mediadev library

Rose Ferrell, Rosanne Welch (eds.)

Bristol: Intellect (2025), 658 pp.

"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level ... of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many. In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change. We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1) more

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Changing tides in Zambian television broadcasting: Digital migration and Chinese engagement

Elastus Mambwe

Global Media and Communication, volume 19, issue 3 (2023), pp. 357-371

"This paper examines the recent shifts and debates in the organization of the television landscape following the implementation of digital migration in Zambia. It ponders Zambia’s experience in the digital migration exercise, playing particular attention to the country’s interaction with the Chi ... more

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New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures

Trust Matsilele, Shepherd Mpofu, Dumisani Moyo (eds.)

Cham: Palgrave Macmillan (2023), xxiii, 319 pp.

"This volume presents case studies of news media employing and integrating social media into their news production practices. It links social media use to journalistic practices and news production processes in the digital age of the Global South. Critically, the chapters look at seminal cases of st ... more

Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds

Changing tides in Zambian television broadcasting: Digital migration and Chinese engagement

New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures