"In February 2020, the Communist Youth League introduced two virtual idols, Jiangshanjiao and Hongqiman, on Weibo to gain political solidarity during COVID-19. However, the move sparked massive criticism for using an animated female idol while ignoring the needs of female medical workers in the pand
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emic’s epicenter who lacked essential menstrual supplies. One post, “Jiangshanjiao, do you get your period?” went viral and was retweeted more than 100,000 times in several hours before being censored. The pushback eventually led to the league deleting its original announcement. Based on 1,106 posts and 10 interviews, this study explores the emotions expressed through Jiangshanjiao and how they inform feminist online engagement in China. Drawing on Sara Ahmed’s framework on emotions, the findings show that emotions expressed through Jiangshanjiao predominately circle around disgust and fear, which confront state propaganda, acknowledge the pervasiveness of sexual violence, and foster solidarity. Chinese feminism has been caught in the middle of misogyny and the strict control of activism. Reviewing Jiangshanjiao provides insights into how resistance has played out in the complicated gender politics in China." (Abstract)
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"This volume addresses the various historical, philosophical, political and cultural parameters of censorship and freedom of expression as well as current debates involving technology, journalism and media regulation. Geographically, temporally and culturally diverse accounts of censorship and freed
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om of expression are discussed through a broad range of perspectives and case studies. This Companion covers core principles and concerns in addition to more specialist and controversial debates, including those surrounding hate speech, holocaust denial, pornography and so-called “cancel culture”. The collection pays particular attention to the role of the media in both facilitating and suppressing freedom of expression." (Publisher description)
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"The paper explores the potential of big data analytics for researching anti-immigrant discourse. We emphasize contextualization as an essential element of research and follow a hybrid approach inspired by best practices of computational content analysis, combining human hermeneutic expertise with s
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upervised machine learning to classify a corpus of comments in online news communities in Singapore over 6 months (N=399,225). The paper highlights how big data analytics can provide a nuanced and critical apprehension of immigrant-related discourse in large social media datasets."
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"Drawing from nation-branding as a recent development in contemporary globalization, and new middle power theory that examines hierarchies of nations, we used thematic textual analysis to examine business press coverage of the IBSA (India, Brazil, South Africa) consortium for business news represent
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ations and the positioning of IBSA nations in the global arena. Analysis of coverage in India’s The Financial Express, Brazil’s Valor Econômico and South Africa’s Business Day revealed that regional economic leadership, strengths in trade and technology, development aid and the consortium’s collective engagement in global activism inform the business press’ positioning of the IBSA countries as new middle powers." (Abstract)
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"This paper examines the counter-violent extremism and anti-terrorism measures in Australia, China, France, the United Kingdom and the United States by investigating how governments leveraged internet intermediaries as their surrogate censors. Particular attention is paid to how political rhetoric l
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ed to legislation passed or proposed in each of the countries studied, and their respective restrictive measures are compared against the recommendations specified by the United Nations Special Rapporteur on the Promotion and Protection of the Right to Freedom of Opinion and Expression. A typology for international comparison is proposed, which provides further insights into a country’s policy focus." (Abstract)
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"Since August 2021, almost 50% of media outlets have ceased their operations in Afghanistan. An estimated 90% of women journalists have lost their jobs, with many more media workers having fled the country or been forced into hiding. Replying to a call from over hundred anonymous journalists for con
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tinued assistance inside the country, UNESCO’s response focused on the provision of lifeline resources to support the Afghan media sectors while restoring longer term media viability. It is in this context that the EU-funded project “Support to Afghan Media Resilience to Foster Peace and Security”, implemented from November 2022 to April 2024, has played a key role in addressing and mitigating Afghan media challenges, while fostering continued access to information of the Afghan population, especially conflict sensitive reporting, humanitarian information and educational broadcasting, with a specific focus on women journalists, youth and minority groups." (Back cover)
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"[...] TikTok is much more than just a social network. Increasingly, it serves as a search engine, connecting its users with trends, music, and news—the latter in a significant way. Various studies indicate that TikTok has now become the primary news source for Gen Z, with this trend on the rise.
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Thus, the platform also offers an opportunity for journalists to reach an audience less engaged with traditional news mediums such as print, broadcast, and online journalism. Jacque Manabat recognised this opportunity and became the first Southeast Asian journalist to implement TikTok as a news platform. The former TV reporter and Adenauer Fellowship Program alumna began experimenting with the platform during the pandemic, drawing inspiration from numerous successful influencers on TikTok. The experiment succeeded: today, Jacque Manabat is an independent creator on TikTok. In an interview with Vanessa Buchmann, she discusses the initial resistance she faced, and why her courage ultimately paid off. The Filipina provides insights into what makes TikTok unique as a platform, shares what she has learned about the younger generation, and demonstrates how journalists can thrive there." (https://kas-media.asia)
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"While most adult Afghans have access to some form of media platform, only around one in three have access to internet, with less than half of mobile users owning a smartphone. Men exhibit higher usage of radio and internet compared to women (52% male vs 43% female for radio and 36% vs 29% for inter
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net). Use of TV, however, is nearly identical among men and women. Men predominantly use media in the evenings between 7 to 10 pm, while women use media during the day, with an increase in women’s TV usage during daylight hours compared to findings from our previous survey (March 2021). With increased limitations on women’s movement, work and education; media and the internet have become essential lifelines for women, serving as their main source of news and information." (Key findings, page 2)
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"More than a dozen experts provide deep insights in stories, research reports, and geographical studies of digital literacy and inclusion models, all from a multi-disciplinary perspective that includes engineering, social sciences, and education. Digital Literacy and Inclusion also highlights a show
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case of real-world digital literacy initiatives that have been adopted by communities of practice around the globe. Contributors explore myriad aspects and modalities of digital literacy: digital skills related to creativity, urban data literacy, digital citizenship skills, digital literacy in education, connectivity literacy, online safety skills, problem-solving and critical-thinking digital skills, data literacy skills, mobile digital literacy, algorithmic digital skills, digital health skills, etc. They share the principles and techniques behind successful initiatives and examine the dynamics and structures that enable communities to achieve digital literacy efficiently and sustainably." (Publisher description)
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"Using the extended parallel process model (PPM), this research examines whether and how humor functions to influence women’s breast self-examination (BSE) intention. We conducted a 2 (humor: present vs. absent) × 2 (threat: high vs. low) × 2 (efficacy: high vs. low) between-subjects experiment
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in which we measured individual differences in BSE intention. The sample includes 480 Chinese women aged 20–50 years old. Results suggest that the 2-way interaction effect between threat and efficacy was significant, indicating that women who received messages containing high threat and high efficacy had the highest intention of BSE. In addition, the 3-way interaction effect between threat, efficacy, and humor was significant. The results indicate that if women perceive the threat of getting breast cancer as mild and believe that they are incapable of preventing it, messages with humor can significantly enhance their intention to engage in BSE when compared with messages without humor. Theoretical and practical implications of the findings are discussed." (Abstract)
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"This study delves into the intricate realm of gender and artificial intelligence (AI) through an examination of DALL-E 2-generated images within the Indian context. It takes a methodological approach that focuses on assessing images generated in response to prompts such as ‘a farmer cultivating c
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rops in rural Punjab’ to reveal the dynamics of gender performativity within professions. The generated images were thematically analysed using dress as a phenomenon to visualise Indian man, Indian woman and ambiguous Indian. The study concludes that DALL-E 2 reinforces the binary gender norms, leaving no space for ambiguous Indian in its responses. Although the generated image is centred on female professions, it is frequently employed in ‘male’ surroundings. Hindu religious symbols are largely used among male professionals to denote religious and gender predominance. A brown complexion reflects demographics regardless of gender, while female professionals tend to undergo a process of aesthetic enhancement, suggesting societal beauty standards." (Abstract)
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"The Taliban retook control of Afghanistan on Aug. 15, 2021 after two decades of fighting on the ground and manipulating narratives online, particularly on social media. Their tactical use of social media was more evident in 2021 when they were advancing their territorial gains and posting on social
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media to promote the idea of their impending return to power. This study aims to understand the (ab)use of social media by the resurgent Taliban 2.0 and to suggest ways young Afghans can utilize social media to navigate their lives under the new regime. The authors undertook a critical review of the literature to analyze the Taliban’s social media tactics in manipulating public narratives to portray themselves as the legitimate rulers of Afghans. The study finds that the Taliban’s adaptation of social media tools helped them retake control of Afghanistan by influencing public narratives in their favor. This study recommends promoting critical thinking abilities among young Afghans to utilize social media to express dissent and advocate for their rights." (Abstract)
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"Women in Afghanistan continue to have less access to information than men, particularly through TV and the internet. At least 33% of women (more in rural areas) rely on family as a key source of information, while men prioritise other information sources. Yet Afghan women’s information needs have
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never been more pronounced – due to restrictions on their activities, many are confined to their homes. Women in Afghanistan with media access rely on this more than ever to keep updated on issues that concern them, and spend more time accessing and using media: "Now women are in the confines of their homes… The virtual space is the only window for us to learn about what is happening." (Female FGD participant, Herat).
Two-thirds (65%) of female survey respondents say that the media is “very important” in their daily lives, compared with half (51%) of male respondents. Despite various efforts to cater to female audiences, 67% of female and male respondents feel that Afghan media only “somewhat” or “rarely” meets women’s needs. Reflecting restrictions on media content, respondents complain that domestic media contains too much religious content and not enough entertainment. However, educational content is still allowed, providing women and girls who are denied access to schooling with a vital source of education.
Respondents are more satisfied with the balance of content in international media and media run by Afghans in exile, and they are more likely to watch some types of entertainment, such as movies, on international than domestic TV. However, a number of international media outlets are inaccessible from Afghanistan. Journalists inside Afghanistan are banned from working with international TV/radio channels or news sites, and some have been arrested for doing so.
87% of respondents say the presence of women in the media in Afghanistan has decreased since August 2021. Only 41% could name a female presenter or journalist. Almost all of those named by respondents worked in the media before 2021, or currently work from outside Afghanistan. Audience members support women featuring in news and educational programmes but are less supportive of them featuring in comedy and sports content. Over half (54%) of the general survey respondents say they would support a female relative to work as a journalist. A further 12% would support a female relative under certain conditions, including wearing the hijab and travelling with a mahram (women cannot leave their home without a male chaperone)." (Executive summary, page 6)
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"The study seeks to understand consumers’ and decisionmakers’ perspectives on how current entertainment media treats themes of faith, religion and spirituality in its narratives and characters, if there is a market for more accurate and diverse representation of faith, and what opportunities exi
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st for improving these portrayals. HarrisX surveyed nearly 10,000 entertainment consumers across 11 countries as well as 30 in-depth interviews with entertainment industry leaders. Consumers say they learn about other religions through entertainment and see the potential for faith-inclusive content to create understanding and dialogue in society. Yet, respondents share that when they see their religion or faith - and others - included in mainstream entertainment, they feel it’s often sensationalized or that the portrayal leans on stereotypes. Similarly, entertainment industry professionals also highlighted an opportunity to reach and connect with an underserved audience. They noted that producing this content not only represents a good business opportunity, but also provides the opportunity to demystify what consumers know about other faiths and create understanding between people of different belief systems." (Introduction)
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