"Muslims in the Movies provides a series of essays that explore the portrayal and reception of Muslims in Euro-American film, transnational productions, and global national cinemas. The volume brings together a group of internationally recognized experts to introduce Muslims in the films of Europe,
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North America, Australia, Iran, Egypt, North Africa, Saudi Arabia, Nigeria, India, Indonesia, and the Philippines. The interdisciplinary collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images. Together, the essays operate as an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema." (Publisher description)
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"Ce dossier se concentre sur ces transformations plus récentes afin d’analyser leur impact sur l’économie et la politique de la production et de la distribution audiovisuelle en Afrique, tout en mettant en question les cadres théoriques et méthodologiques que nous adoptons en tant que cherch
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eurs pour les étudier. Dans cette optique, le Nigeria reste un cas d’étude incontournable à même d’influencer le débat sur les transformations du secteur audiovisuel à l’échelle continentale. Pour cette raison, une section de ce numéro est entièrement dédiée aux transformations récentes de l’industrie audiovisuelle de ce pays et à une réflexion critique sur les approches utilisées pour les analyser, grâce aux contributions de trois chercheurs qui ont fortement marqué les études sur ces phénomènes au cours des dernières années : Jonathan Haynes, Akin Adesokan et Moradewun Adejunmobi. Cette réflexion critique prolonge un débat que les textes du dossier (par Anouk Batard, Abdalla Uba Adamu, Julie Dénommée et Brian Larkin) permettent à la fois d’encadrer et de dépasser, grâce à des propositions théoriques et méthodologiques innovantes, ainsi que par la richesse des données empiriques analysées." (Page 12)
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"Generally, images in art forms occupy a controversial position in the Islamic world. The Sunni branch of Islam, considered more conservative and strict does not approve or condone representational art of the human form for fear that it would eventually turn into an object of worship. The Shi’ite
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branch of Islam, however, has a radically opposing perspective and consequently allows figurative representation in its art forms. The situation becomes more complicated when it comes to depicting prophets, who, starting from the Prophet Muhammad, are prohibited in Sunni Islam from being figuratively represented in any form. This article discusses the representation of spirituality in religious media in Nigeria, especially the reception of the representation of Biblical and Islamic prophets in dubbed Iranian films targeted at popular culture consumption. I situate my discussion within the matrix of social control and censorship in northern Nigerian Muslim cultures." (Abstract)
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"Popular Media, Democracy and Development in Africa examines the role that popular media could play to encourage political debate, provide information for development, or critique the very definitions of 'democracy' and 'development'. Drawing on diverse case studies from various regions of the Afric
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an continent, essays employ a range of theoretical and methodological approaches to ask critical questions about the potential of popular media to contribute to democratic culture, provide sites of resistance, or, conversely, act as agents for the spread of Americanized entertainment culture to the detriment of local traditions. A wide variety of media formats and platforms are discussed, ranging from radio and television to the Internet, mobile phones, street posters, film and music." (Publisher description)
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