"The courageous acts of whistleblowing that inspired the world over the past few years have changed our perception of surveillance and control in today's information society. But what are the wider effects of whistleblowing as an act of dissent on politics, society, and the arts? How does it contrib
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ute to new courses of action, digital tools, and contents? This urgent intervention based on the work of Berlin's Disruption Network Lab examines this growing phenomenon, offering interdisciplinary pathways to empower the public by investigating whistleblowing as a developing political practice that has the ability to provoke change from within." (Publisher description)
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"[...] the past sixty years have seen a rise of journalistic practices that purport to cover the news beyond the typical problem-based narrative. These genres of journalistic reporting are not positive news or fluff reporting: They are rigorous reporting philosophies and practices that share a commo
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n goal—reporting beyond the problem-based narrative, thereby exemplifying a commitment to the social responsibility theory of the press, which asserts that journalists have a duty to consider society’s best interests. However, there is little academic or professional understanding of these journalistic approaches. As such, this book provides an in-depth examination of socially-responsible news reporting practices, such as constructive journalism, solutions journalism, and peace journalism. Each chapter focuses on one reporting form, defining it and detailing its evolution and status among scholars and practitioners, as well as discussing its known effects and future direction. This edited volume is the first academic book published on these forms of reporting in the United States. It provides a comprehensive resource that explores the theoretical underpinnings of these journalistic genres that grounds these approaches and allows for a coherent line of research to follow as these approaches evolve." (Publisher description)
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"This report sets out a new methodology for assessing cyber power, and then applies it to 15 states: Four members of the Five Eyes intelligence alliance – the United States, the United Kingdom, Canada and Australia; Three cyber-capable allies of the Five Eyes states – France, Israel and Japan; F
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our countries viewed by the Five Eyes and their allies as cyber threats – China, Russia, Iran and North Korea; Four states at earlier stages in their cyber-power development – India, Indonesia, Malaysia and Vietnam. The methodology is broad and principally qualitative, assessing each state’s capabilities in seven different categories. The cyber ecosystem of each state is analysed, including how it intersects with international security, economic competition and military affairs. On that basis the 15 states are divided into three tiers: Tier One is for states with world-leading strengths across all the categories in the methodology, Tier Two is for those with world-leading strengths in some of the categories, and Tier Three is for those with strengths or potential strengths in some of the categories but significant weaknesses in others. The conclusion is that only one state currently merits inclusion in Tier One. Seven are placed in Tier Two, and seven in Tier Three." (Back cover)
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"With the rise of digital tools used for media entrepreneurship, media outlets staffed by only one or two individuals and targeted to niche and super-niche audiences are developing across a wide range of platforms. Minority communities such as immigrants and refugees have long been pioneers in this
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space, operating ethnic media outlets with limited staff and funding to produce content that is relevant and accessible to their specific community. Micro Media Industries explores the specific case of Hmong American media, showing how an extremely small population can maintain a robust and thriving media ecology in spite of resource limitations and an inability to scale up. Based on six years of fieldwork in Hmong American communities in Wisconsin, Minnesota, and California, it analyzes the unique opportunities and challenges facing Hmong newspapers, radio, television, podcasts, YouTube, social media, and other emerging platforms. It argues that micro media industries, rather than being dismissed or trivialized, ought to be held up as models of media innovation that can counter the increasing power of mainstream media." (Publisher description)
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"Dozens of plans to help save journalism have emerged since the Covid-19 pandemic decimated media outlets around the world. This report summarizes some of the trends we’ve seen and evaluates where they currently stand. Most promising are Australia’s efforts to get Google and Facebook to pay for
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news and efforts in the U.S. to get laws and investment that would support local news." (Executive summary)
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"This case study examines social networks as the modern intersections of radical discourse and political extremism. But, as this research will show, extremist content in social networks, even that which has telegraphed violent hate crimes, is seldom communicated in textbook forms bigotry or provocat
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ions of violence. Today, the true challenge for social networks like Facebook and Twitter is addressing hate speech that reads more like fear mongering and identity politics, and thus, does not get flagged by monitors. From accounts dedicated to inciting fear over the “threat of immigrants” or “black crime,” to groups that form around hashtags declaring that a “#whitegenocide” is underway. These narratives represent the more ubiquitous versions of hate culture that permeate these popular spaces and radicalize cultural discourses happening there. This case study explores how such rhetoric has the same capacity to deliver messages of hate, and even incite violence, by investigating six hate crimes from 2019 that were preceded by social media diatribes. The comparative analysis will show how these examples mostly featured nonviolent expressions of cultural paranoia, rather than avowals of violence or traditional hate speech, thus making them harder to detect by programs seeking out such threats in plain sight. The research then examines the user policies of leading social networks to assess whether their guidelines on hateful and violent content are purposed to address the kinds of language that were espoused by these violent extremists. The study considers the strategies being employed by social networks to expose hateful content of all forms, and the need for more prominent counter narratives." (Abstract)
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"In terms of quality of media coverage, there are various outcomes: In Asia, for example, small and independent outlets, able to provide reliable information, gained momentum, whereas citizens in the MENA-region turned to social media in search of trustworthy facts on the coronavirus. In South-Easte
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rn Europe, pseudo-journalism and fake news spread mainly via the Internet, while in sub-Saharan Africa innovative formats emerged, which also enhanced the quality of reporting. In many regions and countries, not least in Germany, demand for factbased, reliable reporting increased, offering an opportunity for quality-oriented media to regain audiences’ trust. The economic situation is difficult for almost all media outlets worldwide, although there are some differences. In Central and Eastern Europe, for example, pro-government media continued to benefit from state-sponsored advertising, while other media suffered even more acute drops in revenue. In many regions, media outlets expanded their online presence to partly compensate these losses by introducing additional paywalls, as was the case in the US, for example. In Latin America, many news outlets had to reduce their staff shortly after the outbreak of COVID-19 due to a shortfall in revenues. Small, independent outlets in Asia and Central Eastern Europe could raise their income through an increase in memberships or subscriptions. In Central Eastern Europe, especially younger generations acknowledged that quality journalism requires financing, while in Southeast Europe, it is still uncommon to pay for online media consumption, which is a setback for independent online journalism." (At a glance, page 2-3)
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"Made in Hollywood, Censored by Beijing describes the ways in which the Chinese government and its ruling Chinese Communist Party successfully influence Hollywood films, warns how this type of influence has increasingly become normalized in Hollywood, and explains the implications of this influence
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on freedom of expression and on the types of stories that global audiences are exposed to on the big screen. Hollywood is one of the world’s most significant storytelling centers, a cinematic powerhouse whose movies are watched by millions across the globe. And yet the choices it makes, about which stories to tell and how to tell them, are increasingly influenced by an autocratic government with the world’s most comprehensive system of state-imposed censorship. The free expression implications of this fact are significant, and far-reaching. By influencing which stories Hollywood tells, the Chinese government can soften the edges or erase depictions of its human rights abuses; it can dampen movies’ call for change or encouragement of resistance in the face of oppression; and it can discourage or silence filmmakers interested in making movies that question or critique the Chinese government. Hollywood’s choices have global implications. If prominent Hollywood studios or filmmakers fear to push back against such influence, there is less chance that others around the world will dare to do so. It also reduces the opportunities for independent or exiled Chinese filmmakers looking for a new home for their talents, and undercuts any argument from Chinese filmmakers that the country’s censorship system is inconsistent with international norms of artistic freedom. There are countless stories to be told about China, and those that are non-controversial from Beijing’s perspective are no less valid. But there are also stories to be told about the ongoing crimes against humanity in Xinjiang, the ongoing struggle of Tibetans to maintain their language and culture in the face of both societal changes and government policy, the prodemocracy movement in Hong Kong, and honest, everyday stories about how government policies intersect with people’s lives in the world’s most populous nation. Yet the space for filmmakers to tell such stories is shrinking—at least, unless they are willing to forego access to the world’s largest box office." (Executive summary)
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"Your goals should always follow the SMART heuristic: Specific, Measurable, Actionable, Realistic, Time-Bound. From that list you can see how “fixing everything that’s wrong in the world,” though noble, isn’t a SMART goal. Instead you’ll want something far more manageable, like stopping a
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single bill from passing in a specific vote or enacting a new policy by a specific date. SMART goals are incredibly important when planning grassroots advocacy campaigns. Because the main actors in grassroots advocacy campaigns are regular people instead of nonprofit or advocacy professionals, they need specific guidance, reinforcement, and measurable benchmarks to stay on track. Without breaking down your goals into attainable steps and tackling them one at a time, your grassroots supporters will get discouraged by the lack of visible progress." (Page 5)
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"The INN Index is the most comprehensive study of the state of nonprofit news. Since 2018, the Institute for Nonprofit News has conducted this annual Index survey of its nonprofit news organization members to evaluate the staffing, business models, financials, and editorial focus of newsrooms in the
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growing movement of public service journalism." (About the index)
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"This report examines how people in Brazil, India, the UK, and the US view news media in their countries, the factors they use when determining whether sources are trustworthy, and what ‘trust in news’ ultimately means to them [...] While we note throughout the report areas of difference between
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the four countries, such as the role played by particular forms of news or individual media figures, mainly we focus on the similarities we found, which were often striking. In most cases, study participants tended to fall back on impressions of brand quality that many said were rooted in how familiar they were with a given source and its reputation established over time based on past use, perceived partisanship, or word-of-mouth. Although many spoke about the importance of accuracy and impartiality in their assessments of trust – with individual journalists typically playing a lesser or even negative role – such terms often meant different things to different people. While a minority raised concerns about representation and whether news aligned with their lived experiences, others focused on perceived political or commercial biases or their sense that all news sources were irretrievably beholden to elite agendas." (Conclusion, page 40)
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"This report contains a range of findings about news audiences in each of the four countries [Brazil, India, United Kingdom, United States], focusing on audiences overall as well as different segments of the public categorised according to their degree of trust towards news brands in their country.
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We summarise several of the key results of our analysis here: People are more trusting of news they themselves use, including on social media, but less trusting of news they don’t use, especially news found on digital platforms [...] Many hold highly negative views about basic journalistic practices [...] The least trusting towards news tend to be older, less educated, less interested in politics, and less connected to urban centres [...] The least trusting pay less attention to and are more indifferent towards specific characteristics about how journalism is practised [...] Experience interacting with journalists is rare and familiarity with basic concepts concerning how news works is often low [...] Gaps in trust in news align with deficits in social and interpersonal trust as well as dissatisfaction with democracy." (Summary of key findings, page 8)
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"This report is the culmination of an in-depth investigation aimed at better defining the causes and challenges of information disorder, and offering a viable framework for action [...] The Aspen Institute’s Commission on Information Disorder invited voices from across our society to help build up
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on our understanding of the issues and our approach to recommendations. This included numerous examples of research, original ideas, draft legislation, and critical analysis from academics, policymakers, and activists—all leveraging deep, real-world experience while striving to meet the scale of the challenge. Each recommendation that follows represents a discrete, actionable idea. Though not all of the recommendations are mutually dependent, they should be considered together—they reinforce and build off one another. For instance, recommendations calling for access and disclosure support those that impose greater accountability for bad actors and, conversely, create a check on overreach. Our recommendations cover multiple areas: technology, society, government, and media. It is also important to note that, with imperfect information, we make imperfect decisions. Due to the opacity of tech and media platforms—how they operate and how they optimize their products—we do not have sufficient understanding of all the coordinated levers that could reduce societal harms while still allowing for innovation, and both individual and community benefit." (Letter from the co-chairs, page 2)
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"The nonprofit news outlet, dedicated to providing coverage for and about immigrants and Minnesotans of color, launched in August 2019 with just one salaried employee—its founder and editor, Mukhtar Ibrahim. Two years later, the news outlet had 11 salaried employees and three contractors. The digi
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tal news organization is a fundraising powerhouse. In 2019, Sahan Journal brought in nearly $500,000 from supporters, including contributions from foundations and individuals. In 2020, it raised over $770,000 in total revenue, more than a 50% increase from the year before. And as of July 2021, it’s up to $1,240,000 in revenue. Compared with other local and state news outlets also founded in 2019, Sahan Journal has brought in roughly quadruple the median amount of revenue. And there’s more: Sahan Journal has dramatically grown its audience. In its first year of publication, Sahan Journal’s monthly uniques more than quadrupled and its email newsletter subscribers increased by 1,400%. And, as the audience grew, so did individual donations. The number of donors more than tripled from 253 in 2019 to 785 in 2020. One of the most important ways that Sahan Journal has achieved such financial success is by participating in NewsMatch, a collective fundraising campaign that pools matching gifts from national, regional, and local funders to inspire millions of small donations to support nonprofit journalism. During its first NewsMatch campaign, from Nov. 1 to Dec. 31, 2019, Sahan Journal raised $25,500 in individual donations. The following year, the nonprofit raised more than $58,000 in eligible donations during NewsMatch and—more notably—leveraged the program learnings to establish best fundraising practices and launch its own small-dollar donor fundraising campaigns. In total, Sahan Journal raised $110,000 from individual giving in 2020. Organizations like Sahan Journal that participate in NewsMatch don’t just receive matching funds. As part of the program, they are required to be members of the Institute for Nonprofit News (INN), which means they participate alongside a cohort of hundreds of other nonprofit news outlets. They also receive training resources and fundraising support from INN and learning partners like the News Revenue Hub. Altogether, participating organizations receive unrestricted financial support, new skills and tools to strengthen fundraising capabilities, and valuable engagement with supporters who care about quality news. This case study outlines Mukhtar’s vision, details how he and his staff have raised funds, and includes advice and tips for other news outlets looking to build support from individual donors and major funders." (Pages 1-2)
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"The Courage Against Hate initiative has been brought together by Facebook for the purpose of sparking cross-sector, pan-European dialogue and action to combat hate speech and extremism. This collection of articles unites European academic analysis with practitioners who are actively working on coun
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tering extremism within civil society. Hate and extremism have no place on Facebook and we have been making major investments over a number of years to improve detection of this content on our platforms, so we can remove it quicker - ideally before people see it and report it to us. We’ve tripled - to more than 35,000 - the people working on safety and security at Facebook, and grown the dedicated team we have leading our efforts against terrorism and extremism to over 350 people. This group includes former academics who are experts on counterterrorism, former prosecutors and law enforcement agents, investigators and analysts, and engineers. We’ve also developed and iterated various technologies to make us faster and better at identifying this type of material automatically. This includes photo and video matching tools and text-based machine-learning classifiers. Last year, as a result of these investments, we removed more than 19 million pieces of content related to hate organisations last year, over 97% of which we proactively identified and removed before anyone reported it to us." (Introduction, page 2)
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"La comparación con los años previos pone en evidencia el brutal desplome de la producción durante 2020 a raíz de los confinamientos y otras restricciones debidos a la pandemia de COVID-19. Tomada como un todo, la exhibición nacional de estreno cayó respecto de 2019 en un 41%, pero en algunos
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casos se llegó al 80% y 90% de caída. En términos absolutos, la mayor caída se reportó en Brasil, cuyo 68% de caída se tradujo en 891 horas menos de ficción. La única excepción fue Uruguay, que tuvo un aumento explosivo, pero desde una base de comparación muy baja. Lo anómalo del año 2020 no debe ocultar algo probablemente más estructural. Nuevamente, tomado el ámbito Obitel como un todo, la caída de un 41% este último año se agrega a la caída acumulada de un 22% que ya arrastraban los dos años anteriores a la pandemia. Este retroceso en la producción de ficción para televisión abierta no debe ser leído únicamente como una caída en la capacidad productiva. El volumen de material de estreno en VoD, mostrado más adelante, sugiere que al menos una parte del fenómeno es un desplazamiento desde una ventana de exhibición hacia otra." (Página 41)
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"The Solutions Journalism Revenue Project (SJRP), which ran between February 2020 and February 2021, aimed to explore how a diverse range of newsrooms could leverage solutions journalism to generate revenue. Among the questions the project sought to answer were: Can reporting on responses to social
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problems help newsrooms attract financial backers and contribute to their economic sustainability? Is there a business case that supports this journalistic practice? Over the yearlong project, we gathered both quantitative and qualitative evidence indicating that producing solutions journalism can help news organizations bring in revenue. We are particularly heartened by this outcome given the extraordinary challenges faced by newsrooms across the industry this past year, including COVID-19 and urgent news issues, such as the movement for racial justice and the presidential election, that demanded significant attention from already stretched newsroom staff. Our partner newsrooms’ dedication to experimenting with and keeping the focus on solutions journalism is testimony to its value in advancing their revenue objectives and larger goals of serving communities with a different approach to producing information that is in the public interest. The takeaways below reflect results from SJN’s work, both with the 12 U.S.-based newsrooms that formed the yearlong SJRP cohort and with numerous other newsrooms we’ve worked with outside the cohort where data and insights are relevant to this report." (Introduction, page 1)
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"In diesem Open-Access-Buch zeigt Jakob Kelsch, wie sich in der US-amerikanischen TV-Serie der 1950er und 1960er Jahre der Mythos der patriarchal-strukturierten Kernfamilie als Ideal des familiären Zusammenlebens herausbildete. Trotz Phasen der Dekonstruktion und der zunehmenden Repräsentation pro
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blematischer und ethnisch wie sozial diverser Familienverhältnisse erweist sich dieser Mythos bis heute als äußerst persistent. Der durch den Digitalisierungsprozess bedingte Aufstieg der Streamingdienste und der Siegeszug deren serieller Erzeugnisse brachte eine inhaltliche Diversifizierung des Genres Familienserie und eine zunehmende narrative Komplexität mit sich. Doch auch diese kann nur an der Oberfläche des tief im kulturellen Wissen verankerten Mythos der heteronormativen Kernfamilie rütteln." (Verlagsbeschreibung)
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"The emergence of digital platforms has attracted considerable scholarly attention among media theorists. Yet, much of this scholarship has taken Western platforms such as Facebook, Google, Twitter, Instagram, Netflix, Uber, and so on, as exemplars. In this article, we seek to contribute to the proj
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ect of de-Westernizing and reregionalizing Internet studies through an analysis of Chinese platforms. Seeking to avoid dichotomizing China and the West, we identify similarities and four overlapping areas of difference between U.S. Internet platforms and Chinese platforms that need to be accounted for as part of a project of de-Westernizing platform studies. Understanding such differences, we argue, is crucial given the hegemonic roles platforms now play in a multipolar world." (Abstract)
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"This practical guide aims to provide journalists with concrete legal tools to deal with online harassment, be it to identify punishable offences, to seek help from appropriate organisations, to efficiently gather evidence and to take steps should they decide to file a complaint against the perpetra
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tors. Where appropriate, it also presents examples of litigation initiated by journalists who were victims of online harassment. It covers online harassment of journalists in Australia, Brazil, Finland, France, Germany, India, Ireland, Japan, Kenya, the Netherlands, Sweden, the United Kingdom (England and Wales) and the United States. Although none of these countries provide specific provisions sanctioning online harassment of journalists, they all offer civil and criminal law provisions that make it possible to apprehend, punish and compensate all or part of the most common abuses committed against journalists. In addition to the comprehensive presentation of the legal tools available for journalists in each of these jurisdictions, this guide aims to provide journalists with an overview of the solutions available to combat situations of online harassment, in order to enable them to choose the best legal forum to exercise their rights." (Introduction)
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