"This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) j
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oin experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China." (Publisher description)
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"This handbook critically analyzes cross-border news production and "transnational journalism cultures" in the evolving field of cross-border journalism. As the era of the internet hasfurther expanded the border-transcending production, dissemination and reception of news, and with transnational co-
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operations like the European Broadcasting Union and BBC World News demonstrating different kinds of cross-border journalism, the handbook considers the field with a range of international contributions. It explores cross-border journalism from conceptual and empirical angles and includes perspectives on the the systemic contexts of cross-border journalism, its structures and routines, changes in production processes, and the shifting roles of actors in digital environments. It examines cross-border journalism across regions and concludes with discussions on the future of cross-border journalism, including the influence of automation, algorithmisation, virtual reality and AI." (Publisher description)
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"During the past two decades, numerous investigative journalist networks have emerged globally, through which journalists from different places and cultures collaborate. In this article, we focus specifically on the experiences of female investigative journalists and the ways in which they navigate
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challenges of intimidation, threats, and violence and adapt to stay safe and prosper in their practice. Our research is based on interviews with experienced and renowned investigative reporters, or so-called elite interviewees (Figenschou 2010), who have worked on transnational collaborations such as the Panama Papers, the Organized Crime and Corruption Project (OCCRP), and the Forbidden Stories. We interviewed eleven female and four male investigative reporters within these networks, some of them twice, over a two-year period. The study findings show that while the cross-cultural environments of these networks can open doors and be beneficial to female journalists in cultures where women otherwise have limited professional leeway, these journalists must still manage a range of detrimental local conditions on the ground. When confronting globalized structures of crime and power through their collaborative and cross-cultural work, female journalists can face social and professional slander and physical and verbal attacks in return. The exchange of coping strategies within professional networks and collaborations will help to mitigate local challenges on the ground and sustain women's participation in professional journalism." (Abstract)
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"Our purpose with this Special Issue is to present and contribute to a body of research that critically explores the relationship between media innovation and social change. In doing so, we also outline the contours of a research agenda to further develop this emerging field. Our motivation arises f
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rom a review of research published in the nine previous editions of this journal, where we explored how research about media innovations engaged with the topic of social change. We find that research in the field of media innovations has tended to focus on business and economic imperatives for media innovation, following the paradigm of research on digitalisation introduced by von Hippel’s theories of ‘democratizing innovation’ (2005), Chesbrough’s ‘open innovation’ (2006), or Tapscott and Williams, ‘Wikinomics’ (2011). As a consequence, digitalisation and the introduction of new technologies is usually unquestioningly presented as a business imperative for media industry stakeholders." (Abstract)
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"In this moment of unprecedented humanitarian crises, the representations of global disasters are increasingly common media themes around the world. The Routledge Companion to Media and Humanitarian Action explores the interconnections between media, old and new, and the humanitarian challenges that
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have come to define the twenty-first century. Contributors, including media professionals and experts in humanitarian affairs, grapple with what kinds of media language, discourse, terms, and campaigns can offer enough context and background knowledge to nurture informed global citizens. Case studies of media practices, content analysis and evaluation of media coverage, and representations of humanitarian emergencies and affairs offer further insight into the ways in which strategic communications are designed and implemented in field of humanitarian action." (Publisher description)
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