"We examine the sustainability of Community radio (CR) as a tool towards achieving the overall development in the South Asian region. A cross-country comparison of CR in areas including people’s participation, regulatory scenarios, human resource development, technology usage trends, financial pra
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ctices etc. shows a wide variety of CR applications and challenges. An indepth analysis of financial data and practices of several Nepalese CR stations (rural, urban, and semi-urban) alongside regulatory and anecdotal references from India and Bangladesh shows potential viability through advertising and other mechanisms. Even with an advertisement cap of 5 minutes per hour, every station shows the potential of achieving financial sustainability by selling a fraction of the allotted ad time (7%-46%). Our model shows that the monthly operating expenditure of types of stations turns out to be more significant than the annualized capital expenditure. In our analysis (and borne out in the real world), of the three considered stations, the semi-urban station has the highest cost per listener. Stochastic cost modeling of real world CR data show the trend of increased cost for content development is a trade-off for expanding the listener base and transmission time. We conclude with a proposed set of policy and operating recommendations to enable CR to play a significant role in overall South Asian development." (Abstract)
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"A reporter for the Los Angeles Times once noted that “I Love Lucy is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows.
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Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies. In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is The Nanny, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over? Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale." (Publisher description)
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"While the relationship between war and media is examined in literature, the cases of the positive use of mass communication channels in the reconciliation of post-conflict societies are virtually unknown. The goal of this study is to respond to the gap in literature by examining theoretical evidenc
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e and practical case studies describing media promotion of peace across the world. As a result, a total of 40 media projects in 18 countries are documented and two case studies are examined in detail. Initial lessons from the practical projects in conjunction with historical developments of media in wars suggest that the current practice would benefit from: integration of all available media channels and practices, incorporation of media into other social institutions and processes and regulation of hate media as well as production of peace-oriented media." (Abstract)
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"By examining recent developments in the world system of television as well as several theories of culture, industry, genre, and audience, author Joseph D. Straubhaar offers new insights into the topic. He argues that television is being simultaneously globalized, regionalized, nationalized, and eve
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n localized, with audiences engaging it at multiple levels of identity and interest; therefore the book looks at all these levels of operation." (Publisher description)
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"This study presents the current methods used by traffickers to recruit their victims via the Internet, and identifies legal, administrative and technical means used to combat this misuse." (Back cover)
"This paper was prepared primarily for internal use by DFID Effective States Team as part of a wider stocktake on accountability. Sections 8-10 were commissioned from a consultant, Mary Myers. The paper is draft only, and does not represent the official position of DFID on media / information / acco
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untability, and DFID does not necessarily subsrcibe to any views or opinions expressed herein." (Page 1)
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"This is intended to be a "practical" book. It is filled with examples and case studies that illustrate ways that carefully planned and implemented communication interventions have produced positive results. It is also filled with ideas from people who have experienced the challenges of communicatin
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g effectively in development programs. We are indebted to them and I am pleased to provide their ideas - frequentyl in their own words - to th readers of this book, and provide web links to their works. In spinning all of these valuable resources together I have added my own insights based on almost four decades of communication and development experience in countries ranging from Guatemala to Western Samoa, with many other stops in Asia, Africa and Latin America." (Foreword)
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"Trotz der zunehmenden Bedeutung von Journalismuskultur als heuristisches Denkwerkzeug vor allem für die komparative und kultursoziologisch motivierte Journalismusforschung hat eine theoretische Auseinandersetzung mit diesem Konzept bislang kaum stattgefunden. Der vorliegende Beitrag versucht diese
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Lücke zu schließen, indem er ein Modell entwickelt, dessen Abstraktionsgrad und Universalität es erlaubt, die Vielfalt journalistischer Kulturen anhand ihrer zentralen Basiselemente abzubilden und auf einem gemeinsamen theoretischen Nenner zu bringen. Anhand des Forschungsstandes und der zugänglichen Literatur wird vorgeschlagen, Journalismuskultur in seine dimensionale Struktur zu dekonstruieren. Demnach setzt sich Journalismuskultur aus drei Konstituenten zusammen (Institutionelle Rollen, Epistemologien und Ethische Ideologien), die wiederum in sieben kontinuierliche Hauptdimensionen zerlegt werden können: Interventionismus, Machtdistanz, Marktorientierung, Objektivismus, Empirismus, Relativismus und Idealismus. Damit eröffnet das Modell einen siebendimensionalen Raum, in dem verschiedene journalistische Kulturen systematisch verglichen und taxonomisch eingeordnet werden können." (Zusammenfassung)
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