" Given the breadth and scope of India's media, there is little meaningful literature available about journalism practices. This book brings together contribution from 21 Indian and global scholars and journalists to write informatively and critica
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lly about Indian journalism today. The contributors in this volume focus on the changes in journalism practices within the context of India's long journalism history, socio-economic conditions of the Indian state, and minority politics. The volume is divided into four different sections, each addressing one relevant aspect: history and evolving changes, social media, e-journalism, marginalization, pedagogy, ethics, and public sphere. Underlying the chapters is a focus on how to address and analyze the enormity and precipitous changes taking place in Indian journalism, media technology, and global relations." (Publisher description)
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"What role does mass media play in the promotion of global norms? We address this question through an analysis of Human Development Reports (HDRs) produced by the United Nations Development Programme. Although HDRs have promoted human development ideology over the past twenty-five years,
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little is known about how and to what extent their messages have been disseminated to the public. Addressing this gap in the literature, we examine a critical intervening factor in the process of international norm diffusion: political communication via the mass media. Highlighting the importance of framing and agenda setting, we identify four communicative mechanisms that can facilitate norm diffusion: credibility, persistence, resonance, and decentralization. Through qualitative and quantitative content analysis, we assess how these mechanisms have enabled HDRs to attract favorable global media attention such that they are now cited much more frequently than their rival, the World Bank's World Development Reports." (Abstract)
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"Collectively known as Hallyu, Korean music, television programs, films, online games, and comics enjoy global popularity, thanks to new communication technologies. In recent years, Korean popular culture has also become the subject of academic inquiry. Whereas the Hallyu's impact on Korea's nationa
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l image and domestic economy, as well as on transnational cultural flows, have received much scholarly attention, there has been little discussion of the role of social media in Hallyu's propagation. Contributors to Hallyu 2.0: The Korean Wave in the Age of Social Media explore the ways in which Korean popular cultural products are shared by audiences around the globe; how they generate new fans, markets, and consumers through social media networks; and how scholars can analyze, interpret, and envision the future of this unprecedented cultural phenomenon." (Publisher description)
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"Visual images have been a central component of propaganda for as long as propaganda has been produced. But recent developments in communication and information technologies have given terrorist and extremist groups options and abilities they never would have been able to come close to even 5 or 10
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years ago. There are terrorist groups who, with very little initial investment, are making videos that are coming so close to the quality of BBC [British Broadcasting Corporation] or CNN [Cable News Network] broadcasts that the difference is meaningless, and with access to the web they have instantaneous access to a global audience. Given the broad social science consensus on the power of visual images relative to that of words, the strategic implications of these groups' sophistication in the use of images in the online environment is carefully considered in a variety of contexts by the authors in this collection." (Publisher description)
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"Advocates for media freedom have consistently argued that corruption goes down when journalists operating in a free media environment are able to expose the excesses of governmental leaders. An evolving body of research finds evidence to support this assertion. Measurement of corruption is a compli
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cated undertaking, and it has received little attention in this literature. This paper focuses on perceptual measures of corruption based on public opinion surveys. It attempts to replicate the finding of a negative relationship between media freedom and corruption using multiple measures of media freedom. The findings challenge the general argument that media freedom unambiguously is associated with lower levels of corruption." (Abstract)
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"Takeuchi (Sasakawa Peace Foundation, 2005) completed an evaluation of a program that, from 1991 to 2004, brought 81 journalists from the Pacific Islands to Japan for visits of differing duration. The purpose of the program was to expose the journalists to Japanese culture, politics and media. Takeu
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chi surveyed participants and reviewed stories written upon their return to assess impact of the program. The evaluator concluded that the program undoubtedly was successful in exposing a group without prior experience to Japanese life, but there was little evidence the program had an impact on the professional development of the journalists. It also had limited impact on what the journalists wrote or did after they returned." (Becker/Vlad et al. 2006, cited in Becker/Vlad in: Trappel/Meier 2011, page 23)
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"The most striking impression is the fact that little research exists. Our review touched studies and discussions of many kinds, all with some relation to the central question, "What are the effects of cross-cultural broadcasting?" Much of what we
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found is based on fear or undue optimism. The lack of studies firmly rooted in data: this is the overriding fact about this inquiry. While the image of cross-cultural broadcasting may be one of the ''cultural'' interchange, the reality is that of the marketplace. Commercial values are the rule; non-commercial broadcasting is not a major competitor to commercial programming. Programmes intended for any type of social improvement are rare. If they exist at all, they can be found on radio much more than on television or in films. General entertainment programming has a definite social value, but most observers would hope for programming more explicitly geared to the social needs of their diverse audiences. Furthermore, imported entertainment programmes produced for foreign audiences penetrate the host culture in ways that are not understood. Lack of understanding generates uneasiness and fear." (Implications of this report, 40)
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"The author considers that the film in itself tends to strengthen existing social attitudes rather than start new social movements — He suggests some points which might be considered in attempting to modify the function of the film so that it promotes new ideas in education." (Jean-Marie Van Bol,
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Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 1312, topic code 352)
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