"This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament;
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considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema)." (Publisher description)
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"I. Accord des techniques audio-visuelles avec la mentalité africaine — II. Adaptation des « techniques » aux conditions « humaines » du Cameroun — III. Cameroun, miroir « humain » de l'Afrique — Conclusion." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the develo
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ping countries. Brussels: CIDESA, 1971 Nr. 1650, topic code 511.4)
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