"The Digital kids Asia-Pacific (DKAP) Framework proposes a comprehensive and holistic set of competencies across five domains: Digital Literacy, Digital Safety and Resilience, Digital Participation and Agency, Digital Emotional Intelligence, and Digital Creativity and Innovation. The framework is al
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so anchored in a rights-based approach, in full recognition of the United Nations Convention on the Rights of the Child (1989). The framework was then used as the basis for the creation of a self-reporting survey to measure children’s digital citizenship competencies. The survey was administered to 5,129 students aged 15 in four Asia-Pacific countries – Bangladesh, Fiji, Republic of Korea and Viet Nam. Among the five domains, children were most confident in their Digital Safety and Resilience competencies, and least confident in their Digital Creativity and Innovation competencies across all four countries. Some domains showed homogeneous levels of competencies across the four countries, while others showed wider gaps between the countries." (Executive summary, page xiii-xiv)
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"Auch wenn die deutsche Kolonialgeschichte mittlerweile öffentliche Aufmerksamkeit erfährt, wird die Herrschaft, die Deutschland in seinen "Schutzgebieten" in Afrika, China und der Südsee ausübte, oft immer noch als eher harmlose historische Episode abgetan. Der langjährige Afrika-Korrespondent
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Bartholomäus Grill zeigt, welche immensen Schäden der Kolonialismus und die ihm zugrunde liegende Herrenmenschen-Ideologie angerichtet haben. In einer Mischung aus Analyse und Reportage beschreibt er historische Zusammenhänge sowie die brutale Praxis des Kolonialismus und begibt sich gleichzeitig auf Spurensuche vor Ort. An den deutschen Kolonien zeigt Grill auf, wie stark der europäische Kolonialismus Realitäten und Denkmuster bis heute prägt: Ebenso wie die koloniale Gewalterfahrung in den ehemals beherrschten Gebieten bis heute nachwirkt, lassen sich auch im öffentlichen Diskurs in Deutschland stereotype Wahrnehmungen und rassistische Weltbilder nachweisen, in denen Vorstellungen aus der Kolonialzeit heute noch aufscheinen. Grill plädiert dafür, sich mit diesem kolonialen Blick auseinanderzusetzen und den postkolonialen Diskurs des globalen Südens anzunehmen." (Verlagsbeschreibung)
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"Over the past seven years, the Russian government has employed various methods from censorship and surveillance to the intimidation of internet companies to tighten its control over the internet. The Kremlin undoubtedly considers the costs of control insignificant compared to the costs of political
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instability – even if this means slowing down the pace of innovation in Russia’s digital economy. Close cooperation with China increases its technical capabilities to restrict the freedom of internet. But just how much control the Kremlin is willing to relinquish to Chinese companies in order to better control Russian society will remain the key question for the years to come." (Conclusion)
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"Social media in China has not only become a popular means of communication, but also expanded the interaction between the government and online citizens. Why have some charitable crowdfunding campaigns had agenda-setting influence on public policy, while others have had limited or no impact? Based
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on an original database of 188 charitable crowdfunding projects currently active on Sina Weibo, we observe that over 80 per cent of long-term campaigns do not have explicit policy aspirations. Among those pursuing policy objectives, however, nearly two-thirds have had either agenda-setting influence or contributed to policy change. Such campaigns complement, rather than challenge existing government priorities. Based on field interviews (listed in Appendix A), case studies of four micro-charities – Free Lunch for Children, Love Save Pneumoconiosis, Support Relief of Rare Diseases, and Water Safety Program of China – are presented to highlight factors that contributed to their variation in public outcomes at the national level. The study suggests that charitable crowdfunding may be viewed as an “input institution” in the context of responsive authoritarianism in China, albeit within closely monitored parameters." (Abstract)
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"A growing body of evidence shows that young people are regularly using the digital world as a key source of information about sexuality. This review seeks to understand the opportunity for digital sexuality education by exploring what young people search for online, the range of digital sexuality e
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ducation platforms currently available in the region, the impact of these platforms and issues of online safety. While limitations exist in the depth and breadth of digital sexuality media currently available in the East Asia and Pacific region, this review finds that such platforms offer an opportunity to positively impact the sexual and reproductive health, knowledge and behaviours of young people. Digital media provides scope for targeted interventions and the potential to reach adolescent populations at scale, anytime, anywhere. There is a need for more research to better understand how they impact knowledge, attitudes and behaviour and what increases appeal and usefulness for young people." (Executive summary)
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"The volume is divided into three parts, focusing respectively on historical periodizations, categories that share formal characteristics, and structural elements involved in the production, distribution, and reception of the works themselves. In historical terms, topics range from the birth of Chin
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ese cinema at the beginning of the twentieth century to the present moment, and include discussions of several periods that have hitherto not yet received much detailed analysis—including Manchurian cinema from the 1930s and 1940s, and Mainland Chinese cinema from the Maoist period. In formal terms, topics range from familiar cinematic genres such as the opera film and the war film, to newer techno-formal configurations such as small-screen and large-screen cinemas. In structural terms, topics range acting and directing to the practices of reenactments and remakes. Neither the volume as a whole, its three main parts, nor any of its individual chapters pretends to present an encyclopedic overview of its corresponding topic. Instead, our objective is to explore the interpretive spaces that open up at the interstices of various existing conceptions of the shape of the field. It is here, we contend, that we may find the key to a richer understanding not only of a singular “Chinese cinema,” but more importantly of an eclectic body of mutually overlapping Chinese cinemas." (Publisher description)
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"Based on literature review and interviews with journalists, we argue that the BRICS countries are constructing a collective vision, guided by logics of recognition and of transformation. The production of discourse reaches its high point during the BRICS leaders’ summits. To go beyond analysis of
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the discourse revealed in the media, this article examines projects, thereby aiming to qualify and label the justificatory discourses, in order to develop an understanding of intentions. The BRICS countries have become a reference point as the press increasingly makes comparisons between these countries. The notion of recognition, present in the political elites, also appears as a part of the public imagination and in the press. The leaders too seek transformation. The first official multilateral institution founded by the BRICS countries was the New Development Bank. Current efforts indicate the development of common scientific and technological research initiatives and official support for the establishment of an innovative BRICS Network University. Initiatives will appear as these countries try to consolidate their position." (Abstract)
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"A scholar and activist tells the story of change makers operating within the Chinese Communist system, whose ideas of social action necessarily differ from those dominant in Western, liberal societies." (Publisher description)
"The book covers the trajectories and trends in social change communication, engaging the key theoretical debates on communication and social change. Attending to the concepts of communication and social change that emerge from and across the global margins, the book works toward offering theoretica
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l and methodological lessons that de-center the dominant constructions of communication and social change. The chapters in the book delve into the interplays of academic-activist-community negotiations in communication for social change, and the ways in which these negotiations offer entry points into transformative communication processes of social change. Moreover, a number of chapters in the book attend to the ways in which Asian articulations of social change are situated at the intersections of culture, structure, and agency. Chapters in the book are extended versions of research presented at the conference on Communicating Social Change: Intersections of Theory and Praxis held at the National University of Singapore in 2016, organized under the umbrella of the Center for Culture-Centered Approach to Research and Evaluation (CARE)." (Publisher description)
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"The Digital Silk Road is the component of China’s Belt and Road Initiative that aims to establish China as the global technological superpower. While the Belt and Road Initiative is generally understood to be a foreign policy initiative, it is important to view the Digital Silk Road as both a for
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eign and domestically focused aspect of the initiative. The first step to analyzing this component of the Belt and Road Initiative is to create a conceptual roadmap to understand the components of the Digital Silk Road. This paper argues that it comprises four interrelated, technologically focused initiatives. First, China is investing abroad in digital infrastructure, including next generation cellular networks, fiberoptic cables and data centers. Second, it contains a domestic focus on developing advanced technologies that will be essential to global economic and military power. These advanced technologies include satellite navigation systems, artificial intelligence and quantum computing. Third, because China recognizes the importance of economic interdependence to international influence, the Digital Silk Road promotes e-commerce through digital free trade zones. Last, digital diplomacy and governance, including through multilateral institutions, are key to China creating its ideal international digital environment.
After outlining a broad conceptual map of the Digital Silk Road, this paper focuses on how China’s investment in digital infrastructure and the strategic technological competition between China and the United States will shape the international orders in the Asia-Pacific region and globally. It argues that China perceives technological advancement as the sphere in which it can most adequately challenge the United States’ global power without creating direct confrontation, including possible military confrontation. Second, the United States seeks to constrain the Digital Silk Road and China’s technological ascendancy by presenting Chinese technology corporations as posing an unacceptable risk to international security. Third, China does not want to replace the current international order that has persisted since the end of the Second World War. Rather, it would like to maintain the liberal economic order that has permitted its economic rise and export its form of digital authoritarianism to create an illiberal political international order. Finally, through investing in data centers and pursuing data localization policies, China aims to achieve strategic geopolitical objectives by projecting sharp power abroad, which will be facilitated by big data." (Executive Summary)
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"In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on li
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censed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of au dience consumption in China have informed the localization of this specific transnational TV content." (Abstract)
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"Transnational Media: Concepts and Cases provides a clear and engaging overview of media communication from a global and a region-based perspective. Rather than focusing on just complex theories and industry-specific analyses, this unique book offers an inclusive, comparative approach to both journa
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lism and entertainment media--introducing readers to the essential concepts, systems, transnational influences, and power dynamics that shape global media flow. Broad coverage of different media forms from Asia, Africa, the Americas, Europe, and Oceania offers country-based and transnational perspectives while highlighting examples of media trends in television, radio, film, journalism, social media, music, and others." (Publisher description)
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"This edited volume discusses mediatized religion in Asia, examining the intensity and variety of constructions and processes related to digital media and religion in Asia today. Individual chapters present case studies from various regions and religious traditions in Asia, critically discussing the
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data collected in light of current mediatization theories. By directing the study to the geographical, cultural and religious contexts specific to Asia, it also provides new material for the theoretical discussion of the pros and cons of the concept mediatization, among other things interrogating whether this concept is useful in non-'Western' contexts." (Publisher description)
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"This book interrogates the possibilities of global thinking from the south in the field of media, communication, and cultural studies. Through lenses of millennial media cultures, it refocuses the praxis of the global south in relation to the established ideas of globalization, development, and con
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ditions of postcoloniality. Bringing together original empirical work from media scholars from across the global south, the volume highlights how contemporary thinking about the region as theoretical framework - an emerging area of theory in its own right - is incomplete without due consideration being placed on narrative forms, both analogue and digital, traditional and sub-cultural. From news to music cultures, from journalism to visual culture, from screen forms to culture-jamming, the chapters in the volume explore contemporary popular forms of communication as manifested in diverse global south contexts." (Publisher description)
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