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Between Shadows and Stories: Navigating the Journey of Afghan Journalists, from Aug. 15, 2021 to Aug. 15, 2023

Afghanistan's National Journalists Union (2023), 17 pp.

"The Afghan media landscape stands at a crossroads, navigating a landscape rife with challenges and uncertainties in the wake of the Taliban's resurgence. The post-Taliban era, marked by a thriving media sector with 160 television channels, 311 radio stations, 90 print newspapers, and 26 news agenci ... es, has witnessed a drastic transformation. The current media landscape, with 70 television channels, 211 radio stations, 11 print newspapers, and 9 news agencies, reflects a significant decline in numbers and diversity. Under the de facto rule of the Taliban, the media sector has encountered substantial constraints. Censorship and self-censorship have become rampant, with journalists and media outlets navigating the perilous territory of permissible content. Threats, intimidation, and violence against media professionals have created an atmosphere of fear, leading to an exodus of skilled journalists. Investigative journalism, once a cornerstone of accountability, has been stifled, and access to unbiased information has dwindled, leaving citizens ill-informed. The closure of media outlets has far-reaching implications, including restricted information flow, suppressed free speech, and diminished content diversity. The narrative has further fragmented between Kabul and the provinces, where media freedom varies significantly. Female journalists remain conspicuously absent in many regions, underscoring the entrenched gender disparity in the field. International media outlets, under surveillance and restraints, grapple with maintaining their operations and integrity in an increasingly controlled environment. Social media, once a platform for open dialogue, faces censorship and restrictions, hampering the exchange of ideas. As Afghanistan's media landscape evolves, the absence of comprehensive legal frameworks has exacerbated challenges. The suspension of the Mass Media Law and the Access to Information Law during the transitional phase has left media professionals in a legal gray area. The need for inclusive consultations with media stakeholders to shape these laws cannot be overstated. In this complex milieu, it is evident that safeguarding the media's role as a communication bridge between the government and the people is paramount. Collaborative efforts between the Islamic Emirate, the international community, and media support organizations are essential to prevent the collapse of Afghanistan's media landscape." (Conclusion, pages 16-17) more

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Slowing Transmission: Language Challenges in Community Radio Relay of COVID-19 Risk Communication in Afghanistan

Translators Without Borders (2021), 16 pp.

"In 2020 Internews launched the Rooted in Trust project to counter rumors and misinformation about COVID-19. They commissioned Translators without Borders (TWB) to map community radio stations and investigate the language and translation challenges community radio broadcasters face when relaying off ... icial COVID-19 risk communication to their audience. To better understand these challenges, TWB conducted a survey and interviews with 65 community radio broadcasters, representing a quarter of all community radio stations across Afghanistan. Based on our survey, we mapped community radio stations and the reach of each radio signal to estimate overall radio coverage across the country. Where possible, we triangulated our findings with data from Internews’ Information Ecosystem Assessment in Kabul, Kandahar, and Herat. Community radio stations remain an important source of information, especially for rural populations, less literate individuals, and in remote provinces. During public health emergencies, broadcasters can turn into health communicators and support the relay of risk communication, but they face several challenges. • Radio signals don’t cover all provinces: Based on the radio signals we were able to map, radio coverage doesn’t reach people equally across the country. Speakers of marginalized languages have especially limited access to radio broadcasts. Relative to population density, speakers of Turkmeni, Brahui, Balochi, and Uzbeki have especially limited access to radio broadcasts. • Few broadcasts are in languages other than Dari and Pashto: Dari and Pashto are the main broadcasting languages, but not everyone understands them. Broadcasts in other languages are largely limited to adverts, short audio clips, and sporadic language mixing in talk shows and call-in shows. Dedicated programs providing in-depth information in another language are rare. • Language barriers reduce the quality and timeliness of broadcasts: Community radio stations lack resources and translation capacity to broadcast in languages other than Dari or Pashto. As a result, some important information is delayed, and some is never broadcast at all. The quality and level of detail of broadcasts in other languages is also reduced. • Broadcasters face difficulties accessing available information: Most community radio stations have limited access to the internet and experience electricity failures. This makes accessing and validating available information on COVID 19 extremely difficult. Also, background information is often passed to broadcasters in English, but with limited internet access this information can’t readily be translated. • Information needs to be provided in plain language: Broadcasters don’t relay information that uses complicated language or technical and medical terms. New terms and complex new information around medical issues need to be rewritten and presented in plain language for a general audience. Yet community radio stations often can’t provide plain-language editing, so don’t relay more complex information." (Overview, page 1) more

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Local Radio in Afghanistan: A Sustainability Assessment

Nathalie Paarlberg, Kamran Parwana, Eric Davin et al.

Altai Consulting; Internews (2017), 136 pp.

"This study assesses the role and impact of this local radio station network as well as its sustainability prospects, focusing on four pillars of sustainability in particular: Financial sustainability: at a minimum, radio stations need to be able to support their activities, and ideally enjoy some s ... more

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Das Theater der Unterdrückten und Vergangenheitsaufarbeitung in Afghanistan: Kollektive Ermächtigung und neue Dependenzen

Hjalmar Jorge Joffre-Eichhorn

Peripherie, volume 37, issue 1 (2017), pp. 52-75

"Seit März 2007 organisieren lokale und internationale Aktivist*innen in verschiedenen Teilen Afghanistans beinah täglich Aktivitäten mit den unterschiedlichen Techniken des Theaters der Unterdrückten (TdU) des Brasilianers Augusto Boal (1931-2009) sowie anderen emanzipatorischen Theatermethoden ... more

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Analyzing Taliban Taranas (chants): An Effective Afghan Propaganda Artifact

Thomas H. Johnson, Ahmad Waheed

Small Wars & Insurgencies, volume 22, issue 1 (2011), pp. 3-31

"This article describes and analyzes a little understood Afghan Taliban propaganda tool: chants or taranas. These melodic refrains effectively use historical narratives, symbology, and iconic portraits. The chants are engendered in emotions of sorrow, pride, desperation, hope, and complaints to mobi ... more

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Starting a Local Radio Station: A Manual for Afghanistan

Parisa Saadatmand-Zitouni (comp.)

Arcata, Calif; Washington, DC; Kabul: Internews; USAID; Pact (2011), 100 pp.

"This manual describes the process for starting a local radio station—the organization of community support and planning, equipment needs, programming strategies, business growth and sustainability and journalistic ethics and standards. This manual does not insist that you follow a set of rules to ... more

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Designs, Devices and Development: Audience Research as Creative Resource in the Making of an Afghan Radio Drama

Andrew Skuse, Marie Gillespie

Participations: Journal of Audience & Reception Studies, volume 8, issue 1 (2011), pp. 132-153

"This essay analyses the role of audience research as a change agent in media development interventions in Afghanistan. It analyses how audience research in transnational contexts involves a complex set of intercultural negotiations and translations that contribute to the enduring relevance and sust ... ainability of the highly popular Afghan radio soap opera New Home, New Life. This is a ‘development drama’ that has been broadcast across Afghanistan since 1993. It is based on BBC Radio 4’s The Archers and produced by BBC Afghan Education Projects (BBC AEP). Audience research has been vital to forging a dynamic relationship between the creative teams who make the drama, the donors who pay for it, and the audiences who consume it. The article addresses three broad themes. First, we outline how data gathered in formative audience research, prior to the creation of the drama, provides the creative team with the dramatic raw material for the radio serial. The extensive qualitative data gathered by Afghan researchers in local milieux is translated so as to enable culturally diverse teams of writers and producers to ground the serial narratives in the lived experiences of its audiences, and to introduce multiple local perspectives on development issues. Second, we show how evaluative audience research, data gathered in the postproduction phase, plays a key role in providing critical audience interpretations of New Home, New Life’s dramatic themes. In so doing, it creates feedback loops that allow audiences to become active participants in the ongoing creation of the drama. The research designs and devices, developed over the last two decades to document the changing life-worlds of Afghan citizens-cum-audiences, are part of an ongoing set of transcultural encounters that contribute to strengthening the social realist appeal of the drama and to calibrating how far any given storyline can be pushed in terms of cultural propriety. Third, we examine how during periods of military conflict, when routine audience research becomes dangerous or impossible and audience feedback loops are disrupted, the writers and producers have to rely on their own personal and political experiences, often with unpredictable ideological consequences. We draw attention to the limitations and challenges of making dramas for development in highly charged politicised and postcolonial contexts. While, development dramas may be a cheap and effective way of dealing with certain informational needs, such as landmine awareness, they cannot redress social and structural inequalities or, as Western donors wish, eradicate opium cultivation." (Abstract) more

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Modern Mass Media and Traditional Communication in Afghanistan

Shir Mohammad Rawan

Political Communication, volume 19, issue 2 (2002), pp. 155-170

"This article explores the bipolar structure of communication in Afghanistan, where the latest technological advancements in media coexist with a complex system of traditional communication. After 22 years of civil war and the destruction of most modern media facilities, Afghanistan's traditional ch ... more