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National Cinemas, National Film Production
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Language
Document type
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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Etat des lieux du cinéma en Afrique: La Tunisie 1995
Ougadougou: FEPACI (1995), 272 pp.
Fields of Vision: Critical Applications in Recent Philippine Cinema
Quezon City: Ateneo de Manila University Press (1995), x, 165 pp.
Brazilian Cinema
New York: Columbia University Press, 3rd expanded ed. (1995), 491 pp.
Cine mudo chileno
Santiago de Chile: CENECA (1994), 207 pp.
Der brasilianische Film: Ein Mythos im freien Fall?
"Auf dem brasilianischen Fernsehmarkt halten die großen privaten Sender ihre 100 Millionen Zuschauer alltäglich überwiegend mit Eigenproduktionen bei Laune. In dieser zum eist eher quantitativ als qualitativ imponierenden Bilderproduktion führt der brasilianische Kinofilm ein Nischendasein, das
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Una década de video en México 1980-1989: Dependencia extranjera y monopolios nacionales
México, DF: Trillas (1994), 143 pp.
Peliculas chilenas
Editorial La Noria (1994), 245 pp.
Filmkultur und Filmindustrie in Ägypten
Darmstadt: Wissenschaftliche Buchgesellschaft (wbg) (1993), 296 pp.
Introdução ao cinema brasileiro
Rio de Janeiro: Revan (1993), 148 pp.
"An early comprehensive history of Brazilian cinema. Includes a selective filmography, register of persons involved in production, and pertinent legislation. Indexed by personal name and film title." (Latin America and the Caribbean: A Critical Guide to Research Sources. Ed. Paula H. Covington. New
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1992 Indian Cinema
New Delhi: Directorate of Film Festivals (1993), 139 pp.
El cine en el Perú. 1950 - 1972: Testimonios
Lima: Universidad de Lima (1993), 212 pp.
100 años de cine en el Perú: Una historia crÃtica
Lima: Universidad de Lima (1992), 447 pp.
Le cinema dans les antilles françaises
Brussels: OCIC (1991), 120 pp.
El cine en el Perú. 1897 - 1950: Testimonios
Lima: Universidad de Lima (1991), 194 pp.
Dicionário de cineastas brasileiros
São Paulo: Art Editora (1990), 408 pp.
"Information on 850 directors and 3000 films. The author conducted 300 interviews during the process of compiling the work. Each entry cites names, facts, dates, and works. Also includes a general bibliography and filmography. Excellent source." (Latin America and the Caribbean: A Critical Guide to
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Würde oder das Geheimnis eines Lächelns: Frauen-Film-Kultur in der Sowjetunion
Zürich: eFeF-Verlag (1990), 236 pp.
Mexican Cinema: Reflections of a Society, 1896-1988
Berkeley: University of California Press, revised ed. (1989), xviii, 256 pp.
O negro no cinema
São Paulo: Museu Lasar Segall (1988), 93 pp.
"An annotated bibliography and filmography of 170 items related to blacks in films. The bibliography includes books and journal articles, published in Brazil and elsewhere, while the filmography lists only Brazilian films. Indexes of subjects, directors and films." (Ann Hartness, Brazil in Reference
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