"This collection presents 14 concepts from a multi-disciplinary collection of internationally leading and emerging scholars, from 13 countries on 5 continents. They come together around three meta-topics: citizenship and justice, critiques of development, and renewing thought (from and for the margi
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ns). The short chapter format ensures that authors get straight to the nub of their ideas, providing readers - students, scholars and practitioners alike - with accessible, engaging and innovative ways to think critically about communication and social change, in new ways." (Publisher description)
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"This edited volume addresses various aspects of social and political development in Turkey and the latter's role within a global context. Paradigmatically and theoretically, it is situated in the realm of communication and/for social change. The chapters thread together to present a fresh and innov
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ative study that explores an array of issues related to the Gezi protests and their aftermath by scholars and activists from Scandinavia, Turkey and India. Through its thorough analysis of the government's repressive policy and the communication strategies of resistance, during the protests as well as in the dramatic on-going aftermath, the volume has wide international and interdisciplinary appeal, suitable for those with an interest in globalization, communication and media, politics, and social change." (Publisher description)
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"How should scholars approach study of the processes that characterize voice production among subaltern groups? The study builds on both Marxist and non-Marxist frameworks as theoretical trajectories for conducting class analyses that define how subaltern groups conceive, produce and consume their o
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wn voices. The discussion, a semiotics analysis in itself, aims to make significant contribution to communication studies, through demonstrating the fragile, slippery and class-based politics that are prevalent when marginalized groups use various art forms, even their bodies, as battlegrounds for contesting oppressive power relationships." (Abstract)
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"This chapter seeks to complicate our understanding of voice in development. It proposes that while it is important to consider not just voice, and the processes of valuing voice, it is also important to understand what voice and agency mean in the complexities of everyday life for populations who a
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re marginalized or disadvantaged. The chapter draws on research in an Indian slum cluster to illustrate how an ethnographic approach can help us to appreciate these complexities and problematize notions of voice. It explores examples of the ways in which people seek to remain unheard and invisible in official and formal terms, and suggests ways that we can rethink what voice might mean in development. While communication for development and social change cannot simplify complexity, it does provide a way of facilitating participation in the design of development. It can highlight the contestations and different perspectives involved, and can draw attention to the relationships of developers and people in development contexts." (Abstract)
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"The images used to market development often feature women, as victims of terrible traditions and disempowering situations, or – more commonly these days – as enterprising agents of change, poised to ‘lift’ economies and their families and communities. These images tell a story of victims an
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d heroines, representing development as a project of uplift and rescue. This chapter explores the politics of these representations. It takes as its point of entry a film project that sought to disrupt these narratives, producing a short film called Save us from Saviours. Engaging with those often represented as tragic victims and left out of the story of enterprising entrepreneurs to tell a story about sex work, collective action and social change, the film speaks to a set of larger questions about development intervention. Juxtaposing Save us from Saviours with another film, made at the same time about some of the same people, which gave rise to a third film, made by the sex workers in response, the chapter reflects on the complexities of development communications in an age of global connectivity." (Abstract)
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"When the Aboriginal Programs Unit of Australia’s ABC television began in 1988, every Indigenous person involved was a trainee under the direction of a Euro-Australian professional. They bore the burden of collective selfrepresentation in a televisual wasteland virtually devoid of Indigenous voice
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s. In 2011, Sally Riley (Wiradjuri) became head of the ABC’s Indigenous Unit, with plans to create innovative work that “comments on our own problems, our own issues”. Riley’s projects demonstrate how far Indigenous tv has come in 25 years; new productions expand beyond the burden of representation carried by the first generation, showing the complexities of daily life for diverse aboriginal subjects and audiences, enlarging the national imaginary through the local stories they tell. If the neighborhood of Redfern was known historically as the urban center of aboriginal political action in Australia, the show Redfern Now, has become an innovative site of cultural activism both on and off screen." (Abstract)
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"The documentary film Gringo Trails explores the long-term effects of tourism globalization on cultures, economies and the environment in the developing world through the lens of budget backpacker travelers and their storytelling. This chapter explores the travel narrative to tourism globalization a
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s it was visualized over a 30-year timespan through Gringo Trails and traces the effect of the film itself through it’s journey at international screenings and in press coverage. Tracking the film’s trajectory from it’s premiere in late 2013 through 2015 and the reactions to it either verbally or in print provides the catalyst for a discussion on the role of long-term, ethnographic filmic observation and research in exploring globalization processes; and, connects media practices to the scholarship on development, tourism studies, and the anthropology of tourism." (Abstract)
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"We draw on insights from a two-year research project, Politics and Interactive Media in Africa (PiMA), and the related applied research pilot, Africa’s Voices, which worked with local radio stations in eight Sub-Saharan African countries. We examine the social and political significance of new op
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portunities for voice, debate and claim-making in the mediated public sphere that interactive broadcast media enables, and how an approach to citizen engagement that values pluralism and inclusivity and is not extractive, might better seize opportunities that interactive broadcast offers. The chapter critically reappraises what kinds of engagement count in communication for development, what kinds of ‘publics’ audiences in interactive shows constitute and how we should understand the power of these ‘audience-publics’." (Abstract)
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"This book identifies the strengths and weaknesses of different methodological approaches to research in communication and social change. It examines the methodological opportunities and challenges occasioned by rapid technological affordances and society-wide transformations. This study provides gr
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ounded insights on these issues from a broad range of proficient academics and experienced practitioners. Overall, the different contributions address four key themes: a critical evaluation of different ethnographic approaches in researching communication for/and social change; a critical appraisal of visual methodologies and theatre for development research; a methodological appraisal of different participatory approaches to researching social change; and a critical examination of underlying assumptions of knowledge production within the dominant strands of methodological approaches to researching social change." (Publisher description)
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"This book approaches the memory sharing of groups, communities and societies as inevitable struggles over the interpretation of, and authority over, particular stories. Coming to terms with the past in memory work, alone or with others, is always unsteady ground and the activation of memory will al
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ways relay imaginations of futures we want to shape and inhabit. The contributors all explore in different ways how citizens can actualize a public and how citizens and groups struggle with their pasts and presents - and other group's understandings - in their work for futures they dream of, or envision. This implies an engagement with the notion of social justice, which in turn entails trial and revision of ideas and procedures of how to share the world. But to share also requires some kind of common ground and distributed power. The anthology thus engages with a range of cases that bring views and voices back in public, demanding justice, recognition, sometimes literally triggering new trials. Some of the memory work is done strategically, in the context of communication for development and social change interventions where NGOs, community-based organizations, governments or UN agencies pursue not just voice and views, but also very material demands for social justice and social change." (Publisher description)
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"This volume brings together a range of different specialists in the arts and cultural industries, as well as international academics and public intellectuals, to explore how media and communication practices for social change are currently being reconfigured in both conceptual and rhetorical terms.
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" (Publisher description)
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