Document details

Palestinian Cinema: Landscape, Trauma and Memory

Edinburgh: Edinburgh University Press (2008), vii, 224 pp.

Contains bibliogr. pp. 200-211, filmography pp. 212-215, index

Series: Traditions in World Cinema

ISBN 978-0-7486-3407-1 (hbk); 978-0-7486-3408-8 (pbk)

Other editions: First published (as Landscape in Mist: Space and Memory in Palestinian Cinema) in Hebrew in 2005 by Am Oved and the Open University, Tel Aviv

"One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle." (Publisher description)
Introduction, 1
1 A Chronicle of Palestinian Cinema, 11
2 From Bleeding Memories to Fertile Memories, 59
3 About Place and Time: The Films of Michel Khleifi, 74
4 Without Place, Without Time: The Films of Rashid Masharawi, 101
5 The House and its Destruction: The Films of Ali Nassar, 119
6 A Dead-End: Roadblock Movies, 134
7 Between Exile and Homeland: The Films of Elia Suleiman, 171
Conclusion, 190
Epilogue, 193