"This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television secto
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rs, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public." (Publisher description)
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