"Based on interviews with Syrian media practitioners, this article uses the notion of affective proximity to make sense of local media practitioners’ reporting and witnessing of suffering in their country and community. I argue that the life-risking, and sometimes deadly, media practices of local
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reporters and witnesses, as well as their emotional labour, often do not feature in understandings of journalism when it is conceived as a purely professional discursive pursuit. I explain affective proximity in terms of an imagined space (or the lack thereof) between a media practitioner, on the one hand, and the event they are representing and participating in, on the other. In relation to Syria, I use it to analyse the word ‘revolution’ and what it mediates, the shifting boundaries between activism and journalism, and experiences of, and in, violence. I make the case that the study of affect and emotion in global news should be contextualized within the unequal power relations that give shape to journalistic roles and modes of representaiton." (Abstract)
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"Rather than viewing the Middle East as a monolithic culture, this Handbook examines the diverse and multi-local characteristics of the region’s knowledge production, dynamic media, and rich cultures. It addresses a wide range of topics, including the evolving mainstream and alternative media, com
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peting histories in the region, and pressing socio-economic and media debates. Additionally, the Handbook explores the impact of regional and international politics on Middle Eastern cultures and media." (Publisher description)
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"While the field of Journalism Studies has already engaged in rich debates on how to rethink the truth conditions of user-generated content (UGC) in platform journalism, we argue that it has missed out on the ethico-political function of UGC as testimonials of lives-at-risk. If we wish to recognize
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and act on UGC as techno-social practices of witnessing human pain and death, we propose, then we need to push further the conceptual and analytical boundaries of the field. In this paper, we do this by introducing a view of UGC as flesh witnessing, that is as embodied and mobile testimonies of vulnerable others that, enabled by smartphones, enter global news environments as appeals to attention and action. Drawing on examples from the Syrian conflict, we provide an analysis of the narrative strategies through which flesh witnessing acquires truth-telling authority and we reflect on what is gained and lost in the process. Western story-telling, we conclude, strategically co-opts the affective dimension of flesh witnessing – its focus on child innocence, heroic martyrdom or the data aesthetics of destruction – and selectively minimizes its urgency by downplaying or effacing the bodies of non-western witnesses. This preoccupation with verification should not be subject to geopolitical formulations and needs to be combined with an explicit acknowledgement of the embodied voices of conflict as testimonies of the flesh whose often mortal vulnerability is, in fact, the very condition of possibility upon which western broadcasting rests." (Abstract)
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"This article analyzes the term 'citizen journalism' against the backdrop of the Arab uprisings in order to show how it overlooks the local context of digital media practices. The first part examines videos emanating from Syria to illustrate how they blur the lines between acts of witnessing, report
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ing, and lobbying, as well as between professional and amateur productions, and civic and violent intentions. The second part highlights the genealogies of citizenship and journalism in an Arab context and cautions against assumptions about their universality. The article argues that the oscillation of Western narratives between hopes about digital media's role in democratization in the Arab World and fears about their use in terrorism circumscribe the theorization of digital media practices." (Abstract)
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"This article discusses a popular Syrian television drama series, Bab al-Hara (The Neighborhood Gate), which ran for five seasons (2006-10). It is part of a genre of television series called the "Damascene milieu," which nostalgically dramatizes life in imagined Damascene neighborhoods in the late 1
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9th or early 20th centuries. The narrative of Bab al-Hara focuses on how a Syrian community lived under and resisted French colonial rule and its local collaborators. The article argues that the strategic imagination of the past in the series reflects the Syrian regime's project of national consolidation in Syria, a country sharply divided by class, sect, and local belonging and desperately seeking to bridge a gap between state authority and a national sense of belonging. However, within the context of the 2011 uprising, both regime and opposition discourses echoed themes and symbols from the series - demonstrating its political relevance. The article concludes that the series is a spectacular example of how popular culture, particularly in postcolonial and authoritarian contexts, contributes to the imagination of identity and memory in ways that are used by different national groups to bolster and contest political positions." (Abstract)
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