"This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media land
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scape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions - Eurimages, the European Audiovisual Observatory and the European Commission - and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market." (Publisher description)
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"This chapter examines how the Aide aux cinemas du monde fund and the Produire au Sud workshop aim at strengthening France’s central position in the co-production of world cinemas. The Aide aux cinemas du monde provides funding to French co-producers of films from all over the world, while the Pro
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duire au Sud workshop, linked to the Festival des 3 Continents in Nantes, works towards developing cooperation between European film professionals and emerging film-makers from the South. Drawing on an analysis of film policy documents and data, field observation and recent film festival studies, this chapter describes how both initiatives support co-production, in parallel to developing and exporting professional practices and discourses that shape the co-production culture developed in France since the 1980s." (Abstract)
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