"This edited volume examines how the growth of social media and ancillary computer systems is affecting the relationship between journalism and the pursuit of truth. Experts explore how news is perceived and identified, presented to the public, and how the public responds to news. They consider soci
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al media’s effect on the craft of journalism as well as the growing role of algorithms, big data, and automatic content production regimes. The volume’s aim is to confront these issues in a way that will be of enduring relevance; the discussions about contemporary journalism inform current students and help scholars in the future. Chapters reflect on questions such as what is different and what remains the same in journalism’s pursuit of truth now that social media has become such a prominent force in news gathering, dissemination, and reinterpretation? How has reader participation and responses changed? What are the implications for journalistic information gathering and truth claims? What is different now about the social roles of journalists and media institutions? How does interaction between journalists and social media affect democratic practices? The chapters offer a mix of empirical and critical work that reflects on journalism’s past, present, and future roles in our lives and in society." (Publisher description)
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"Seit jeher provozieren Kriege heftige Emotionen. Mit dem Fortschritt militärischer Techniken und Propagandamethoden ging aber auch eine Veränderung der Wahrnehmung von Kriegen durch die Künste einher. Bis heute konstruieren die Literatur, die Fotografie, der Film und das Fernsehen Abbilder von K
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riegsschauplätzen in aller Welt, die ihr Publikum durch die Aufrufung bestimmter ideologischer Rahmungen, Raster oder auch Pathosformeln gezielt zu emotionalisieren versuchen. Namhafte Autorinnen und Autoren aus der internationalen Literatur-, Kultur- und Medienwissenschaft untersuchen verschiedenste Phänomene der historischen und der aktuellen Kriegsinszenierung - in der Literatur seit dem 18. Jahrhundert, im Kino und in den neuen Medien." (Verlagsbeschreibung)
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"The second edition of this already-classic text has been completely revised to reflect the metamorphosis of communication in the last 15 years and the ubiquity of visual communication in our modern mediated lifestyle. 13 major theories of communication are defined by the top experts in their fields
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: perception, cognition, aesthetics, visual rhetoric, semiotics, cultural studies, ethnography, narrative, media aesthetics, digital media, intertextuality, ethics, and visual literacy. Each of these theory chapters is followed by an exemplar study or two in the area, demonstrating the various methods used in visual communication research as well as the research approaches applicable for specific media types. The Handbook of Visual Communication is a theoretical and methodological handbook for visual communication researchers and a compilation for much of the theoretical background necessary to understand visual communication. It is required reading for scholars, researchers, and advanced students in visual communication, and it will be influential in other disciplines such as advertising, persuasion, and media studies. The volume will also be essential to media practitioners seeking to understand the visual aspects of how audiences use media to contribute to more effective use of each specific medium." (Publisher description)
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