"In many ways what is identified today as "cultural globalization" in Eastern Europe has its roots in the Cold War phenomena of samizdat ("do-it-yourself" underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West
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during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political, print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media and the use of new media in countries like China, Iran, and the former Yugoslavia." (Book cover)
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"The German empire that emerges from the volume edited by Michael Perraudin and Jürgen Zimmerer is one very much embedded in a broader European colonial discourse. Just like any other empire, Germany believed itself to be a "better" empire, more benevolent, more efficient, more civilized. Yet we le
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arn that in spite of these propositions the German was a very violent, indeed genocidal, empire, whose brutal deeds were matched in its racist and aggressive representations. And we learn that while Germany's academic and political elite has sought to confront the colonial past, its general public remains for the most part detached and uninterested. While the volume gives a rich and variegated overview of the cultural processes that relate to German colonialism, the individual essays are rather short, and some of them lack the evidence and stringency of argument that one would expect of a full-fledged essay. The short introduction to the volume outlines the individual contributions, but it does not provide a theoretical framework that reflects on the culturalist approach of the volume or the claim posited in the title of a nexus between German colonialism and "German identity." A more comprehensive treatment of these overarching questions in the introduction would significantly have improved this extensive and insightful collection." (www.h-net.org/reviews/showrev.php?id=32217)
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"Evolution et situation actuelle de la télévision en Argentine." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 118, topic code 410.1)