"China in Africa’ has become an irresistible topic in any discussion of China, with the former’s growing engagement with the latter. The unprecedented popularity of Wolf Warrior II in China, which is set in Africa, is a testament to how official propaganda of national selfconfidence can be affir
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med by the public in the form of pop culture. The film’s controversial and stereotypical portrayal of Africa and its deliberate imitation of the Hollywood genre are the reasons for its attention among different groups. To date, however, feedback from international audiences, both in terms of common feelings and conflicting opinions, has remained under-researched. In order to provide an exploratory study on how Wolf Warrior II is interpreted by Chinese and African audiences in different cultural and social contexts, a comparative analysis of the film’s reception among Chinese and African post-secondary students in different countries was conducted. Ten focus groups were organised, five in mainland China and five in Canada, with a total of thirty-one college students from China and Africa participating. The results showed that Chinese and African audiences have vastly different or even opposing understandings of the ‘China in Africa’ discourse presented in the film. This seems to reflect a problematic but under-addressed aspect of the China-Africa relationship." (Abstract)
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"The Palgrave Handbook of Media Misinformation provides a comprehensive and cutting-edge resource on the critical debates surrounding fake news and misinformation online. Spanning all continents and linking academic, journalistic, and educational communities, this collection offers authoritative cov
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erage of conspiracy theories, the post-Trump and Brexit landscape, and the role of big tech in threats to democracy and free speech. The collection moves through a diagnosis of misinformation and its impacts on democracy and civic societies, the 'mainstreaming' of conspiracy theory, the impacts of misinformation on health and science, and the increasing significance of data visualization. Following these diagnoses, the handbook moves to responses from two communities of practice - the world of journalism and the field of media literacy." (Publisher description)
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"As part of China’s ‘going out’ strategy, China is using its media to promote its views and vision to the wider world and to counter negative images in the US-dominated international media. China’s Media Go Global, the first edited collection on this subject, evaluates how the unprecedented
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expansion of Chinese media and communications is changing the global media landscape and the role of China within it. Each chapter examines a different dimension of Chinese media’s globalization, from newspapers, radio, film and television, to social media and journalism cultures and practices. Topics include the rise of Chinese news networks, China Daily as an instrument of China’s public diplomacy and the discussion around the growth of China’s state media in Africa. Other chapters discuss entertainment television, financial media and the advertising market in China." (Publisher description)
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