"This book has compiled the tech policy debate into a toolkit for policy makers, legal experts, and academics seeking to address platform dominance and its impact on society today. It discusses the global consensus around technology regulation with recommendations of cutting-edge policy innovations
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from around the world. It also explores the proposed policy toolkit through comprehensive coverage of existing and future policy on data, antitrust, competition, freedom of expression, jurisdiction, fake news, elections, liability, and accountability. The book identifies potential policy impacts on global communication, user rights, public welfare, and economic activity. It outlines a policy framework that address the interlocking challenges of contemporary tech regulation and offer actionable solutions for the technological future." (Publisher description)
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"The end of the twentieth century and the turn of the new millennium witnessed an unprecedented flood of traumatic narratives and testimonies of suffering in literature and the arts. Graphic novels, free at last from long decades of stern censorship, helped explore these topics by developing a new s
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ubgenre: the trauma graphic novel. This book seeks to analyze this trend through the consideration of five influential graphic novels in English. Works by Paul Hornschemeier, Joe Sacco, Art Spiegelman, and Alan Moore and Dave Gibbons will be considered as illustrative examples of the representation of individual, collective, and political traumas." (Publisher description)
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"The Companion is the first collection to bring together two distinct ways of thinking about human rights and media, including scholarship that examines media as a human right alongside that which looks at media coverage of human rights issues. This international collection of 49 newly written piece
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s thus provides a unique overview of current research in the field, while also providing historical context to help students and scholars appreciate how such developments depart from past practices. The volume examines the universal principals of freedom of expression, legal instruments, the right to know, media as a human right, and the role of media organisations and journalistic work. It is organised thematically in five parts: Communication, Expression and Human Rights; Media Performance and Human Rights: Political Processes, Media Performance and Human Rights: News and Journalism; Digital Activism, Witnessing and Human Rights; Media Representation of Human Rights: Cultural, Social and Political." (Publisher description)
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"A concise edition of the highly acclaimed Oxford Companion to the Book, this book features the 51 articles from the Companion plus 3 brand new chapters in one affordable volume. The 54 chapters introduce readers to the fascinating world of book history. Including 21 thematic studies on topics such
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as writing systems, the ancient and the medieval book, and the economics of print, as well as 33 regional and national histories of 'the book', offering a truly global survey of the book around the world, the Oxford History of the Book is the most comprehensive work of its kind. The three new articles, specially commissioned for this spin-off, cover censorship, copyright and intellectual property, and book history in the Caribbean and Bermuda." (Publisher description)
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"This article has evolved from the author's continuing relationship, as a broadcaster and trainer, with two so-Called community radio stations. One is a community station according to accepted definitions of the global community radio movement, and the other is an example of community radio in a pub
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lic service environment. Both, the article argues, fail their communities through being too closely associated with the norms and practices that have shifted radio from the sphere of material to the sphere of broadcast, with all that such a move entails in terms of business practices, political intervention (ideological and authoritarian), censorship and essentialist notions of identity and consensus. Through an examination of the concept of community and the exploration of the two radio stations as case studies, the article argues that only radio as art can fully articulate the community voice and go some way to answering the questions as to who is speaking for whom, why and with what consequences." (Abstract)
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"Each of the eleven chapters in Quoting God pairs an academic and a journalist. First, the scholar holds forth, followed by a "View from the News Desk." Together, they represent many and diverse voices. Badaracco's book shows the relationship between media culture and spiritual culture, recognizing
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how news and religious values influence political life, and how science, modernity, and disbelief come together to suggest social fragmentation or consolidation. Through the media, audiences learn, often with passion, what they believe, what they resist religiously, how to respect other religious ideas, and how to construct their own religious identity in a world of both mediated and actual communities. The book's conceptual and theoretical frame addresses emerging religions as well as traditional faiths. The first four chapters focus on the legal and constitutional frames informing national identity and the ideological climates of newsrooms where journalists "construct the mediated religious public square" (Page 14). The next four chapters discuss cross-cultural reporting in which a reporter navigates between two (or more) cultures in the required roles of being fair and balanced. The next three chapters explore faith and reason, science and religion, and the complexity of religious issues. The volume concludes with Gustav Niebuhr, formerly with the New York Times and now a member of the academy at Syracuse University, summing up the care and commitment of the journalist who covers religion in American life." (https://www.h-net.org/reviews)
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