"Recent years have seen the expansion of critical scholarship on humanitarian communication across a range of academic fields, sharing recognition of the centrality of media and communications to our understanding of humanitarianism as an agent of transnational power, global governance and cosmopoli
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tan solidarity. The Handbook brings into dialogue these diverse fields, their theoretical frameworks and methodological approaches as well as the public debates that lie at the heart of the contemporary politics of humanitarianism. It consolidates existing knowledge and maps out this emerging field as an important site of interdisciplinary knowledge production on media, communication and humanitarianism." (Publisher description)
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"While the field of Journalism Studies has already engaged in rich debates on how to rethink the truth conditions of user-generated content (UGC) in platform journalism, we argue that it has missed out on the ethico-political function of UGC as testimonials of lives-at-risk. If we wish to recognize
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and act on UGC as techno-social practices of witnessing human pain and death, we propose, then we need to push further the conceptual and analytical boundaries of the field. In this paper, we do this by introducing a view of UGC as flesh witnessing, that is as embodied and mobile testimonies of vulnerable others that, enabled by smartphones, enter global news environments as appeals to attention and action. Drawing on examples from the Syrian conflict, we provide an analysis of the narrative strategies through which flesh witnessing acquires truth-telling authority and we reflect on what is gained and lost in the process. Western story-telling, we conclude, strategically co-opts the affective dimension of flesh witnessing – its focus on child innocence, heroic martyrdom or the data aesthetics of destruction – and selectively minimizes its urgency by downplaying or effacing the bodies of non-western witnesses. This preoccupation with verification should not be subject to geopolitical formulations and needs to be combined with an explicit acknowledgement of the embodied voices of conflict as testimonies of the flesh whose often mortal vulnerability is, in fact, the very condition of possibility upon which western broadcasting rests." (Abstract)
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"The SAGE Handbook of Media and Migration offers a comprehensive overview of media and migration through new research, as well as a review of present scholarship in this expanding and promising field. It explores key interdisciplinary concepts and methodologies, and how these are challenged by new r
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ealities and the links between contemporary migration patterns and its use of mediated processes. Although primarily grounded in media and communication studies, the Handbook builds on research in the fields of sociology, anthropology, political science, urban studies, science and technology studies, human rights, development studies, and gender and sexuality studies, to bring to the forefront key theories, concepts and methodological approaches to the study of the movement of people. In seven parts, the Handbook dissects important areas of cross-disciplinary and generational discourse for graduate students, early career researcher, migration management practitioners, and academics in the fields of media and migration studies, international development, communication studies, and the wider social science discipline." (Publisher description)
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"Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments an
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d videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world." (Publisher description)
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"This handbook links the growing body of media and conflict research with the field of security studies. The academic sub-field of media and conflict has developed and expanded greatly over the past two decades. Operating across a diverse range of academic disciplines, academics are studying the imp
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act the media has on governments pursuing war, responses to humanitarian crises and violent political struggles, and the role of the media as a facilitator of, and a threat to, both peace building and conflict prevention. This handbook seeks to consolidate existing knowledge by linking the body of conflict and media studies with work in security studies. The handbook is arranged into five parts: theory and principles; media, the state and war; media and human security; media and policymaking within the security state; new issues in security and conflict and future directions. For scholars of security studies, this handbook will provide a key point of reference for state-of-the-art scholarship concerning the media–security nexus; for scholars of communication and media studies, the handbook will provide a comprehensive mapping of the media–conflict field." (Publisher description)
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"Citizen Media and Public Spaces presents a pioneering exploration of citizen media as a highly interdisciplinary domain that raises vital political, social and ethical issues relating to conceptions of citizenship and state boundaries, the construction of publics and social imaginaries, processes o
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f co-optation and reverse co-optation, power and resistance, the ethics of witnessing and solidarity, and novel responses to the democratic deficit. Framed by a substantial introduction by the editors, the twelve contributions to the volume interrogate the concept of citizen media theoretically and empirically, and offer detailed case studies that extend from the UK to Russia and Bulgaria and from China to Denmark and the liminal spaces within which a growing number of refugees now live. A rich new domain of scholarship and practice emerges out of the studies presented. Citizen media is shown to embrace both physical and digital interventions in public space, as well as the sets of values and agendas that influence and drive the practices and discourses through which individuals and collectives position themselves within and in relation to society and participate in the creation of diverse publics." (Publisher description)
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"The overall aim of this thesis is to investigate how UK television shapes spectators’ experiences of distant Others. Specifically, I aim to build on and extend existing work in this field, and particularly the work of Lilie
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Chouliaraki in Spectatorship of Suffering, in three directions. Firstly, I argue that we can learn more about how spectators of UK television respond to distant Others if we expand our focus beyond ‘peak moments’ of news coverage of suffering to include a focus on routine coverage of all distant Others, suffering or otherwise, across a range of television genres. Secondly, I contend that it is important to preface investigations into how distant Others are mediated by television with a study of the extent to which people from Other countries even appear on UK television. Thirdly, I argue that in order to take seriously an understanding of mediation as a dialectical process, any analysis of media texts should be complemented by audience research that takes time to listen to the accounts of spectators. The results of a series of content analyses reveal that distant Others seldom appear on UK television, particularly those from certain parts of the world. My application of a modified version of Chouliraki’s analytics of mediation and the results of a series of focus groups and a diary study reveal that television news texts routinely offer spectators a position of indifference with respect to distant and dehumanised distant Others. My results also show that non-news factual television programming has greater capacity than news items for appealing to a more intense mediated experience of distant Others, even if this capacity is often not fully realised. I conclude by arguing that these findings have important implications for broadcasters, producers, policy makers, regulators and academics." (Abstract)
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"This article offers a trajectory of humanitarian communication, which suggests a clear, though not linear, move from emotion-oriented to post-emotional styles of appealing. Drawing on empirical examples, the article demonstrates that the humanitarian sensibility that arises out of these emerging st
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yles breaks with pity and privileges a short-term and low-intensity form of agency, which is no longer inspired by an intellectual agenda but momentarily engages us in practices of playful consumerism. Whereas this move to the post-emotional should be seen as a reaction to a much-criticized articulation between politics and humanitarianism, which relied on ‘universal’ morality and grand emotion, it is also a response to the intensely mediatized global market in which humanitarian agencies operate today. The article concludes by reflecting on the political and ethical ambivalence at the heart of this new style of humanitarian communication, which offers both the tentative promise of new practices of altruism and the threat of cultural narcissism." (Abstract)
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"This book is about the relationship between the spectators in countries of the west, and the distant sufferer on the television screen; the sufferer in Somalia, Nigeria, Bangladesh, India, Indonesia, but also from New York and Washington, DC. How do we relate to television images of the distant suf
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ferer? The question touches on the ethical role of the media in public life today. They address the issue of whether the media can cultivate a disposition of care for and engagement with the far away other; whether television can create a global public with a sense of social responsibililty towards the distant sufferer." (Publisher description)
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