"Focusing on the experience of one of seven working grous at a theater-for-development workshop in Zimbabwe, this report details the process followed by many groups, and reveals some of the major learnings, dilemmas, contradictions, strengths and limitng factors found in a practical vilaage-based th
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eater-for-development process. A brief discussion of theater-for-development (TFD) presents this drama form as an experimental collaborative process designed to take theater out of urban enclaves and make it accessible to the masses, presenting such common concerns as crop production, water shortages, immunization, literacy, and family planning. A day-by-day diary account of this working group illustrates an overview of, and specific tasks involved with, the production of a "theater pungwe" - people's theater. A TFD model lists educational objectives for the drama process and defines the workshop objectives, which are (1) to train development cadres and theater artists in theater-for-development, and (2) to start a TFD program in Murewa area of Zimbabwe as a training and popular education/culture program. The report's concluding sections provide an analysis of the workshop, including constraints, relationship with villagers, organizational strategy, and team work. An extensive bibliography is included." (www.eric.ed.gov)
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"Case studies and seminar reports are provided that "were presented at an international seminar to examine field experiences in using a culture-based approach to nonformal education. Part 1, containing an introductory paper and nine case studies, 'focuses on indigenous institutions and processes in
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health, family planning, agriculture, basic education, and conscientization. The introductory paper discusses indigenous sociocultural forms as a basis for nonformal education and development. Seven countries are represented in the case studies: Indonesia, Bolivia, Java' (Indonesia), Upper Volta, Botswana, India, and Bali (Indonesia). Section II focuses on the performing arts in both mass campaigns and community nonformal education programs. An introductory paper overviews folk media, popular theater, and conflitting strategies for social change in the Third World. The seven case studies consider the specific strategies used in Brazil, Sierra Leone, China, India, Mexico, Jamaica, arid Africa. Section III contains the seminar reports developed from discussions of the four regional working groups: Latin America, Africa and the Caribbean, South Asia, and Southeast Asia. A summary of plenary discussions is also provided." (ERIC document resumé)
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