broadcasting by major players." (Publisher description)
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"The media landscape in Kenya continues to evolve, with television and radio remaining key sources of news, entertainment, and engagement for millions of people. GeoPoll’s Audience Measurement (GAM) data from January to December 2024 offers insights into the most-watched television stations and mo
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st-listened-to radio stations nationwide. This report provides an overview of audience preferences, peak listening and viewing times, and regional radio dominance." (Introduction)
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"This study explores TV in Romania and Bulgaria, both considered "emerging" media systems in post-communist studies (Sparks, 1995). It uses Hallin and Mancini's (2004) framework to analyze the central aspects regarding the configuration of commercial TV. The study offers an institutional perspective
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on TV by exploring the licensing frame and the TV offer. The interaction between commercial TV, politics, and the state underlines the intricate relations through powerful and influential networks involving the interests of a variety of individuals and groups. Currently, commercial TV is the most developed type of media in both countries. Through its empirical contribution, this study fills in the blind spot of media research, aiming to contribute to the understanding of the Romanian and Bulgarian media landscape. It offers a critical perspective on TV systems in relation to the polarized pluralist/Mediterranean model of Hallin and Mancini, considering its explanatory function within the analysis of Eastern European media systems. Elements of the national markets revealed particularities of the TV business, synchronically connected to the contemporary"hyper-television" vision (Scolari, 2009) and the "informational disorder" paradigm (Tambini, 2020)."(Absract)
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"Après environ quarante ans d'existence au Cameroun, la télévision est l'objet d'un ouvrage qui la présente en faisant émerger les interrogations qu'elle suscite sur ses représentations politique, juridique, économique, culturelle et esthétique. Elle a pris une importance substantielle dans
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les vies quotidiennes au point que les citoyens, les entreprises, les pouvoirs publics, les organisations sociales et politiques ainsi que les ménages en font un usage qui, depuis 1985, s'est considérablement accru. Avec la télévision, les perceptions du temps comme de l'espace ont changé, de même que les pratiques relationnelles, politiques, culturelles et territoriales. Il en résulte des enjeux inédits qui se traduisent par de nouveaux défis pour les autorités, à tous les niveaux institutionnels : régulation du paysage audiovisuel, réorganisation de l'économie du secteur, remodelage de la citoyenneté et mutation de la vie démocratique, adaptation technologique aux normes internationales et aux TIC, encadrement esthétique en vue de la préservation du patrimoine culturel, etc. Avec cet ouvrage à la fois pédagogique et réflexif, les auteurs, par une approche pluridisciplinaire, soulignent combien la télévision s'est imposée comme un acteur social majeur et comme un objet de recherche en sciences sociales." (Description de la maison d'édition)
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"The main objective of this article was to explore the political economy of mainstream TV channels in Ethiopia from the perspective of ownership and regulations. The study used a qualitative approach to document analysis. It also conducted an in-depth interviews with randomly selected media monitori
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ng experts and journalists working in the newsrooms of TV channels to augment the data. The results showed that media ownership and political power are closely intertwined in Ethiopia. It also indicated the private TV channels need reasonable subsidies to survive in an increasing market competition. The boundary between private and government ownership is hazy despite differences in the business models with parallel censorship conditions in both private and government-owned channels. There is diversity in TV ownership, with lower competition and sluggish development of TV infrastructure. Constricted control of TV channels by manifold and overlapping regulatory provisions are obstructing TV content and restraining freedom of the press characterizes the political economy of TV channels. This study suggests a need for the establishment of a system in which constitutional rights and regulatory frameworks would become compatible to protect press freedom and diversity of voices in mainstream TV channels." (Abstract)
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"Das Buch besteht aus zwei Teilen. Der erste enthält Stichwortartikel zu den Themenbereichen Presse, Radio, Fernsehen, Online-Medien, Agenturen und Medien im Allgemeinen. Im zweiten Teil werden Datentabellen und Grafiken präsentiert, die sich vor allem auf das Jahr 2015 beziehen. Dabei werden sowo
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hl Unterschiede als auch Gemeinsamkeiten der beiden Medienkulturen deutlich. Alle Beiträge wurden – großenteils gemeinsam – von Autorinnen und Autoren beider Seiten verfasst und werden in deutscher und in russischer Sprache gegenübergestellt: ein Ergebnis der langjährigen Zusammenarbeit von Wissenschaftlerinnen und Wissenschaftlern aus den Journalistik-Abteilungen der Technischen Universität Dortmund und der Südlichen Föderalen Universität in Rostov am Don." (Verlagsbeschreibung)
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"Informe sobre los principales indicadores de la radio y televisión en el Perú. Datos del número de estaciones, número de titulares, estaciones según finalidad, titulares de televisión y radio estatales, y situación de los Códigos de Ética de las estaciones de televisión y radio, proporcio
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nada por la Dirección General de Autorizaciones en Telecomunicaciones del Ministerio de Transportes y Comunicaciones (MTC). Datos sobre las estaciones de Televisión Digital Terrestre (TDT), de acuerdo a la información enviada por radiodifusores y monitoreos de la Dirección General de Fiscalización y Sanciones en Comunicaciones del MTC." (Página 2)
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"This book is about television in Latin America. Its national and regional industries create most television programming there within genres developed over time in the region. However, part of the programming has always come from the U.S., Europe and elsewhere. With cable, satellite and now streamin
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g TV, that inflow of foreign programming has increased substantially. While many in the audience still prefer national or regional programs for their cultural proximity, an increasing number among the upper-middle and middle classes, particularly the young, are turning to the new foreign services, like Netflix, Amazon and Disney for class distinction, cosmopolitanism or other motives. Among the television industries global regional and national actors are creating a variety of programs and channels (broadcast, pay-TV and streaming) to segment and appeal to different parts of the audience." (Publisher description)
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"This guide is a living document that is meant to be used as a starting point when planning and undertaking a campaign prior to (if possible) and during a disaster. It is intended to support the work of the Fiji government and the Fiji Communication and Community Engagement Working Group (CCEWG) in
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terms of messaging including tone, language and frequency as well as use of media outlets and other communication initiatives, while engaging and communicating with affected populations." (Conclusion, page 24)
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"This book places television in Africa in the digital context. It addresses the onslaught of multimedia platforms, digital migration and implication of this technology for society. The discussions in the chapters contained in this book encompass a wide range of issues such as digital disruption of t
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elevision news, internet television and video on demand platforms, adaptations, digital migration, business strategies and management approaches, PBS, consumption patterns, scheduling and programming, evangelical television, and many others." (Publisher description)
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"Lebanese society is famously, and even notoriously, fragmented, along both class and sectarian lines. Here, Nabil Dajani looks at how this societal division impacts on the nature of the mass media in Lebanon. Implementing the wider theory that the structure and content of mass media is unique to th
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e society within which it operates, he looks at how Lebanese media have often helped to sustain the sectarian divisions within Lebanese society. Dealing with newspapers, radio and television as well as new and emerging forms of communication, such as the internet, social media websites and blogs, he examines how the media both reflect societal realties as well as the ways they influence social consciousness. Beginning with an analysis of the socio-political context of modern-day Lebanon, Dajani critically examines the historical and current realities of the media in this country." (Publisher description)
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"This collection covers the major trends of the media environment of the post-Communist world and their recent development, with special focus on Russia and the post-Soviet space. The term ‘media environment’ covers not just traditional print and electronic media, but new media as well, and rang
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es from the political to entertainment and various artistic spheres. What role do market forces play in the process of media democratization, and how do state structures regulate, suppress, or use capitalism toward their own gain? What degree of informational pluralism has been achieved in the newly independent republics? What are the prospects for transparency and the participation of civil society in Russian and Eurasian media? To what degree do trends in post-Communist media reflect global trends? Is there a worldwide convergence with regard to both media formats and political messaging? Western observers usually pay their keenest attention to the role of media in Russia and Eurasia during national elections. While this is a valid focus, the present volume [...] aims at understanding the deeper overall ‘media philosophies’ that characterize post-Soviet media systems and environments, and the type of identity formation that they are promoting." (Publisher description)
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"This report contains the collected, examined, and produced information on the fundamental characteristics of the media and communication industries, whenever possible, in the MENA region as a whole. It typically includes 14 countries from Mauritania on the Atlantic Ocean to Oman on the Arab Gulf. F
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ive MENA countries have been selected for more detailed information: Egypt, Lebanon, Qatar, Saudi Arabia, and the United Arab Emirates. In probing the media landscape, we examine large and small countries from North Africa and the Gulf; some that are quite stable, some more turbulent; media-rich and media-poor with different regimes and degrees of media regulation. So, this report finally complements our surveys of the media audience with a close and systematic look at the media content offering, its production, and distribution. This report consists of sections for each individual medium as traditionally defined: television, film, radio, magazines, newspapers, and recorded music. With the ongoing (but not total) migration of traditional media to digital platforms, digital has a section of its own." (www.mideastmedia.org/industry/2016/about/#s68)
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