"China’s extensive media presence in Africa aims to distinguish itself through the use of constructive journalism in contrast with the perceived dominance of conflict journalism by Western media outlets. However, many scholars have raised questions of consistency surrounding Chinese media’s use
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of constructive journalism in representing Africa (e.g. Marsh, 2016). With perspectives from Galtung’s (1987, p. 1998) conflict and peace journalism, this research applies Critical Discourse Analysis to examine Chinese media’s representation of Africa to an international audience. Using linguistic data from China Radio International’s Today, it challenges the distinctions among peace journalism, solutions journalism and constructive journalism. The findings show that China’s claim of constructive journalism strongly favors the coverage of China, yet is largely absent in the coverage of the African continent. It suggests that while Chinese state-sponsored media utilizes the so-called constructive journalism when presenting information about a specific region to that region, these representations are not consistent across their international coverage. Hence, Africa remains a victim of conflict journalism." (Abstract)
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"This corpus-based discourse study briefly reviews the activities of Boko Haram and the conflict between the nomadic herdsmen and sedentary agrarian farmers of north-central and southern Nigeria. But the study focuses on the representations of the main actors in the conflict and the conflict itself
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in the Western media and the Nigerian press, and examines the ideological implications of these representations as well as the possible consequences of some particular evaluations of the conflicts for peace and security in Nigeria. The article’s findings show that the constructions of the conflict and the main actors in the Nigerian press are highly sensational, divisive and dangerous. While the foreign press appears much more objective and often constructs the conflict as ‘deadlier than Boko Haram’, the reports still appear to minimize the seriousness of the conflict and construct the actions of the main actors from a perspective that would appeal only to foreign audiences." (Abstract)
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