"This article presents a combination of factors as a framework for examining how globalization and media impact developing democracies in the Global South. In particular, it pays attention to the interplay of changing technologies, regulatory regimes and local entrepreneurs with global expertise (ob
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tained primarily through education overseas) and their combined impact on the media ecology in such countries. Using a historical analysis of the trends that started in the early 1990s, the article shows how countries like Ghana took advantage of key changes in globalization to create a vibrant media ecology that directly impacts the role of citizens. Specifically, the author posits that in Ghana the liberalization of the broadcast industry, the expertise of glocal entrepreneurs, and the explosion of new communication technologies like the Internet and mobile phones have led to a reconstitution of the public sphere and the creation of a new cultural elite." (Abstract)
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"The Afghan media have flourished since the Taliban were ousted from power in 2001. Under Taliban rule, television was banned and there was only one government-controlled radio station. Today Afghanistan boasts over 75 TV stations, 175 radio station and hundreds of newspapers and magazines. However,
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according to pro-democracy groups, heavy handed government controls on radio, television and newspapers and the harassment and intimidation of journalists remain major problems. Radio is still the main channel for communicating news and information. But it is losing ground steadily to television, particularly in the towns and cities. As television ownership grows, the number of households with a radio set is declining. A media audience survey commissioned by USAID in 2010 found that 63% of all Afghans listen to radio regularly. The survey, conducted by Altai Consulting, found that only 48% of all Afghans watch television regularly. But it showed that once Afghans get a television in their home, they tend to abandon the radio. The Altai Consulting survey of 6,648 people in over 900 towns and villages indicated that 58% of households with a TV no longer possess a radio. Other recent audience surveys by BBC World Service Trust and the Asia Foundation indicate a slightly higher rate of radio listening than the Altai Consulting study. But all three point to a steady drift of broadcasting audiences from radio to television. It is therefore vital that humanitarian agencies communicate with the public through television as well as radio to ensure that they engage a wide audience." (Media overview, page 9)
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"This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, t
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he authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship." (Publisher description)
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"Este texto está dividido en seis capítulos que indagan, en el tiempo, los campos culturales de los diarios y revistas, los libros, los discos, las películas, la radio y la televisión. Es una obra colectiva que incluye investigaciones, estadísticas y cartografías generadas por el Sistema de In
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formación Cultural de la Argentina (SInCA). Además, los escritos centrales que abordan cada industria cultural están acompañados de opiniones de 18 especialistas." (SInCA website)
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"El Libro blanco sobre la Televisión Educativa y Cultural es la primera publicación de conjunto sobre este tipo de televisiones que operan en Iberoamérica. Este libro es un balance provisional y parcial del camino recorrido en las últimas décadas por las televisiones de Argentina, Brasil, Chile
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, Colombia, México, España, Perú, Portugal, Uruguay, Venezuela. Describe el origen, contexto y estado actual de las Televisiones educativas y culturales (TEC) en 10 países Iberoamericanos. El enfoque del libro es global y da cuenta del estado presente de unas televisiones con vocación de competir en calidad y excelencia para llegar al máximo posible de espectadores en plena transformación tecnológica. El estudio correspondiente a cada país presenta inicialmente una descripción del sistema general audiovisual dando cuenta de su organización, principales actores e impacto en públicos y audiencias, así como una visión general de las tendencias de programación y producción. Este libro es una referencia indispensable para operadores audiovisuales del área educativa y cultural, así como para estudiosos, docentes y destinatarios de estas televisiones en Iberoamérica." (Contratapa)
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