"This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament;
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considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema)." (Publisher description)
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"Interreligious dialogue schemes based upon different faith traditions exist; however, to chose one scheme over another can generate religious tensions, possible accusations of bias and even event-cumreligion snubbing. One way of circumventing this potential problem is to adopt a generic, non-sectar
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ian model based upon human communication science. The critical literature was reviewed and Taylor et al. 's (1977) classic transactional communication model (TCM) was explicated. This eight-element model comprising of (1) Source, (2) Stimulus, (3) Receiver, (4) Sensory Receptors, (5) Interpretation/Response, (6) Noise, (7) Feedback and (8) Situation/Context was applied to a hypothetical bi-lateral dialogue to demonstrate its methodological viability. This scientific (re)conceptualisation of dialoguing redefined its constitutive elements, provided new insights into the theoretical foundations of the enterprise, and highlighted important praxis requirements for the design, organisation and running of future events." (Abstract)
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