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Indigeneity in Real Time: The Digital Making of Oaxacalifornia
Chicago: Rutgers University Press (2023), 233 pp.
"Long before the COVID-19 crisis, Mexican Indigenous peoples were faced with organizing their lives from afar, between villages in the Oaxacan Sierra Norte and the urban districts of Los Angeles, as a result of unauthorized migration and the restrictive border between Mexico and the United States. B
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Theorising Media and Conflict
New York; Oxford: Berghahn (2020), x, 339 pp.
"Theorising Media and Conflict is the result of a joint and interdisciplinary effort to set the theoretical and empirical agenda in theorising upon the complex relationship between media and conflict. By considering the theorisation work accomplished by the ‘Anthropology of Media’ series forerun
...
Transborder Media Spaces: Ayuujk Videomaking Between Mexico and the US
New York; Oxford: Berghahn (2017), xvii, 336 pp.
"Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined medi
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Photography in Latin America: Images and Identities Across Time and Space
Bielefeld: transcript (2016), 242 pp.
"Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologie
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Espacios mediáticos: Cultura y representación en México
Berlin: Edition Tranvía, Verlag Walter Frey (2012), 410 pp.
Der ethnographische Film: Einführung in Methoden und Praxis
Berlin: Reimer (1995), 293 pp.
"Zwei Aspekte stehen im Mittelpunkt der Beiträge von insgesamt zwölf Autoren: der Film als eine Methode der ethnologischen Forschung und der ethnologische Film als Forschungsgegenstand. Behandelt werden u.a. verstecktes und offenes Filmen, Verhältnis zu den Gefilmten, gegenseitige Beeinflussung,
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