"This study assessed the extent to which community radio has contributed to the peacebuilding efforts after the Ife–Modakeke conflict in Nigeria, by investigating to ascertain listeners’ perceptions and adoption of the alternative dispute resolution (ADR) mechanism in managing the conflict to av
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oid a violent escalation. The study applied in-depth interviews and collected data with questionnaires. The findings of the study suggested that the inhabitants of Ife and Modakeke listened intensely to and were aware of the conflict resolution programme on one of the popular radio stations, Orisun 89.5 FM. People also used and knew others, who used the radio programme ‘ADR mechanism’ on the radio to resolve the conflict and avoid violent escalation. Since it was the only peacebuilding programme, the study found that this radio programme was an effective peacebuilding tool in the Ife–Modakeke society. The study recommended that such a good effort should be broadcast more often for further heightened awareness of its diverse listeners." (Abstract)
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"This paper relates to my introduction to Brian Shoesmith and my involvement in his research project on satellite television and the audience reception of the Australian Television International channel in Surabaya, Indonesia in 1993 and 1995. It also discusses the impact of Brian and his research o
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n the development of the Department of Communication in Airlangga University in Surabaya and to the transformation of television audience studies in the Indonesian context. I will examine Brian’s publications on satellite television in Asia and the account of the Australian Television International channel’s failure in Asia in the early 1990s. Taking my cue from Brian’s writings about the challenge of the Australian Television International channel in Asia, I will discuss the situation of national audiences in Indonesia and their attitude towards the persistence of imported/foreign programmes, including Australian television programmes. In fact, the consumption of Australian cultural productions in Indonesia continues to be problematic and less widespread compared to the more dominant Western (US) and Asian (Korean) productions." (Abstract)
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