"This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three s
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ections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis." (Publisher description)
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"This article examines how documentary film can be employed as visual evidence to create a thick description of environmental injustice among low-social-economic status communities in China. In particular, this article exemplifies the approach with a case study of a 2022 research project on transiti
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onal injustice during China’s phase out coal strategy in the case study of Liupanshui, the largest coal mine in southern China since the 1950s. Drawing upon the author’s environmental documentaries that explored the local struggles and sufferings of environmental injustice in China, the article explores how we can examine environmental injustice via a multidisciplinary approach that combines public policy, environmental studies and documentary filmmaking." (Abstract)
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"Going to the cinema means going on a journey” reads one of the banners in Ouagadougou that have been put up to promote the legendary pan-African FESPACO film festival. Afrika Film Festival Köln has also been taking its guests on audiovisual journeys through African cinescapes for 25 years. More
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than 750 films from 45 African countries have been shown in Cologne since the first festival in 1992. They have showcased some hugely diverse and multi-faceted filmmaking talents from Africa and the global African diaspora [...] In addition to showing films relating to this year’s theme of “Land Grabbing and Migration”, one of the first ideas we came up with regarding the make-up of the festival programme was to present a retrospective with the highlights from the last 25 years. But this was soon scrapped due to the huge number of exciting new films that were submitted to FilmInitiativ in 2017 and the many discoveries at major festivals, such as those in Tunis, Ouagadougou and Durban. FilmInitiativ was ultimately again spoilt for choice, with more than 400 new features, documentaries and short films. We therefore decided to keep the focus on contemporary African cinema for the anniversary festival, and to complement the films with a small selection of classics." (Introduction)
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"En este manual se ofrecen herramientas y estrategias de comunicación para la capacitación, además de una riquísima selección de alrededor de 200 películas recomendadas para los procesos de reflexión y debate sobre la urgencia de cuidar y defender la naturaleza. Este manual es fruto de varios
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talleres organizados por Signis ALC en América Latina, en los cuales comunicadores, agentes pastorales, líderes de organizaciones sociales, profesores, académicos y realizadores de cine, han compartido diversas experiencias contemporáneas y ensayado nuevas formas de hacer cine-foro. Así también se ha intercambiado y debatido sobre la problemática, e incidido en algunas claves para construir mensajes comunicacionales, partiendo de la producción de audiovisuales movilizadores, para contribuir al cambio de la cultura consumista, defensa y cuidado del ambiente." (www.signisalc.org)
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