"An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders. Disability and media has emerged as a dynamic and exciting area of c
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ontemporary culture and social life. Media-- especially digital technology--play a vital role in disability transformations, with widespread implications for global societies and how we understand communications. This book addresses this development, from representation and audience through technologies, innovations and challenges of the field. Through the varied and global perspectives of leading researchers, writers, and practitioners, including many authors with lived experience of disability, it covers a wide range of traditional, emergent and future media forms and formats." (Publisher description)
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"Today, DIY- do-it-yourself - describes more than self-taught carpentry. Social media enables DIY citizens to organize and protest in new ways (as in Egypt's "Twitter revolution" of 2011) and to repurpose corporate content (or create new user-generated content) in order to offer political counternar
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ratives. This book examines the usefulness and limits of DIY citizenship, exploring the diverse forms of political participation and "critical making" that have emerged in recent years. The authors and artists in this collection describe DIY citizens whose activities range from activist fan blogging and video production to knitting and the creation of community gardens. Contributors examine DIY activism, describing new modes of civic engagement that include Harry Potter fan activism and the activities of the Yes Men. They consider DIY making in learning, culture, hacking, and the arts, including do-it-yourself media production and collaborative documentary making." (Back cover)
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"This study critically reflects on a schism evident in debates surrounding ‘humanitarian communication’. On one hand, it is approached as embodying an ideal of ethical practice. On the other, ideal humanitarianism is deployed as the grounds for a critique, whereby ‘humanitarian practice’ is
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seen as compromised by exigencies and political-economic influence. Drawing on the testimony of humanitarian communication practitioners within major international agencies, we argue this also reflects a felt tension within the field, where practitioners are very aware of the practical constraints and material influences to which they are subject. In both cases, however, an assumed opposition between the ‘practical’ and the ‘ethical’ tends to position ‘humanitarian ethics’ as an ahistorical ideal that stands apart from, and acts as a check on, instrumental action. This paper argues that a more historically grounded analysis suggests a more complex interrelationship between ethical and instrumental concerns." (Abstract)
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"This collection of essays, the first book-length treatment of its kind, explicates the concept of «media interventions», which are herein defined as activities and projects that secure, exercise, challenge or acquire media power for tactical and strategic action. Drawing on insights from media, c
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ommunication and cultural studies, contributors offer penetrating analyses of media interventions in a variety of social, political, and cultural settings from culture jamming and DIY media to public relations campaigns and reality television shows. In doing so, the volume develops an analytical framework for examining the complex and contradictory operation of media power in contemporary society." (Publisher description)
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"The crucial interaction between humanitarian agencies and the media has been researched in the past but today it continues to evolve and change—and not for the better. This article, drawing on accounts from communications managers working inside the world's major aid agencies (Red Cross, Oxfam, S
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ave the Children, World Vision, CARE and Médecins sans Frontières), examines how communication strategies designed to raise awareness, funds and support have assimilated to today's pervasive “media logic”. In the increasingly crowded and competitive field of humanitarian agencies, non-governmental organizations (NGOs) now seek to “brand” themselves in the media; they purposefully use celebrities and produce regionalized and personalized “media packages” to court media attention; and they reflexively expend time and resources warding off increased risks of mediated scandals. In such ways, aid agencies have become increasingly embroiled in the practices and predilections of the global media and can find their organizational integrity impugned and communication aims compromised. These developments imperil the very ethics and project of global humanitarianism that aid agencies historically have done so much to promote." (Abstract)
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"The essays collected here capture the richness of current discourse about democracy and cyberspace. Some contributors offer front-line perspectives on the impact of emerging technologies on politics, journalism, and civic experience. What happens, for example, when we increase access to information
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or expand the arena of free speech? Other contributors place our shifting understanding of citizenship in historical context, suggesting that notions of cyber-democracy and online community must grow out of older models of civic life. Still others consider the global flow of information and test our American conceptions of cyber-democracy against developments in other parts of the world. How, for example, do new media operate in Castro's Cuba, in post-apartheid South Africa, and in the context of multicultural debates on the Pacific Rim? For some contributors, the new technologies endanger our political culture; for others, they promise civic renewal." (Publisher description)
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"This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way. Some of the to
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pics covered include religion in the media age, popular broadcasting, communication theology, popular piety, film and religion, myth and ritual in cyberspace, music and religion, communication ethics, and the nature of truth in media saturated cultures." (Publisher description)
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