"This edited collection investigates the use of sound and audio production in community engaged participatory arts practice and research. The popularity of podcast and audio drama, combined with the accessibility and portability of affordable field recording and home studio equipment, makes audio a
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compelling mode of participatory creative practice. This book maps existing projects occurring globally through a series of case study chapters that exemplify community engaged creative audio practice. The studies focus on audio and sound-based arts practices that are undertaken by artists and arts-led researchers in collaboration with (and from within) communities and groups. These practices include - Applied audio drama, community-engaged podcasting, sound and verbatim theatre, participatory sound art, community-led acoustic ecology, sound and media walks, digital storytelling, oral history and reminiscence, and radio drama in health and community development. The contributors interrogate the practical, political, and aesthetic potentialities of using sound and audio in community engaged arts practice, as well as its tensions and possibilities as an arts-led participatory research methodology." (Publisher description)
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"This edited volume considers why the African language press is unstable and what can be done to develop quality African language journalism into a sustainable business. Providing an overview of the African language journalism landscape, this book examines the challenges of operating sustainable Afr
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ican language media businesses. The chapters explore the political economy and management of African language media and consider case studies of the successes and failures of African language newspapers, as well as the challenges of developing quality journalism." (Publisher description)
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"Investiga os efeitos de sentido, como são construídos e que valores são colocados em circulação no espaço destinado aos comentários nas transmissões ao vivo das missas pelo Facebook. Busca entender como, ao longo da transmissão, acontecem as interações entre público, padre e plataforma
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no espaço dedicado aos comentários. Toma como corpus os comentários das lives das celebrações transmitidas através da página do Padre Anderson Gomes, responsável pela administração da Paróquia Nossa Senhora do Perpétuo Socorro, em Vila Velha (ES). Constitui pesquisa documental, a partir dos posts extraídos da página, com recorte feito após o levantamento das transmissões das missas realizadas no período de um ano, entre 01 de outubro de 2017 e 30 de setembro de 2018. Analisa a transmissão ocorrida no dia 1o de julho de 2018. Trata os dados de forma qualitativa, à luz do referencial teórico e metodológico da sociossemiótica, de Eric Landowski, A.J Greimas e colaboradores. Tem como hipóteses que a experiência religiosa on-line do público está vinculada à experiência off-line e que a interação entre os sujeitos acontece não só através dos regimes de manipulação e programação, mas também a partir do regime de ajustamento." (Resumo)
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"This article argues that community publishing initiatives might extend the scope and impact of their work by critically examining the ways in which technology influences the production and circulation of their [counter]public discourse. Building upon the work of Paula Mathieu, the author analyzes t
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he material and discursive complexities of the “street paper” movement as a site of community-based publishing, finding both limitations and potential in the survival-driven, print-based, and hyperlocal character of street paper media. Discussing an emerging digital platform for participatory blogging among homeless and low-income street paper vendors, the author suggests how a model of Web-based, multimodal, and interactive communication might work to extend the community literacy practices of the street paper movement." (Abstract)
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