"Wars in films are […] always more than just the staging or presentation of a historical event; they offer an interpretation of these events that usually corresponds with other aspects, e. g. society's evaluation of war per se, or wishes about how specific events related to war should be commemora
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ted within the public conscience. Of course, films can also act as a medium to criticize war, but the functionality of the filmic stagings of collective violence is usually determined by the interaction between producers and the audience of the film. The following chapters try to provide a variety of insights into these relationships, and although they focus on different time periods and aspects related to the semiotics, narratives, and perceptions of war in film, they all circle around certain questions related to war films in general. These are: 1. To what extent do war films present historical events that are already socio-culturally embedded within national narratives, and to what extent do their semiotics support or challenge common views about wars and collective violence? 2. Which conscious or subconscious images or visual semiotics are used within war films to connect the audience to the film and its narrative? 3. How do films create, transport, or intensify the perception and interpretation of wars within societies? To answer these, each of the contributions of the present volume engages with specific war films and connects their respective war-related motifs and narratives with these questions." (Introduction, page 7-11)
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"Global Sceptical Publics is the first major study of the significance of different media for the (re)production of non-religious publics and publicity. While much work has documented how religious subjectivities are shaped by media, until now the crucial role of diverse media for producing and part
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icipating in religion-sceptical publics and debates has remained under-researched. With some chapters focusing on locations hitherto barely considered by scholarship on non-religion, the book places in comparative perspective how atheists, secularists and humanists engage with media – as means of communication and forming non-religious publics, but also on occasion as something to be resisted. Its conceptually rich interdisciplinary chapters thereby contribute important new insights to the growing field of non-religion studies and to scholarship on media and materiality more generally." (uclpress.co.uk)
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"This book has compiled the tech policy debate into a toolkit for policy makers, legal experts, and academics seeking to address platform dominance and its impact on society today. It discusses the global consensus around technology regulation with recommendations of cutting-edge policy innovations
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from around the world. It also explores the proposed policy toolkit through comprehensive coverage of existing and future policy on data, antitrust, competition, freedom of expression, jurisdiction, fake news, elections, liability, and accountability. The book identifies potential policy impacts on global communication, user rights, public welfare, and economic activity. It outlines a policy framework that address the interlocking challenges of contemporary tech regulation and offer actionable solutions for the technological future." (Publisher description)
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"Namibia gehört heute zu den beliebtesten Fernreisezielen der Deutschen - vielleicht auch deshalb, weil es einst als "Deutsch-Südwestafrika" Kolonie war. Die Erfahrung von Tourismus und Globalisierung rückte in den vergangenen Jahren den europäischen Kolonialismus, der auch die deutsche Geschich
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te weit stärker als gemeinhin angenommen prägte, ins allgemeine Bewusstsein. Das Buch legt eine Bilanz der Spurensuche nach Erinnerungsorten der oft unrühmlichen deutschen Kolonialgeschichte vor. In 30 leicht verständlich geschriebenen Einzelbeiträgen präsentiert es Personen, Institutionen, Ereignisse und Vorstellungswelten. Albert Schweitzers Hospital Lambaréné, Hagenbecks Tierpark und die "Hunnenrede" Kaiser Wilhelms II. zählen hierzu ebenso wie der Berg Kilimandscharo, den der Deutsche Hans Meyer als erster Europäer bestieg, Bernhard Grzimeks Film "Serengeti darf nicht sterben" oder der "Sarotti-Mohr". (Verlagsbeschreibung)
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"The term 'Social Communication' (lat. 'Communicatio Socialis') was coined at the Second Vatican Council. The decree Inter Mirifica (1963) uses this expression to point to the communication processes of and in human society beyond technical means. According to this Festschrift marking the 75th birth
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day of Franz-Josef Eilers SVD, Social Communication has been his lifelong Leitmotif. Eilers has been one of the most prominent writers on Church and intercultural communication. He founded and for many years edited the scholarly quarterly Communicatio Socialis, and he served as collaborator and director of CAMECO and the Office for Social Communication of the Federation of Asian Bishops' Conferences. 15 international communication experts, from Catholic as well as ecumenical viewpoints, contributed to this book. The articles cover a broad range of issues, from practical experiences ('Radio Broadcasting in the Brazilian Amazon') to trend reports ('The rediscovery of religion by journalists in the Netherlands') and theological reflections ('The concept of dialogue and its ethical implications')." (CAMECO Update 2-2008)
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