"This book tackles the infodemic—the rapid, widespread diffusion of false, misleading, or inaccurate information about the disease and its ramifications—triggered by the COVID-19 pandemic. With a focus on four Asian societies, the book compares and analyzes the spread of COVID-19 misinformation
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and its broad impacts on the public in Beijing, Hong Kong, Taipei, and Singapore." (Publisher description)
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"The religious dimension of Chinese cinema is, it has been observed, a "triple lacuna" in contemporary scholarship: in research on religion in China, in research on Chinese cinema, and in interdisciplinary research on film and religion. From 2002 to 2012, independent filmmaker Gan Xiao'er directed t
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hree low-budget features that portrayed rural Christianity in China, a subject almost entirely absent from both Chinese mainstream media and independent films. In this article, I analyze Gan's films by locating them in their social, political, and religious contexts, by comparing them with other Chinese films, and by linking them to the tradition of Western films that portray spirituality. I observe a progression in themes and style from Gan's first feature, The Only Sons, CN 2002, to his third, Waiting for God, CN 2012. I seek to show that Gan developed a restrained directorial style in order to connect with the spirituality of Chinese peasants. Although he had to grope in the dark on many aspects, his engagement with Christian themes has greatly expanded the narrative space of Chinese cinema. "(Abstract)
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"This issue of the IDS Bulletin brings together studies of the primary institutions and policies that are guiding China’s activities in development cooperation, focusing on the question of what China contributes to international development and the implications for global development cooperation.
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It also explores a range of cross-cutting topics including: the new Asian development finance and the potential impact of China on development thinking and policies, and China’s development practice and the effectiveness of SSC and triangular cooperation. China’s new initiatives and practices in development cooperation, distinctive from that provided by traditional donors, will reshape the landscape of global development, leading to the generation of new development knowledge and global development cooperation governance architecture. Given China’s growing prominence as a source of development finance, and as an institutional player, there is a real need for greater mutual understanding to promote effective healthy competition in development cooperation." (Publisher description)
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"This book frames digital sovereignty as a right to be claimed and a process constantly in the making, as a condition of the ability to critically partake in the digital transformation. Emphasizing a political and transformative significance of the term, this interdisciplinary publication gathers sc
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holars, activists, artists and human rights advocates who develop practices or provide spaces and structures to foster sophisticated means of digital involvement. Its aim is to identify diverse facets of what it means to be digitally sovereign, but also to critically discuss the viability of the term, especially in the light of modern-day crises and for the many future challenges yet to come. The positions assembled in this volume analyze new opportunities for social participation and policy making and recommend alternative technological and social practices utilized by various groups and collectives – both before and after COVID-19." (Introduction, page 13)
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"As part of China’s ‘going out’ strategy, China is using its media to promote its views and vision to the wider world and to counter negative images in the US-dominated international media. China’s Media Go Global, the first edited collection on this subject, evaluates how the unprecedented
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expansion of Chinese media and communications is changing the global media landscape and the role of China within it. Each chapter examines a different dimension of Chinese media’s globalization, from newspapers, radio, film and television, to social media and journalism cultures and practices. Topics include the rise of Chinese news networks, China Daily as an instrument of China’s public diplomacy and the discussion around the growth of China’s state media in Africa. Other chapters discuss entertainment television, financial media and the advertising market in China." (Publisher description)
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"This book brings together scholars from a variety of disciplines to address critical perspectives on Chinese language social media, internationalizing the state of social media studies beyond the Anglophone paradigm. The collection focuses on the intersections between Chinese language social media
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and disability, celebrity, sexuality, interpersonal communication, charity, diaspora, public health, political activism and non-governmental organisations (NGOs)." (Publisher description)
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"In this chapter, Guo-Ming Chen portrays two faces of communication in Chinese culture. He thematizes harmony, one of the core Chinese cultural values, to paint a picture of the first face. According to him, in order to achieve harmony, Chinese people would (1) follow the principles of jen (benevole
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nce), yi (righteousness), and li (rite/courtesy), (2) properly adjust to shi (temporal contingencies), wei (spatial contingencies), and ji (the first imperceptible beginning of movement), and (3) strategically exercise guanxi (interrealtion), mientze (face), and power. This harmony-oriented communication can also be understood in light of other Chinese cultural concepts such as mientze (face), guanxi (interrelation), yuan (destined relations), keqi (politeness), bao (reciprocity), feng shui, and zhan bu (divination). Chen then moves on to paint a picture of the second face, which is the dark side of Chinese communication, that appears when harmony cannot be upheld." (Page 273)
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