"In the last decade, the Global South has emerged as a significant player in the data economy due to their majority user base, and studying its role is crucial to comprehend the future of AI. As societies grapple with the implications of AI on creative life, there is an opportunity to reevaluate the
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creative contributions of Global South cultures, ensuring they are acknowledged and foregrounded in the evolving landscape of human and machine creativity. This paper calls for reimagining and restructuring creative value with the emergence of AI enabled technologies by broadening who and what counts as creative in this data-driven era. To democratize creativity, a decolonial and indigenous framework of cross-cultural creative value is needed which critically intersects and examines the relations between creative labor, rights, and learning. The study of the Global South’s data economies is important not only to harness its potential but also to address the cross-cultural ethics of building Creative AI tools with data from their underrepresented communities. At its core, the creative data justice framework emphasizes the need to challenge the existing power imbalances in global data governance. This paper proposes that fair creative value can be achieved by drawing inspiration from indigenous systems of care as a counterforce to neoliberal values of efficiency and utility. This framework will help scholars, policymakers and designers in their inclusive approaches to creativity in the age of AI." (Abstract)
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"In this article, we reveal how students in low-income communities in India use and ascribe meaning to dominant proprietary EdTech platforms and conferencing tools through family ethnographies. We explore how these platforms and associated online learning tools influence existing educational practic
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es and lead to the emergence of new forms of learning. Proprietary platforms are situated at the intersection of neoliberal-capitalist forces and welfare policies of public schooling and share a productive association with students’ everyday lives, identities, and cultural realities. Understanding the performative effects of these platforms requires that we examine them as part of broader sociotechnical assemblages. We argue that EdTech platforms should not be built simply on principles of standardization and scalability. EdTech platforms are designed to standardize education and make the model scalable, thus undermining students’ social relationships and placebased learning needs. Such a design and approach have an associated gender and class cost." (Abstract)
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"The SAGE Handbook of Media and Migration offers a comprehensive overview of media and migration through new research, as well as a review of present scholarship in this expanding and promising field. It explores key interdisciplinary concepts and methodologies, and how these are challenged by new r
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ealities and the links between contemporary migration patterns and its use of mediated processes. Although primarily grounded in media and communication studies, the Handbook builds on research in the fields of sociology, anthropology, political science, urban studies, science and technology studies, human rights, development studies, and gender and sexuality studies, to bring to the forefront key theories, concepts and methodological approaches to the study of the movement of people. In seven parts, the Handbook dissects important areas of cross-disciplinary and generational discourse for graduate students, early career researcher, migration management practitioners, and academics in the fields of media and migration studies, international development, communication studies, and the wider social science discipline." (Publisher description)
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"The Next Billion Users reveals that many assumptions about internet use in developing countries are wrong. After immersing herself in factory towns, slums, townships, and favelas, Payal Arora ass
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esses real patterns of internet usage in India, China, South Africa, Brazil, and the Middle East. She finds Himalayan teens growing closer by sharing a single computer with common passwords and profiles. In China's gaming factories, the line between work and leisure disappears. In Riyadh, a group of young women organize a YouTube fashion show. Why do citizens of states with strict surveillance policies appear to care so little about their digital privacy? Why do Brazilians eschew geo-tagging on social media? What drives young Indians to friend "foreign" strangers on Facebook and give "missed calls" to people? The Next Billion Users answers these questions and many more. Through extensive fieldwork, Arora demonstrates that the global poor are far from virtuous utilitarians who mainly go online to study, find jobs, and obtain health information. She reveals habits of use bound to intrigue everyone from casual internet users to developers of global digital platforms to organizations seeking to reach the next billion internet users." (Publisher description)
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"Digital media histories are part of a global network, and South Asia is a key nexus in shaping the trajectory of digital media in the twenty-first century. Digital platforms like Facebook, WhatsApp, and others are deeply embedded in the daily lives of millions of people around the world, shaping ho
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w people engage with others as kin, as citizens, and as consumers. Moving away from Anglo-American and strictly national frameworks, the essays in this book explore the intersections of local, national, regional, and global forces that shape contemporary digital culture(s) in regions like South Asia: the rise of digital and mobile media technologies, the ongoing transformation of established media industries, and emergent forms of digital media practice and use that are reconfiguring sociocultural, political, and economic terrains across the Indian subcontinent. From massive state-driven digital identity projects and YouTube censorship to Tinder and dating culture, from Twitter and primetime television to Facebook and political rumors, Global Digital Cultures focuses on enduring concerns of representation, identity, and power while grappling with algorithmic curation and data-driven processes of production, circulation, and consumption." (Publisher description)
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