"Der Begriff "Weltmusik" war in den 1980er Jahren die gängige Beschreibung für Musikstile, die aus westlicher Perspektive "exotisch" wirkten. Er stand für unterschiedlichste musikalische Traditionen, die oftmals nicht viel mehr gemein hatten, als dass sie plötzlich für den westlichen Markt inte
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ressant und doch mit den dortigen Hörgewohnheiten kompatibel waren. Diesen Prozess der kulturellen Globalisierung und Aneignung bezeichnen Kritiker als koloniales Relikt, schreibt die Vermarktung von "Weltmusik" doch zuweilen die globalen asymmetrischen Machtverhältnisse fort. Nichtsdestotrotz haben es Labels, Privatleute und Communities geschafft, Hörern auf der ganzen Welt diverse Musiktraditionen näherzubringen und kulturelle Vermischungen und Transfers zu bewerkstelligen. Zusehends richtet sich der der Blick nun auf die vielfältigen, eigenständigen und unbequemen Sounds beispielsweise aus Afrika, Lateinamerika oder Asien und den hybriden Charakter vieler transnationaler Musikproduktionen, die eine "Weltmusik 2.0." oder einen "Global Pop" begründen. Dieses Buch stellt Konzepte und Diskurse sowie Akteure, Ausprägungen und Erscheinungsformen der abseits des Mainstreams bestehenden globalen Populärmusik vor und erhebt dabei nicht den Anspruch, die unermessliche Fülle regionaler Sounds zu dokumentieren oder gar zu systematisieren." (Verlagsbeschreibung)
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"Community broadcasting is known as the third tier of broadcasting, occupying the space between commercial and state broadcasters. In Kenya, this sector has been active only since 2004. Despite its recognised value in other contexts across the globe, community broadcasting is still struggling to fin
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d footing in the Kenyan media landscape, and there is a paucity of research on how this sector actually operates – its structures, content and audiences. This work therefore explores the roles and relevance of community radio in the vibrant Kenyan media landscape. Using a complementary mix of qualitative and quantitative methods, three community radio stations with different social contexts, funding and management structures were investigated. The research focused on the ideas and actors behind community radio, its funding and management structures, content, content production processes, listenership patterns and participation practices. Brought to light was that this sector navigates legislation and funding challenges, and juggles between global and local ideals about community broadcasting, most distinct of which are democracy and development. The local, the national and the global inform the ideas under which Kenyan community broadcasting operates, and these ideas are interpreted differently in each context. Communities interact with each of the stations based on their particular local contexts. Not only do they listen to community broadcasters according to specific daily rhythms, but they also mobilise themselves into social formations – most often fan groups and clubs – as a way of collective participation in the life of the station. Contrary to much radio audience research, this work shows that listenership is a distinct activity and participation in and through the media is not only an individual endeavour, but a collective undertaking drawing on pre-existent social solidarities. Community radio content addresses its listeners as different kinds of communities and publics at specific times of the day, and they respond accordingly. As well, there is content transformation across diverse media platforms, which may be a step towards new genres. Despite working within different and hybrid journalistic cultures, the producers play similar roles to their communities across the three contexts including mediation, mobilisation, space-creation, information and entertainment. Of these roles, mobilisation is a strength of community radio. The research reveals the intertwined nature of state, media and audience relationships, and argues for the fact that there are no homogenous audiences even at a micro-level, and that the affective and democratic functions of media participation are intricately linked to each other." (Abstract)
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"Migori County is listed by the National Commission on Integration and Cohesion as a political violence hotspot. The aim of this study was to examine the role of community radio programming in peace promotion during political campaigns in Migori. The objectives of the study were: To establish the ty
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pes of programmes Milambo Radio 103.8 FM, Radio Tarumbeta 90.4 FM and Radio Rameny 88.3 FM have designed for promoting peaceful political campaigns in Migori County; to determine the extent to which such programmes are used to promote peaceful political campaigns and to explore strategies through which community radio programming may be made more effective in promoting peaceful political campaigns. This qualitative case study enlisted twenty one participants. Face-to-face interviews, focus group discussions and document analysis supplied qualitative data, whose analysis has been done in tandem with the research questions. The research was underpinned by the Agenda Setting Theory (Shaw, 1979) and supported by the Media Effects Theory (Perse, 2000). The study confirms that whereas community radio stations in Migori County have a huge potential to propagate and mobilize for peace during political campaigns, this potential is not sufficiently exploited. It is recommended that strategic radio programming for peace should be enhanced to enable community radio stations in Migori County forestall campaign violence in the run-up to the general elections of 2017." (Abstract)
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"Popular theatre occupies a special space in Matabeleland because it is situated in the everyday lives of ordinary people, and is able to articulate their experiences and to create spaces for them to ‘speak to power’. In the wake of the Gukurahundi massacres and perceived marginalization of Mata
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beleland in the 1980s, theatre groups used their plays to probe issues that were shunned by mainstream media. We argue that theatre has been used as part of radical citizen media in a context in which mainstream public spheres are restricted. We also demonstrate that theatre groups in Matabeleland have shifted between ‘Matabeleland particularism’ and addressing broader, ‘national’ concerns, reflecting historical context. However, theatre is not always used to express views that support the downtrodden against the establishment. In the Matabeleland case and also Zimbabwe as a whole, theatre has also been employed by the state and other pro-establishment groups for ideological mobilization." (Abstract)
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"This publication is the outcome of the “East Africa Regional Peace Journalism Training Workshop” for journalists covering conflict and peacebuilding in East Africa. Organized by Rongo University’s Center for Media, Democracy, Peace, and Security (CMDPS) in partnership with the African Peacebu
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ilding Network (APN) of the Social Science Research Council (SSRC), the two-day event brought together journalists from five East African countries—Kenya, Rwanda, South Sudan, Tanzania, and Uganda—to develop their capacity for reporting on conflict-related issues in an objective manner based on the tenets of the theory and practice of peace journalism." (Introduction)
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"The study sought to find out radio listenership among women in Kipkelion West Sub-County, to establish the choice of radio programs and stations that interests the women, to assess the preference of radio to other mass communication media among women and to find out the gratifications women seek to
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satisfy from listening to radio programs. The research was based on the theory of the uses and gratification which is concerned with what people do with the media rather than what media does to the people [...] The study found that majority of the respondents indicated that they had radios in their households and they listen to it. The study also found out that Majority of the women listened to radio mostly in the evening and morning hours. Chamgei FM was the most preferred radio station. News and agricultural programs were the most preferred programs. Finally the study found out that women listened to radio to be informed and entertained. This study concludes that radio is a very common communication channel among women and thus it should be well utilized by development practitioners. The study recommends that Radio programmers should schedule important programs or messages in the evening and early morning when listenership is high. Radio programs should be produced in an edutainment format and to enhance listenership of radio in this region it is necessary that the government enhances infrastructure such as electricity." (Abstract)
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"KANA TV is the most popular station with over 30% share and an average audience of almost 3 million while EBS comes second reaching half the audience KANA TV reaches. EBC1, JTV, and Nahoo close out the top 5 stations which comprise 81% of total share." (Slide 9)
"Musana FM has done a good job in fighting against poverty in Nakaseke district [Uganda] because of its effective and resourceful programs such as income generation programs. Additionally most of advertisements are for local produce, health and medicine which encourages use of local medicines for tr
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eating people, agriculture program which intents to give information about farming especially when to plant and harvest crops, entertainment, social issues, that aim at bringing peace and many others." (Conclusions, page 42)
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"Koch FM is a community radio station located in Korogocho, a slum in Nairobi, Kenya. The station aims to provide alternative information, education and entertainment content. Producers at the station and community members who make up the station’s audience have different perceptions of Koch FM’
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s role. While the producers envision Koch FM as the provider of information and a space for community voice, the community evaluates the station’s performance based on parameters drawn from commercial broadcasters. Consequently, the station acts as a space where sometimes-contradictory ideals play out. In exploring these contrasting viewpoints, this article highlights contextual production practices and the shifting audience expectations facing community radio in Kenya’s vibrant radio broadcast environment. The data are the outcome of ethnographic fieldwork conducted in 2014 and 2015." (Abstract)
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"Social media is becoming an increasingly important part of our lives yet the impact on people with disabilities has gone largely unscrutinised. Similarly, while social media and disability are often both observed through a focus on the Western, developed and English-speaking world, different global
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perspectives are often overlooked. This collection explores the opportunities and challenges social media represents for the social inclusion of people with disabilities from a variety of different global perspectives that include Africa, Arabia and Asia along with European, American and Australasian perspectives and experiences." (Publisher description)
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"Forte FM is a community radio station located at University of Fort Hare Alice campus and was established to facilitate development in communities within the Amathole district municipality. Alice, a small rural town under Raymond Mhlaba Municipality, is one of the communities under the coverage of
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Forte FM. This study assessed the role that Forte FM plays in facilitating the development of Alice community. The study adopted a mixed method design in which questionnaires and interviews were used to collect primary data. The study findings show that although Forte FM is faced with serious financial challenges, it contributes to the development of Alice in various ways which includes providing the community with agricultural information, health information, promoting local culture, equipping the community with skills, promote local artists and sports personnel and educational programmes. The findings also revealed that the community is involved in the management of some aspects of the station’s operations through a board which is elected annually by the community itself. The results indicate that the radio station involve some community members in programming as experts on some topics or as people who have experienced an ordeal so they could share their experiences and advice other people how to manage similar situations. However, there is need to involve the community in the whole production process. The respondents’ attributed poor levels of community participation in programming to insufficient funds. The study recommends that Forte FM should lobby members of the community to fund the production of programmes since the station belongs to the community. This will enhance the sense of community ownership towards the radio station." (Abstract)
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"Mobile money embodies financial opportunity in Somalia. Deemed convenient, affordable and fast, mobile money has been widely adopted. It has reached a penetration rate of 83% in urban areas, 72% in IDP camps and 55% in rural areas, compared to a penetration rate of 15 for formal bank accounts. Give
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n the depreciation of the local currency and lack of other satisfying and accessible alternatives, people and firms rely heavily on mobile money for their daily money transfers, and mobile money services have been acting as a virtual dollarized currency. Thus, mobile money has become the primary financial instrument in Somalia and Somaliland while cash usage is decreasing. The ecosystem is also already robust, with nearly two thirds of users choosing to keep funds in their mobile accounts rather than cashing them out. Large shares in the value mix of disbursements and bill and merchant payments suggest an expanding ecosystem of institutions and businesses using the system. Most of the success has been due to the home grown nature of mobile money. Mobile Network Operators have managed to nurture, from scratch, a local context appropriate, unique and compelling mobile money ecosystem that meets Somalis’ needs. This is a substantially different environment than telecommunications in countries across the rest of the African continent, which have traditionally been dominated by incoming multi nationals such as India’s Bharti or France’s Orange. Given Somalia’s complex political environment and volatile security conditions, investments in telecommunications have been almost exclusively led by Somalis, both from the diaspora and within the country. As a result, the ICT sector has been able to leverage Somali social and business networks, and has created products uniquely suited to the Somali context. While mobile money services are broadening the reach of financial services for the unbanked, the most vulnerable are more likely to be excluded from the system. Barriers to direct use by the poorest segments include cellular coverage, cost of phone ownership and use, limited access to electrical power, illiteracy and the predominance of mobile money services being offered in USD (rather than the local Shilling valued in rural areas). Nevertheless, there is strong evidence of a social impact Mobile money circulates across groups of different vulnerability levels and in a society of frictionless financial interdependence, mobile money enables more fluidity within the family and clan, and constitutes a lifeline for the poor. Mobile money transfers from NGOs and aid agencies also contribute to flows targeting vulnerable populations." (Executive summary)
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"Vor allem aus wirtschaftlichen Erwägungen heraus warb die DDR Ende der 1970er Jahre tausende Vertragsarbeiter aus Mosambik an. Die jungen Frauen und Männer aus dem vom Bürgerkrieg zerrissenen sozialistischen Bruderstaat, die voller Hoffnung auf eine gute Ausbildung nach Deutschland kamen, hatten
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es nicht leicht: Sie mussten nicht nur rassistische Anfeindungen ertragen, sondern wurden zudem als Hilfsarbeiter finanziell ausgebeutet. Nichtsdestotrotz war die DDR für viele Mosambikaner zur neuen Heimat geworden. Nach der Wiedervereinigung konnten jedoch nur die wenigsten in Deutschland bleiben, da die Arbeits- und Aufenthaltserlaubnis nur in Ausnahmefällen verlängert wurde. Die meisten "Madgermanes" - so nennen sich die aus der DDR zurückgekehrten Mosambikaner in Anspielung auf das Label "Made in Germany" - warten bis heute auf einen Großteil des Lohns, um den sie die mosambikanische Regierung betrogen hat. Diese wenig beachtete Episode deutsch-afrikanischer Geschichte arbeitet Birgit Weyhe, die als Kind in Ostafrika lebte, in der Graphic Novel auf. Sie verknüpft afrikanische und europäische Bildsprachen, um das Leben dreier Protagonisten zwischen zwei Welten darzustellen und stößt dabei immer wieder auf die Frage: Was ist Heimat?" (Klappentext)
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"In South Sudan, media capture, media market and audience segmentation are driven by: the ongoing civil conflict (since 2013), ethnic and linguistic divisions, a lack of rule of law, the legacy of clientelistic networks in the media and the government, a stark urban-rural divide, and a lack of infra
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structure and funding that could support sustainable media development. In Tanzania, media capture, and media market and audience segmentation are driven by: the dominance of the CCM that enables the government to establish a legal framework to restrict freedom of the press, stark rural-urban and ZanzibarMainland divides, and a lack of local and community media in rural areas due to poor infrastructure and a lack of managerial skills. In Bangladesh, media capture, media market and audience segmentation are driven by: the political polarisation of the media and journalists’ unions between the dominant AL and BNP political parties, the combination of political polarisation and low journalistic professionalism preventing politically unbiased reporting, and connections between corporate media owners and political elites that lead to politically-motivated corporate media strategies. In South Africa, media capture, media market and audience segregations are driven by: the lack of sustainable funding available to independent media outlets, prohibitive costs limiting their readership to the economic elite, and the dominance of the (politically controlled) SABC as the only source of media catering to lower-income segments of the population." (Executive summary, page vi-vii)
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"Media, Diaspora and Conflict demonstrates a previously overlooked complexity in diasporic media by using the Somali conflict as a case study to indicate how the media explores conflict in respective homelands, in addition to revealing its participatory role in transnationalising conflicts. By illus
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trating the familiar narratives associated with diasporic media and utilising a combination of Somali websites and television, focus groups with diaspora community members and interviews with journalists and producers, the potentials and restrictions of diasporic media and how it relates to homelands in conflict are explored." (Publisher description)
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