"Emphasizing post-independent films released since the 1950s and the burgeoning commercial film production of the last decade, Focus on African Films provides unique and pluralistic perspectives on filmmaking throughout Africa. As a whole, the collection highlights the distinct thematic, stylistic,
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and socioeconomic circumstances of African filmmaking. Individual essays show how conditions in Africa have generated a broad range of views and techniques, from the stylistically innovative documentaries of Jean-Marie Teno and Abderrahmane Sissako and the "documentary fiction" of Mahamat-Saleh Haroun to the vibrant art films of Jean-Pierre Bekolo and the new films from South Africa. Contributors also outline the direction of increasingly popular, less didactic sub-Saharan filmmaking in films such as Daniel Kamwa's Pousse-Pousse, Ngangura Mweze's La vie est belle, and Imungu Ivanga's Dôlé." (Publisher description)
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"While radio drama cannot be considered to be a new practice in Nigeria, the systematic ‘hybridization’ of drama with other analytical tools of development is a more recent practice. The radio drama experience of the African Radio Drama Association (ARDA) encompasses theatre, dialogue and social
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discourse, in an attempt to bridge fiction and social reality. This paper is therefore an attempt to examine the contributions of the ARDA in their series Rainbow City through the medium of drama and the organized ‘Listeners Groups’ across the areas where the broadcast is received. The issues discussed and raised here try to answer the following questions. What is new? What are the prospects of using radio drama to address development issues? What bottlenecks exist and what is the way forward? The paper is written based on the experience of the writer as one of the group leaders in the radio drama listeners group." (Abstract)
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"The result of a workshop held during the Standing Conference of Eastern, Central and Southern Africa Librarians (SCESAL) held in Johannesburg in April 2002, this volume reviews current reader development activities by public libraries in different regions of Africa. It includes accounts and case st
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udies by contributors from Ghana, Kenya, Nigeria, South Africa, Tanzania, Uganda and Zambia, covering predominantly work with children, but with three papers devoted to adult reader development. An introduction provides a summary of the papers, and reviews factors such as availability and accessibility of relevant books, the importance of building partnerships with other interested sectors, aspects of training, monitoring and evaluation, and the need for the establishment of reader development policies." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2213)
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"In these two volumes, readers will find comparative, in-depth essays on the press systems of 232 countries and/or territories. World Press Encyclopedia (WPE) is unique and valuable to users because, in addition to essays on each country’s press system, WPE also contains custommade graphs and stat
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istical tables, as well as regional maps, useful appendices, and an extensive index. This comprehensive, authoritative source of information allows for easy comparison between essays with a standard format or set of “rubrics” used whenever possible (see section titled “Essay Components”). Each essay also features basic data information—such as official country name, literacy rate, language(s), and number of daily newspapers—clearly marked with headings at the beginning of each entry. Additionally, WPE’s contributors include scholars, professionals, and educators from across the United States and around the world; each essay has a byline. Although this is the second edition, WPE has been completely reconceptualized and 100 percent revised from the first edition, which was published in 1982." (Introduction)
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"This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way. Some of the to
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pics covered include religion in the media age, popular broadcasting, communication theology, popular piety, film and religion, myth and ritual in cyberspace, music and religion, communication ethics, and the nature of truth in media saturated cultures." (Publisher description)
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"Charts the history of the Nigerian book and from its earliest days through to the 1980s and 90s - when the publishing industries went into a period of marked decline - and through to the present day. Examines various aspects of the contemporary publishing scene including issues such as copyright an
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d piracy, and presents the author's views on the history, merits, and future of Nigerian book fairs. The author is Executive Director of the Nigerian NGO Synergy Educational." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 810)
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"Until the advent of African independence, Africans were not considered fitting subjects for historical research and their words, voices, and experiences were largely absent from the continent's history. In 13 lively and provocative essays focusing on all areas of Sub-Saharan Africa, oral sources ar
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e seen as a way to restore African expression to African history. African Words, African Voices evokes the richness and relevance of oral sources for understanding a complex past for readers at all levels." (Publisher description)
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