"This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviews of the major topics and questions within comic studies, offering readers a truly global approach to unde
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rstanding the field. Essays examine: the history of the temporal, geographical, and formal development of comics, including topics like art comics, manga, comix, and the comics code; issues such as authorship, ethics, adaptation, and translating comics connections between comics and other artistic media (drawing, caricature, film) as well as the linkages between comics and other academic fields like linguistics and philosophy; new perspectives on comics genres, from funny animal comics to war comics to romance comics and beyond." (Publisher description)
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"This study of the digital storytelling (DST) project at the South Asia Hub of the Pathways of Women’s Empowerment Research Programme Consortium examines the capacity of DST practice to articulate women’s diverse experiences of empowerment, given the genre’s formalities and narrative guideline
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s. I challenge notions that DST mediation is limited to relationships between the storyteller and the technology, and instead focus on mediation as a co-creative process. There are at least two overlooked dynamics in DST. The first is how the organisation adopts narrative guidelines to fit their framework and purpose; and second, the social relationships mediating the way actors related to one another in the workshop. I find that the workshop model and specific narrative structure may constrain ways of conveying ‘experience’. Not every participant’s experience or mode of narration is readily suited for DST. On the other hand, participants also report DST as useful for strengthening community relationships and opening up a more self-reflexive space for critical thinking." (Abstract)
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