"Comprising 41 chapters by a team of international contributors, the companion is divided into three parts: histories; approaches; thematic considerations. The chapters offer wide-ranging explorations of how forms of mediation influence communication, social relationships, cultural practices, partic
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ipation, and social change, as well as production and access to information and knowledge. This volume considers new developments, and highlights the ways in which anthropology can contribute to the study of the human condition and the social processes in which media are entangled." (Publisher description)
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"The book is divided into five sections that examine philosophical principles for reporting on poverty, the history and nature of poverty coverage, problematic representations of people experiencing poverty, poverty coverage as part of reporting on public policy, and positive possibilities for pover
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ty coverage. Each section provides an introduction to the topic, as well as a broad selection of essays illuminating key issues and a Q&A with a relevant journalist. Topics covered include news coverage of corporate philanthropy, structural bias in reporting, representations of the working poor, the moral demands of vulnerability and agency, community empowerment, and citizen media. The book's broad focus considers media and poverty at both the local and global levels with contributors from sixteen countries." (Publisher description)
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"Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The
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essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film." (Publisher description)
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"Despite the looming crisis in journalism, scholarly research on the topic is often disconnected from the research that the news industry and journalists need and want, but do not have the time or expertise to do. This book provides valuable insights for journalists and scholars about news business
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models, audience research, misinformation, diversity and inclusivity, and news philanthropy, offering journalists a guide to what they need to know and a call to action for what kind of research journalism scholars can do to best help the news industry reckon with disruption." (Publisher description)
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Trauma Reporting provides vital information on developing a healthy, professional and respectful relationship with those who choose to tell their stories during times of trauma, distress or grief. Amid a growing demand and need for guidance, this fascinating book is refreshingly simple, engaging and
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readable, providing a wealth of original insight. As an aspiring or working journalist, how should you work with a grieving parent, a survivor of sexual violence, a witness at the scene of a traumatic event? How should you approach people, interview them and film with them sensitively? Trauma Reporting features guidance from some of the industry's most successful news correspondents and documentary makers, including Louis Theroux, Lucy Williamson, Tulip Mazumdar, Richard Bilton, Jina Moore and many more, all sharing their experience and expertise. It also features people who chose to tell their sensitive stories to journalists, giving readers invaluable insight into what helped and what harmed. The book also includes: what your interviewees may be going through and how best to respond, by trauma expert Professor Stephen Regel; a discussion on ethics, rules and regulations by Dr Sallyanne Duncan of the University of Strathclyde; making sure you look after yourself, by Dr Cait McMahon of the Dart Center for Journalism and Trauma." (Publisher description)
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"This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. Th
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ey present essays on, among others, Basque cinema; gendered controversies in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film." (Back cover)
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"The Companion is the first collection to bring together two distinct ways of thinking about human rights and media, including scholarship that examines media as a human right alongside that which looks at media coverage of human rights issues. This international collection of 49 newly written piece
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s thus provides a unique overview of current research in the field, while also providing historical context to help students and scholars appreciate how such developments depart from past practices. The volume examines the universal principals of freedom of expression, legal instruments, the right to know, media as a human right, and the role of media organisations and journalistic work. It is organised thematically in five parts: Communication, Expression and Human Rights; Media Performance and Human Rights: Political Processes, Media Performance and Human Rights: News and Journalism; Digital Activism, Witnessing and Human Rights; Media Representation of Human Rights: Cultural, Social and Political." (Publisher description)
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"The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future. Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yum
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iko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach. The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page. Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud." (Publisher description)
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"A concise edition of the highly acclaimed Oxford Companion to the Book, this book features the 51 articles from the Companion plus 3 brand new chapters in one affordable volume. The 54 chapters introduce readers to the fascinating world of book history. Including 21 thematic studies on topics such
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as writing systems, the ancient and the medieval book, and the economics of print, as well as 33 regional and national histories of 'the book', offering a truly global survey of the book around the world, the Oxford History of the Book is the most comprehensive work of its kind. The three new articles, specially commissioned for this spin-off, cover censorship, copyright and intellectual property, and book history in the Caribbean and Bermuda." (Publisher description)
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"Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. Contributors introduce a wide range of critical perspectives on comics, including fan
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dom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more." (Publisher description)
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"Eager to assist, organize, and structure our lifestream logistics, new corporate actors offer communicative freedoms based on commercial user-as-product philosophies of expression. But we now design our own interfaces to face our others, our algorithmic others. Our collective reflection on nature a
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s machinic assemblage has yielded functional foods and the financialization of agriculture. But networked selves already develop other ecologies, reclaiming social machines as technologies of the common, unearthing the conflicts covered in disaster-driven environmentalities whose horizon is delimited by energy security and resource efficiency. Both helped and hindered by the ontological resonances of the common, these ecologies remain fragile, not yet structured by a politics of rights, animated by an interest in the autonomy of things. As nature continues to seep across the curriculum, research and education struggle to keep track of the corrosion of their institutional frameworks. Powered by a cartographic vision unconstrained by the statist political imagination, the study of supply chains has already become a paradigmatic form of transdisciplinarity, moving across the boundaries of life and labor, tracking every speck of dust on the scratch-free screens of our mobile economies as a reminder of the complexities of mutual constitution. The question of depletion is the question of the institution, of what it means when subjects and objects join in a refusal of roles in the great games of reification. No accident, perhaps, that philosophies of play are back, not quite a renaissance of aesthetic experience, but an affirmation of the openness of objective and subjective constitution. Of these and other knowledges so created, there can no longer be an encyclopedia; a glossary, perhaps. This is its initial iteration, its entries conjoined by a logic of connotation and constellation." (Page 5)
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"This article has evolved from the author's continuing relationship, as a broadcaster and trainer, with two so-Called community radio stations. One is a community station according to accepted definitions of the global community radio movement, and
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the other is an example of community radio in a public service environment. Both, the article argues, fail their communities through being too closely associated with the norms and practices that have shifted radio from the sphere of material to the sphere of broadcast, with all that such a move entails in terms of business practices, political intervention (ideological and authoritarian), censorship and essentialist notions of identity and consensus. Through an examination of the concept of community and the exploration of the two radio stations as case studies, the article argues that only radio as art can fully articulate the community voice and go some way to answering the questions as to who is speaking for whom, why and with what consequences." (Abstract)
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"Each of the eleven chapters in Quoting God pairs an academic and a journalist. First, the scholar holds forth, followed by a "View from the News Desk." Together, they represent many and diverse voices. Badaracco's book shows the relationship betwe
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en media culture and spiritual culture, recognizing how news and religious values influence political life, and how science, modernity, and disbelief come together to suggest social fragmentation or consolidation. Through the media, audiences learn, often with passion, what they believe, what they resist religiously, how to respect other religious ideas, and how to construct their own religious identity in a world of both mediated and actual communities. The book's conceptual and theoretical frame addresses emerging religions as well as traditional faiths. The first four chapters focus on the legal and constitutional frames informing national identity and the ideological climates of newsrooms where journalists "construct the mediated religious public square" (Page 14). The next four chapters discuss cross-cultural reporting in which a reporter navigates between two (or more) cultures in the required roles of being fair and balanced. The next three chapters explore faith and reason, science and religion, and the complexity of religious issues. The volume concludes with Gustav Niebuhr, formerly with the New York Times and now a member of the academy at Syracuse University, summing up the care and commitment of the journalist who covers religion in American life." (https://www.h-net.org/reviews)
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