"This article focuses on ethical challenges for journalists when contacting and interviewing vulnerable sources about grief in connection with crime and accidents. The study is based on in-depth interviews, with bereaved closely related to the deceased, about their encounters with journalists. Resul
...
ts suggest editorial structures can contribute to violations, and the media attention can disturb and postpone the grieving process. When journalists no longer are interested, mourning relatives can feel abandoned. Paradoxically, proper ethical behavior from journalists can make this worse since respondents can feel more abandoned and even betrayed by journalists they consider sympathetic." (Abstract)
more
"This study focuses on the meanings fans ascribe to the death of fictional characters. Previous research on this topic has been predominantly quantitative in nature, concerned with correlations between the consumption of fictional narratives and people’s coping mechanisms and attitudes. In contras
...
t this paper provides a contextualized account of how the mourning of fictional characters works in practice by revealing the underlying meaning making process of this kind of grief and exploring how this is related to people’s everyday lives. By analysing 15 in-depth interviews, this article concludes that these respondents actively utilise fictional narratives of death for reflecting on personal loss; contemplating unexperienced situations and feelings, and more generally, coping with the prospect of death." (Abstract)
more
"Most of Iran’s urban population experienced the war with Iraq (1980–1988) through the burden of privation and the fear of possible airstrikes. Thus, state-produced media on national television became the main apparatus through which they connected their daily lives to the national conflict. Rav
...
ayat-e Fath [The Narrative of Triumph] was one docudrama, comprised of five seasons that the state produced at different intervals between 1984 and 1987. Although Ravayat-e Fath has been presented and received as a journalistic work, it enters the realm of fiction to fulfill its objective: To recruit soldiers. Through a collage of mythical stories, epic narratives, dramatic cinematography, mourning songs accompanied by reports from war fronts, and live interviews with soldiers, the series tells a story of a promised triumph through martyrdom. Through studying Ravayat-e Fath, the most important state-supported television production of the Iran-Iraq war era, this article investigates the ways in which war propaganda in general, and the concept of martyrdom in particular, generated tools like shaming to control the population during and after the war." (Abstract)
more
"Images of suffering children have long been used to illustrate the violence and horror of conflict. In recent years, it is images of dead children that have garnered attention from media audiences around the world. In response to the deaths of four children killed by the Israeli army while playing
...
on a Gazan beach, Israeli Prime Minister Netenyahu accused Hamas of generating “telegenically dead” Palestinian children for their cause (CNN 2014). In this article, it argues with this term to consider the appearance of images of dead children in global politics. I draw on a growing literature relating to the corpse as a subject in international relations (IR), asking how children's bodies are understood, following Butler, as “grievable lives.” It explores the notion of “iconic” images and the politics of sharing images of dead bodies and consider global power relations that allow certain children's deaths to be visible and not others. Through this analysis, the article argues that the idea of telegenic death might be productively considered to understand how the fleshy reality of children's deaths contribute to discussions about the representation and visibility of children in contexts of crisis and conflict." (Abstract)
more
"What happens at the nexus of the digital divide and human trafficking? This book examines the impact of the introduction of new digital information and communication technology (ICT) – as well as lack of access to digital connectivity – on human trafficking. The different studies presented in t
...
he chapters show the realities for people moving along the Central Mediterranean route from the Horn of Africa through Libya to Europe. The authors warn against an over-optimistic view of innovation as a solution and highlight the relationship between technology and the crimes committed against vulnerable people in search of protection. In this volume, the third in a four-part series ‘Connected and Mobile: Migration and Human Trafficking in Africa’, relevant new theories are proposed as tools to understand the dynamics that appear in mobile Africa. Most importantly, the editors identify critical ethical issues in relation to both technology and human trafficking and the nexus between them, helping explore the dimensions of new responsibilities that need to be defined. The chapters in this book represent a collection of well-documented empirical investigations by a young and diverse group of researchers, addressing critical issues in relation to innovation and the perils of our time." (Publisher description)
more
"In exploring virtual mourning practices and their implications for death consumption in general, new questions in the field of consumer research emerge. It is hoped that once we gain some understanding of how online mourning practices illuminate notions of ‘materiality’ and/or ‘embodiment’
...
in the context of death and dying, we can begin to delineate what is actually new about this phenomenon and what the differences are between online and pre-digital behaviours in the context of the consumption of death. On this basis, then, we can then proceed to ask how consumers’ behaviours of digital death consumption are likely to change in the future. In the rest of this chapter, I explore key insights into the consumption of death in consumer society today, drawing connections between notions of materiality in physical worlds as well as virtual worlds. I draw upon a number of key disciplines for their insights into these issues: sociology (for theories of the desire to perpetuate the tension between ephemeral pleasures and the finality of death); philosophy and anthropology (for an understanding of how we frame embodiment and imagine ‘materiality’ through the performance of mourning rituals) and computer science (for conceptualizations of interactions on virtual worlds)." (Page 397)
more
"How can videogames portray love and loss? Games and Bereavement answers this question by looking at five videogames and carrying out a participatory design study with grievers. Sabine Harrer highlights possible connections between grief and videogames, arguing that game design may help make difficu
...
lt personal feelings tangible. After a brief literary review of grief concepts and videogame theory, the book deep-dives into examples of tragic inter-character relationships from videogame history. Building on these examples, the book presents a case study on pregnancy loss as a potential grief experience that can be validated through game design dialogue." (Publisher description)
more
"Es bedarf der Kontextanalyse, wenn man an die Kulturalität des Todes sich annähern will. Das Gros der vorliegenden Untersuchungen entäuscht gerade in dieser Qualität – weil quantitative Inhaltsanalysen gerade diesen, of sehr komplexen, Zusammenhang kaum erfassen können, weil Einzelanalysen z
...
war im Einzelfall die manchmal höchst eigenständigen Auslegungen, die ein Film vorschlägt und ausprobiert, aufspüren können, dann aber wiederum wenig generalisierbar sind (und Konzeptualisierungen des Todes oder des Sterbens nur in einer Abschatung erfassen), weil fachdisziplinäre Zugänge (etwa theologischer, philosophischer oder ikonographischer Art) durch die Auslegeordnungen ihrer Heimdisziplinen beschränkt sind und manchmal die Vielgestaltigkeit und Heterogenität des Wissenskomplexes (der eben auch Elemente der Populärkultur mit-umfasst) selbst kaum zu rekonstruieren vermögen. Das folgende Verzeichnis listet die bis heute zugänglichen Untersuchungen zu den Todes-Konzeptionen auf sowie eine ausgewählte Anzahl von Untersuchungen zur Analyse des Suizids und zur Todesstrafe im Film. Kürzere Artikel wurden nicht aufgenommen, längere und Einzelflmanalysen nur dann, wenn sie von methodischem Interesse sind. Meist sind die Titel sprechend. Im Einzelfall wurde eine Kurzannotation beigegeben." (Seite 1-2)
more
"Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovat
...
ions. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities." (Publisher description)
more
"What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of
...
Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities." (Publisher description)
more
"The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses
...
the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age." (Publisher description)
more
"Much has been written about disasters and large-scale tragedies, but this research concentrates on individual loss and the relationship between journalist and vulnerable interviewee. While much discussion in this area is negative, focusing on the ethics of intrusion and journalists who act insensit
...
ively under pressure, the authors’ aim is to turn this focus around by looking at best practice in encounters between reporters and the bereaved, survivors and the vulnerable. It is hoped that by examining contemporary death reporting, explaining its public service role, proposing a new model of ethical participation and offering a structure for sensitive interviewing, the most harmful aspects of the process can be reduced for both the journalist and, more importantly, the grieving and the victims. The work is based on years of research by the authors, on interviews with journalists, journalism educators, bereaved families and support groups and is supplemented with a detailed analysis of the reporting of death across academic disciplines and perspectives." (Publisher description)
more
"In recent years, more and more social media (Facebook) groups have been created dealing with memories of the Holocaust in Hungary. In this article, I analyze and compare two groups, “The Holocaust and My Family” and “The Descendants of the Victims and Survivors of the Holocaust” in the fram
...
ework of my research project on the concept of digital trauma processing, entitled “Trauma Studies in the Digital Age: The Impact of Social Media on Trauma Processing in Life Narratives and Trauma Literature: the Case of Hungary.” I show how the concept of trauma and trauma processing itself are changing in the digital age as a consequence of the element of sharing (in posts and comments in digital media) gains more importance and thus counteracts the element of silence, which was considered the most important element of trauma on several levels. How does digital sharing of memories of traumas help unblock previously blocked avenues to the past, and how does it contribute to the processing of collective historical traumas and consequently to the mobilization of memories, modernization, and the transformation of identities? I examine how the given characteristics of the different types of Facebook groups, public or closed, influence the ways in which people communicate about a collective historical trauma. I touch upon the issue of research ethics in connection with the handling of sensitive data in social media research. I examine the book The Holocaust and My Family, a collection of posts from the group, and analyze as a case study a post and the related comments, in which a descendant of a perpetrator comes out in the group." (Abstract)
more
"The end of the twentieth century and the turn of the new millennium witnessed an unprecedented flood of traumatic narratives and testimonies of suffering in literature and the arts. Graphic novels, free at last from long decades of stern censorship, helped explore these topics by developing a new s
...
ubgenre: the trauma graphic novel. This book seeks to analyze this trend through the consideration of five influential graphic novels in English. Works by Paul Hornschemeier, Joe Sacco, Art Spiegelman, and Alan Moore and Dave Gibbons will be considered as illustrative examples of the representation of individual, collective, and political traumas." (Publisher description)
more
"This collection of essays explores the complicated relationship between the messengers bringing news of catastrophic upheaval and the recipients of that message. It concentrates on the journalists, photographers and film-makers, reflecting not only the motivations behind their work, but also the ps
...
ychological consequences of witnessing extreme suffering. The audience interpret the news according to their circumstance, be it with anger sympathy or with compassion-fatigued indifference. The book explores that reaction, which is always more nuanced than anticipated. Finally, the modern communication circle is completed by exploring the potential of the media to diminish conflict. This is demonstrated by the media bringing together communities that are either geographically or historically divided." (Publisher description)
more
"Considering both retrospective memories and the prospective employment of memories, Memory in a Mediated World examines troubled times that demand resolution, recovery and restoration. Its contributions provide empirically grounded analyses of how media are employed by individuals and social groups
...
to connect the past, the present and the future." (Publisher description)
more
"This collection of essays and interviews offers perspectives on traumatic experience from the social and public side of the equation. Like other books in the Palgrave Macmillan Memory Studies Series, it is concerned with redressing the balance of public memory through a focus on what has been negle
...
cted or excluded, but traumatic memory poses special problems in this regard. Andrew Hoskins and John Sutton, the series editors, suggest that the question of how we remember has become central to historical enquiry, but the question itself is fraught with complexity. Generational change and new technologies of memory are reshaping the ways in which memory works, and the influence of trauma narratives is a factor in this. They pose another question: ‘What is “memory” under such conditions?’ Here, we focus on the distance between traumatic narratives in the public domain, and the experience of traumatic recall in the mind of a person who has been directly affected by extreme events." (Introduction, page 1)
more