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South African Cinema 1896-2010
Bristol; Chicago: intellect (2012), 307 pp.
Der Film als Seismograph der Gesellschaft: Themen und Tendenzen im aktuellen türkischen Kino
Señales contra el olvido: Cine chileno recobrado
Santiago de Chile: Editorial Cuarto Propio (2012), 207 pp.
Esta obra presenta la situación del cine chileno antes del golpe de estado y las relaciones que se establecieron con Alemania, con personas e instituciones que se interesaron en preservar y difundir este acervo fílmico chileno en tiempos del régimen militar. Posteriormente, estos materiales regre
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Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
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"Esta investigación aporta a la comprensión del contexto histórico-social de la construcción del cine documental en Ecuador desde una visión que valora y entiende al cine documental como parte de la cultura visual ecuatoriana, el mundo de las imágenes, su vida social y las representaciones que
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Kurdisches Kino: Vom akzentuierten Exil- und Diasporakino zum internationalen Film = Sínimay Kurdí: Le sínimay henderaní ú derekeyí erra fílmi nawneteweyí
Marburg: Schüren (2011), 223 pp.
"Die konkrete Annäherung an das Kurdische Kino gestaltet die Autorin über die Aufarbeitung des Dritten Kinos und die Erläuterung des Transnationalen Filmschaffens. Die neusten kurdischen Produktionen sprengen bestehende wissenschaftliche Theorien, indem sie neue Raum-Zeitkonfigurationen definiere
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"Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein’s anti-tsarist drama, Battleship Potemkin, to socialist realism, to the post-glasnost thematic explo
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Os Moçambicanos perante o cinema e o audiovisual: Uma historia político-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Deep Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
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El cine que fue: 100 años de cine chileno
Santiago de Chile: ARCIS (2011), 192 pp.
El presente libro está constituido por diecisiete ponencias y/o artículos que se presentaron en el coloquio "El cine que fue: 100 años de cine chileno".
Das Chinesische Kino nach der Kulturrevolution: Theorien und Analysen
Marburg: Schüren (2011), 454 pp.
"Seit dem Ende der Kulturrevolution 1976 hat das festlandchinesische Kino verschiedene Phasen durchlaufen und erstaunliche Entwicklungen vollzogen. Im Zentrum dieses Buchs stehen Analysen herausragender Spielfilme der Vierten bis Sechsten Generation sowie wichtiger Werke der Neuen Dokumentarfilmbewe
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), pp. 160-177
Cines regionales
Revista de la Integración (Lima), issue 5 (2010), pp. 70-77
"A partir de las primeras producciones ayacuchanas, que datan del año 1996, ha comenzado a constituirse una continua y creciente producción de largometrajes originados y producidos principalmente en sus propias regiones, con sus propios recursos, fuera del circuito de Lima, comúnmente pensado com
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Apuntes para una historia del video en Chile
Santiago de Chile: Ocho Libros Editores (2010), 244 pp.
The African Filmmaker and Content of African Films: A Study of the Perspectives of the Nigerian Film Audience
Global Media Journal - African Edition, volume 4, issue 1 (2010), pp. 84-115
"This paper attempts to appraise African filmmaking and the content of African films from a Nigerian film audience perspective. The study specifically explores the disposition of the audience towards contemporary African filmmaking for home video and cinema entertainment as well as the content of Af
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A Literature Review: Nigerian and Ghanaian Videos
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 105-120
"The main purpose of this review of the published academic literature on Nigerian and Ghanaian video films is to foster self-awareness in this new field of study. This literature has been produced on three continents and out of many academic disciplines; in consequence, scholars tend to make few ref
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Writing National Cinema: Film Journals and Film Culture in Peru
Hanover, NH; London: Dartmouth College Press; University Press of New England (2009), viii, 276 pp.
"Writing National Cinema traces the twenty-year history of the Peruvian film journal Hablemos de cine alongside that of Peruvian filmmaking and film culture. Similar to the influential French journal Cahiers du cinéma, Hablemos de cine began with a group of young critics interested in claiming the
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Peking-Express: Das junge Kino aus China
Marburg: Schüren (2009), 205 pp.
"Maik Platzen und Qin Hu sind nach Peking ge-reist und haben mit jungen Filmemachern über ihr Land, ihre Filme und was sie uns damit über die Situation in China zeigen wollen, gesprochen. Die jungen Filmemacher stehen in der chinesischen Kunsttradition und gleichzeitig inmitten der gesellschaftlic
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Fokus Bollywood: Das indische Kino in wissenschaftlichen Diskursen
Wien et al.: Lit (2009), 184 pp.
"Bollywood ist nicht nur ein Lifestylephänomen, auch die Wissenschaft beschäftigt sich zunehmend mit indischer Populärkultur. An der Universität Wien findet seit Jahren wichtige Forschung zu diesem Thema statt. Dieser Sammelband vereint Beiträge aus so unterschiedlichen Disziplinen wie Kultur-
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Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
Bloomington: Indiana University Press (2009), x, 441 pp.
"Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses
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