"Efforts to establish or improve national identification systems in Africa have coincided with the increasing deployment of mobile technology. This has led to the prioritisation of digital “solutions” for facilitating forms of identification and registration – often via biometric attributes [.
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..] Research ICT Africa (RIA) and the Centre for Internet and Society (CIS) partnered in 2020 and 2021 to investigate, map, and report on the state of digital identity ecosystems in 10 African countries. The project looked at local, digitised (in full or partially) foundational ID systems in Ghana, Kenya, Lesotho, Mozambique, Nigeria, Rwanda, South Africa, Tanzania, Uganda, and Zimbabwe. The project set out to contribute to the broader question of whether digital identity ecosystems increase choices and opportunities for Africans, or whether they exacerbate the multidimensional aspects of digital inequality on the continent." (Executive summary)
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"The study aims to gather information and develop a better understanding of the community radio landscapes in different parts of Sub-Saharan Africa, in order to identify needs, opportunities and potential partners for developing a programme of support for community radio on the continent. The envisa
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ged programme of support should be based on a productive model that takes into account the range of circumstances in Sub-Saharan Africa, its subregions as well as the selected countries. This report presents a descriptive analysis of the community radio landscape in 11 francophone, lusophone and anglophone countries from West, East and Southern Africa." (Purpose of the study, page 12)
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"For the first time, a complete mapping of the film and audiovisual industry in 54 States of the African continent is available, including quantitative and qualitative data and an analysis of their strengths and weaknesses at the continental and regional levels. The report proposes strategic recomme
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ndations for the development of the film and audiovisual sectors in Africa and invites policymakers, professional organizations, firms, filmmakers and artists to implement them in a concerted manner. The film and audiovisual industry in Africa has the potential to create over 20 million jobs and generate US$20 billion in revenues per year." (Short summary, page 2)
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"Canal de Moçambique is a Mozambican independent weekly newspaper that publishes investigative stories of public concern. Since its inception, Canal has relentlessly pursued and investigated cases of graft and injustice in public service and in political life such that, in the corridors of power, i
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t has earned itself the reputation of being the opposition newspaper. This context undergirds the Sunday tragedy of 23 August 2020, when an unidentified group attacked Canal’s media house. At around 8.00pm, the group broke into Canal’s offices, poured fuel on the floor, furniture and equipment, and dropped a Molotov cocktail. Until 23 August 2020, no media house had ever been attacked in this manner. The attack constitutes a turning point in the escalating crackdown on human rights including the rights to freedom of expression, information, and media freedom. For more than five years, journalists, researchers, opinion makers have been subjected to intimidation, harassment, abductions, beatings and extrajudicial killings." (Back cover)
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"The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadc
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asts, digital media, and social networks. The songs analysed were widely played in the past two decades (1998–2018), a period in which three different presidents led the country. Our focus is on the protest song, conceived as those musical products that are concerned with public affairs, particularly public policy and how it affects citizens’ social, political and economic life, and the relationship between citizens and the state. We found indicators of empowerment and accountability in the protest songs surveyed. In these songs, musicians expressed awareness of their political and economic positions in relation to political and administrative authorities. The songs refer to citizens’ duties such as paying taxes, preserving public infrastructures, and acknowledging the rights of fellow citizens. They also reference citizens’ rights such as access to health, education, transport, security, and participation in governance processes through elections. In these songs, musicians demand that government authorities be accountable to citizens, with specific reference to political participation, right to information, public consultation, and the provision of public services. The report also found that in the past two decades Mozambican civil society organisations have turned to popular musicians to promote and animate public debates on awareness of citizen’s rights and accountability." (Summary)
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"This publication is a compilation of 19 articles by African researchers, academics, journalists and human and digital rights activists on the impact of the COVID-19 pandemic on digital rights in Africa. The articles were commissioned by the African Declaration on Internet Rights and Freedoms (AfDec
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) Coalition as part of its project on “Securing human rights online in Africa through a strong and active ‘African Declaration on Internet Rights and Freedoms’ network”. The AfDec Coalition is a pan-African initiative which promotes human rights standards and principles of openness in internet policy formulation and implementation on the continent, guided by the 13 principles established in the African Declaration on Internet Rights and Freedoms. At the time that the papers were commissioned, in June 2020, African states had either invoked existing policies or adopted new policies for prevention of spread, containment and treatment of the virus that had an impact on the enjoyment of digital rights. For example, most governments employed the use of contact tracing applications to track and trace citizens’ movements and put in place measures criminalising free speech when it contained false information about the pandemic. These two examples had the potential to be abused, particularly the latter, which was used to silence journalists and government critics. The pandemic also moved most citizens’ communication, education, work, trade and access to basic services from physical interactions to primilary online interactions. However, the continent is still largely made up of informal economies, has a low internet penetration rate of 28.2% (far below the global average of around 53%), and has seen an increase in reports of digital rights violations resulting from repressive cyberlaws, making the efforts to address the pandemic inadequate and inequitable. These articles offer reflective analyses on government efforts to curb the COVID-19 pandemic from the perspective of the AfDec principles, with a focus on a number of the principles including privacy and personal data protection, gender equality, freedom of expression, internet access and affordability, and the right to development and access to knowledge." (Introduction)
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"O livro Mediações educomunicativas e interculturais entre Brasil e Moçambique apresenta pesquisas que dialogam com a perspectiva da educomunicação, da mediação tecnológica na educação formal e informal (comunitária), das tecnologias assistivas, da comunicação educativa e da arte comuni
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tária. O principal objetivo foi promover o estudo, a análise, o uso crítico e o desenvolvimento inovador de dispositivos midiáticos e tecnológicos abertos e pluralistas, seguindo o paradigma educomunicativo de formação de multiplicadores, que compreendam a importância dos mesmos para o processo de ensino colaborativo, intercultural e inclusivo, em ambientes formais e informais de aprendizagem. Ao explorar o estudo das potencialidades colaborativas e de convergência dos dispositivos midiáticos e tecnológicos na produção de narrativas multimídias e digitais, relacionando questões interculturais locais e globais, buscou também fomentar trocas de experiências educomunicativas no ensino, na extensão e na pesquisa em rede, de forma a garantir a transversalidade entre a cultura brasileira e a moçambicana. A organização do livro contempla quatro temáticas principais: perspectivas teóricas, éticas e interculturais; educomunicação inclusiva e tecnologias assistivas; práticas comunitárias em arte e comunicação; e mediação tecnológica na educação." (https://www.editorafi.org)
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"In March 2019, Cyclone Idai brought death and destruction to Malawi, Mozambique and Zimbabwe as a result of heavy rains and extensive flooding (Figure 1). The respective governments together with UNICEF and other partners, responded swiftly to the disaster. Rescue and relief operations were impleme
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nted immediately, saving many lives, and resources were rapidly mobilized to provide food and non-food items to people in the affected areas. As part of the initial response, UNICEF conducted a rapid knowledge, attitudes and practices (KAP) survey on the information and communication needs of the most affected people in all three countries. The findings informed the lifesaving multisectoral C4D interventions which played a key supporting role in all three countries (Table 1). The experiences of the three countries in successfully mainstreaming C4D across the Cyclone Idai response offer valuable learning for future humanitarian emergencies." (Introduction)
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"In one of the first cultural acts to follow independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country where many people had little previous experience of cinema, the INC was tasked to "deliver to the people an image of the p
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eople". This book explores how this unique culture of revolutionary filmmaking began during the armed struggle against Portuguese colonialism. Following independence, the INC began the task of decolonising the film industry, building on networks of solidarity with other socialist and non-aligned struggles. Mozambique became an epicentre for militant filmmakers from around the world and cinema played an essential role in building the new nation. Crucially, the book examines how filmmaking became a resource for resistance against Apartheid as the Cold War played out across Southern Africa during the late 1970s and 1980s. Drawing on detailed film analysis, production histories and testimonies of key participants, Cinemas of the Mozambican Revolution provides a compelling account of this radical experiment in harnessing cinema to social change." (Publisher description)
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"This Mozambique Media Strengthening Program (MSP) final report is an overview of IREX’s implementation of a wide range of assistance activities to strengthen the media and healthrelated communications sectors in Mozambique over a seven-year period. These activities have significantly contributed
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to a free, open, diverse Mozambican media sector providing high quality information to citizens that promotes debate, accountability and development. Within the context of media strengthening, MSP focused on five thematic subject areas with some minor additions and modifications: (a) health and nutrition (HN), (b) gender, (c) human trafficking, (d) environment (umbrella term for biodiversity/wildlife trafficking/conservation/climate change) and (e) accountability and transparency, as well as on investigative journalism as a cross-cutting theme. While all themes were addressed at different times and in different contexts, in 2017, HN became a predominant theme. This integrated approach involved subject-specific HN communications training. What distinguished MSP from a pure HN project was the continued focus on building expertise in reporting on substantive subject matters, as well as a media capacity building focus. By combining (a) the development of strong community-based communication and media skills in the program beneficiaries with (b) the knowledge and use of simple, but effective HN messages, the program greatly increased its effectiveness, as it enabled and empowered program beneficiaries to continue to develop their own communication solutions (e.g., how to design a particular radio program) based on the messages and knowledge beneficiaries gained. While the successes of this program abound, there is much still to accomplish in supporting the media and communications actors and enacting a reorientation towards a true selfreliance of the sector led by local organizations through local strategy, local decision making and harnessing local revenue streams." (Executive summary)
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"Of all 10 African countries surveyed, only in South Africa is more than half the population online. The Internet penetration rate in Ghana, Kenya, Lesotho, Nigeria and Senegal is above the 20% threshold – but even this requires further investigation in a developing country context, where the unaf
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fordability of data means that usage is generally very low and most people are using services passively, not in the high-speed, always-on environment where studies of causality in relation to penetration and economic growth have been done. In some countries, the low Internet uptake is a result of no coverage – there is insufficient broadband extension beyond the major urban centres in the case of Mozambique, Nigeria and Uganda. Yet even in countries where there is extensive coverage, such as in Lesotho, Rwanda and South Africa, the cost of devices is a major barrier to uptake. Such demand-side constraints relate not only to affordability of devices and services, but also to classical issues of human development. In several countries, including Nigeria and Tanzania, the lack of awareness or skills on how to use the Internet accounts for the large numbers of people who remain offline." (Executive summary)
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"Focusing on sub-Saharan Africa and occasionally drawing comparisons with other regions of the world, this book critically addresses the development of the field focusing on the current opportunities and challenges within the African context. By using a wide variety of case studies that include Moza
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mbique, Zambia, Rwanda, Zimbabwe, Ghana, Kenya, Uganda, South Africa, Ivory Coast and Nigeria, the collection gives space to previously understudied regions of sub-Saharan Africa and challenges the over-reliance of western scholarship on political communication on the continent." (Publisher description)
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"The GSMA mHealth programme, under the mNutrition Initiative funded by UK aid (the UK Department for International Development, DFID), has been working with mobile network operators (MNOs) and other mobile and health sector stakeholders to support the launch and scale of mobile health (mHealth) valu
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e-added services (VAS). As of December 2017, these services have cumulatively delivered lifesaving maternal and newborn child health (MNCH) and nutrition information to over 1.59 million women and their families across eight Sub-Saharan African markets: Malawi, Ghana, Tanzania, Kenya, Nigeria, Zambia, Uganda and Mozambique (Figure 1). Key findings: Adopting a HCD approach to product development and optimisation led to increased user engagement; mHealth service users demonstrated improved nutrition behaviours over non-users across all implementing markets; mHealth services resulted in an average improvement of 12 percentage points in overall nutrition knowledge among users across all eight markets; Mobile information services improve knowledge, even when existing knowledge around certain nutrition topics is reasonably high; Mobile information services have a stronger impact with poorly understood concepts; Repetition of messages about key health practices reinforces the behaviour; Forty-two per cent of mNutrition service users report sharing the information they learn with their family, friends and communities [...]" (Executive summary)
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"IREX partnered with Lore.Ai to test whether machine learning software can automatically detect news articles that contains journalists’ own opinions. This matters because impartial, fact-based news is a powerful indicator for the quality of media and the vibrancy of an information ecosystem. A te
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am of professional media evaluators trained machine learning software to find examples of news articles that contain opinions from a body of over 1,200 online Mozambican news articles. The software identified articles that contained opinions with 95% accuracy. This accuracy was achieved after only 16 rounds of training the software, and anecdotes from the team suggest that the software’s accuracy noticeably improved after only about 20 minutes of “training”. The results have promising implications to improve efficiency, scale, and consistency of traditionally manual and time-consuming media monitoring efforts, such as helping projects target resources more effectively to support journalists whose articles are flagged by the software. The process also surfaced valuable lessons about limitations of applying machine learning to monitoring, evaluation, and learning (MEL) in global development contexts, such as reinforcing human bias or the need to invest in indigenous machine learning talent to apply these tools sustainably. The experiment was implemented in Mozambique, where IREX’s Media Strengthening Program (MSP, funded by the United States Agency for International Development) supports Mozambican professional and community journalists and their media platforms to provide high quality information to citizens." (Key findings, page 1)
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"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s
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eine Untersuchung auf die Gestaltung, Funktion und Reflexion historischer Zeugenschaft. Am Material von bislang wenig beachteten Filmproduktionen über die Dekolonisierungsprozesse zwischen Mosambik und Portugal seit den 1970er Jahren analysiert er die sich verändernden Deutungsweisen der kolonialen Vergangenheit." (Verlagsbeschreibung)
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