"Using a narrative style, this book draws on stories and examples from seven South Asian countries—Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka—to highlight how communities in South Asia are building resilience to climate change. A total of 58 authors have contributed to t
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his volume, and I am delighted that most of them are from the South Asian Network for Development and Environmental Economics (SANDEE) representing all the seven South Asian countries, five of which are from the Hindu Kush Himalayan region. The 29 chapters in the book are organised under six themes: concepts and models; traditional knowledge and sustainable agriculture; technology adoption; disaster risk reduction; urban sustainability; and alternative livelihoods. These chapters highlight stories of creativity, community engagement, and locally applicable solutions. They are powerful and instructive. They offer valuable lessons for researchers, practitioners, and policy-makers." (Foreword, page xv)
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"This book documents the journalistic career of Mohandas K. Gandhi. Known as the Mahatma and the Father of India, Gandhi was also a journalist. However, he was a not a journalist in the same vein as those working for the New York Times or the BBC.
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Rather, Gandhi was what is called an advocacy journalist; that is, his journalism served various political, social, and cultural causes—most importantly, in the long run, the Indian independence movement. Among the other key causes were equality, human rights, Muslim-Hindu relations, vegetarianism, chastity, poverty, and hygiene. The chapters in this book were written by authors who attended a conference on Gandhi and media at the University of St. Andrews on the 150th anniversary of Gandhi’s birthday, in October 2019. It relies on careful analysis of his newspapers, produced in both South Africa and India, including Indian Opinion, Young India, the Gujarati newspaper Navajivan, and three versions of Harijan, which were in English, Gujarati, and Hindi. The authors also place Gandhi’s version of journalism in a historical context of small, family-operated weekly newspapers that were commonplace in the nineteenth century. Finally, the book looks at other media tools Gandhi used to transmit his messages to the public, including his recorded voice for gramophone." (Publisher description)
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"Many Voices, Many Worlds: Critical Perspectives on Community Media in India is a critical reflection on governance and policymaking, development, disability, knowledge and other social markers in the context of community media. Bringing together different modes of community media—such as video, r
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adio, theatre, information and communication technologies (ICTs) and new media—into a productive conversation with each other, the book focuses on how communities through their communicative practices, negotiate the politics of caste, class, gender, and access to funding and technology." (Publisher description)
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"Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures
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in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience." (Publisher description)
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"This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre's engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire. Deploying a nuanced theoretica
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l framework, the volume closely examines major texts such as The Harappa Files, Delhi Calm, Kari, Bhimayana, Gardener in the Wasteland, Pao Anthology, and authors and illustrators including Sarnath Banerjee, Vishwajyoti Ghosh, Durgabai Vyam, Amrutha Patil, Srividya Natarajan and others. It also explores - using key illustrations from the texts - critical themes like contested and alternate histories, urban realities, social exclusion, contemporary politics, and identity politics." (Publisher description)
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"Les buts poursuivis par l'Union des Journalistes Indiens — Coopération — Lutte pour les droits démocratiques — Lutte pour de meilleures conditions de travail. L'article est à base d'extraits de l'intervention de l'auteur, Trésorier de la Fédération Indienne des Journalistes Travailleurs
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, Allocution présentée au Ve Congrès de l'O.I.J., Budapest, 1962." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 896, topic code 110.32, 162)
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