"Inwiefern hat sich Journalismus in der heutigen demokratischen Gesellschaft als Vertrauensinstanz bewährt? Was zeichnet speziell das Vertrauen in Journalismus aus, oder wodurch wird es beeinträchtigt? Die in dieser Studie vorgelegten Antworten verweisen darauf, dass Vertrauen in den Journalismus
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an seine professionelle Qualität gekoppelt ist. Diese lässt sich zu einem erheblichen Teil beschreiben als Grad der ethischen Qualität; sie umfasst ein verantwortungsorientiertes Publizieren ebenso wie eine aufmerksame Beziehung zum Publikum. Ethische Kompetenz ist der gemeinsame Schlüssel – für den Journalismus ebenso wie für sein Publikum. Geleitet von dieser Grundthese hält die Autorin ein detailliertes Plädoyer für ethisches Empowerment von Journalist_innen und Bürger_innen als Grundlage des Vertrauens in die Medien. Auch mit Blick auf die heutige „plattformisierte Öffentlichkeit“ sieht die Autorin die Notwendigkeit einer entsprechenden Weiterentwicklung der institutionellen Rahmenbedingungen der Mediengesellschaft, die sich an einem ethischen Kompass ausrichten müssen." (Umschlagrücken)
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"Le journalisme congolais se pratique dans un contexte délicat qui allie la liberté d’informer, les contraintes qu’appelle le respect des lois et règlements ainsi qu’une véritable prise de conscience de la responsabilité des acteurs et des instances médiatiques. C’est pourquoi la prati
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que journalistique en RDC se transforme en une exigence contraignante pour les acteurs et les instances médiatiques. Ces derniers sont obligés de conformer la conception qu’ils ont de leur métier, basée sur la liberté d’informer, aux exigences juridiques et à des prescrits appelant à leur responsabilité. Les médias doivent ainsi difficilement s’arranger pour pratiquer leur métier : en jouissant de toute leur liberté et en faisant en même temps l’effort de respecter les lois et les règlements, afin de ne pas tomber dans les abus et les dérapages, qui les pousseraient à enfreindre les valeurs éthiques et déontologiques de leur métier." (Dos de couverture)
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"This Code of Practice serves as a statement that GFMD members are committed to maintaining the highest standards of integrity, governance, financial transparency and accountability while furthering the GFMD’s mission. Adopting and adhering to this Code of Practice serves as an ethical charter for
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the activities and operations of GFMD members, as well as an internal guideline for the application of GFMD values and mission. The GFMD member’s Code of Practice takes inspiration from the Code of Ethics as adopted by the World Association of Non-Governmental Organisations." (Page 1)
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"As the production, content, and display of humanitarian images faced the requirements of digital media, humanitarian organizations struggled to keep equitable visual practices. Media specialists reflect on past and current uses of images in four Canadian agencies: the Canadian Red Cross, the Multic
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ultural Council of Saskatchewan, the World University Service of Canada, and IMPACT. Historically, the risk to reproduce the global inequalities they seek to remedy has compelled photographers, filmmakers and publicists in these agencies to develop codes of visual practice. In these conversations, they have shared the insights gained in transforming their work to accompany the rise of new digital technologies and social media. From one agency to the other, the lines of concern and of innovation converge. On the technical side, the officers speak of the advantage of telling personal stories, and of using short videos and infographics. On the organizational side, they have updated ways to develop skills in media production and visual literacy among workers, volunteers, partners, and recipients, at all levels of their activity. These interviews further reveal that Communications Officers share with historians a wish to collect, preserve, and tell past histories that acknowledge the role of all actors in the humanitarian sphere, as well as an immediate need to manage the abundance of visual documents with respect and method. To face these challenges, the five interviewees rely on democratic traditions of image-making: the trusted relationships, both with the Canadian public and with local peoples abroad, which have always informed the production and the content of visual assets. For this reason, humanitarian publicists might be in a privileged position to intervene in larger and urgent debates over the moral economy of the circulation of digital images in a globalized public space." (Abstract)
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"The media in Zambia have been in a state of uncertainty since Zambia reinstated democratic governance in the early 1990s. Despite promising initial steps to deregulate the media that started under President Chiluba’s government in the mid-1990s, achieving these objectives in successive years has
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proved difficult. Successive governments have exhibited increasing aversion towards free and independent media, instead increasing efforts to regulate. This is significant, because comparisons with Kaunda’s autocratic era before 1991 cast the state in a friendlier light towards the media, defying normative theories. After both the Media Ethics Council of Zambia and Zambia Media Ethics Council (ZAMEC) failed as self-regulatory mechanisms in the mid to late 2000s, current state efforts have turned to create a hybrid statutory self-regulatory framework. This is a challenge because Zambia’s democracy has come under pressure from increasing political intolerance. Furthermore, while media professionals support the idea of regulation to strengthen professionalism, they often disagree on the value of statutory self-regulation and its implications. This study used the In-Depth Interview approach on 23 media professionals and documentary analysis to sketch the history and future implications of media regulation efforts in Zambia. Results show a checkered past but present an even more complicated future. The history of the Independent Broadcasting Authority shows that the proposed statutory self-regulatory framework presents more challenges to the media than ever before. This paper aims to contribute to global media studies and specifically the problems of regulation, the state, and media freedom in an African context." (Abstract)
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"The Nigerian media scene is notably vibrant, which can be perceived as a democratization of communication and liberalization of the press where anyone with the means to own a media establishment can do so. Thus, the challenge with the Nigerian media is no longer the issue of access but, rather, tha
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t of accountability, which, undoubtedly, is the strong anchor for good media practice. This chapter examines the field of media accountability (MA) in the country, focusing on the structures that define accountability among media practitioners in addition to taking a look at emerging innovative practices that encourage MA. The authors argue that MA exists in Nigeria but is in a continuous struggle with such militating factors as ownership, insufficient press freedom, poor or inadequate remuneration for journalists, a hostile working environment for journalists, lack of formal education/training on the part of some journalists, weak self-regulatory mechanisms, and biases in political and cultural environments. These factors tend to limit the extent to which media practitioners can be committed to accountability." (Abstract)
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"This book discusses the relationship between media, conflict and democratisation in Africa from the perspective of media ethics. Despite the commonly held view that conflict is a destructive political force that can destabilize democracies, the argument in this book is that while many conflicts can
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become violent and destructive, they can also be managed in a way that can render them productive and communicative to democracy. Drawing on theoretical insights from the fields of journalism studies, political studies and cultural studies, the book discusses the ethics of conflict coverage and proposes a normative model for covering conflict and democratisation. The book argues for an 'ethics of listening' which would enable the media to de-escalate violent conflict and contribute to the deepening of an agonistic democratic culture in contexts of high inequality, ethnic and racial polarisation and uneven access to media. This argument is illustrated by examples drawn from recent events in African democracies such as student protests, community activism, struggles for resources and social media conflicts. The book also scrutinizes the media's ethical roles and responsibilities in African societies by considering questions regarding journalistic professionalism, ethical codes and regulation in the context of rising misinformation." (Publisher description)
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"For photo and video journalists, the COVID-19 pandemic has raised difficult questions regarding how they show the grief of the victims and survivors, and the courage of medical workers to illustrate their stories and show the deadly impact of the virus, without exploiting grief and without insertin
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g themselves into crisis situations where they are not welcome. This guidance document examines the ethical issues of producing visual coverage of the pandemic and offers some rules journalists can follow to help ensure they do not cross the line from professionalism to sensationalism." (Publisher description)
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"Storytelling is the most powerful way for donor and non-governmental organisations to convey their work because stories allow audiences to connect on both intellectual and emotional levels. However, much of the storytelling about development work in Africa is unethical and perpetuates harmful and s
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tereotypical narratives about the continent. Stories that reinforce stereotypes about Africa often arise from the power dynamics between those who are telling the stories and those about whom stories are being told. This practical guide aims to address some of these issues by providing practical, ethical guidelines for storytellers to share their work on the continent [...] This handbook considers the challenges of ethical storytelling and provides practical examples of how difficulties might be overcome. It looks at all the stages of the storytelling process: conceptualising a project, planning, gathering material, producing a draft, gathering feedback on it, and producing a final version before disseminating it. As part of the process of developing this handbook, we reviewed 36 academic papers and books chapters covering the subject. We also interviewed eight African storytellers, including filmmakers, photographers, radio producers and writers who were researching and producing material about Africa for an international audience or for donor agencies." (About this handbook, page 1)
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"The first handbook on global media ethics; provides a valuable resource for teaching media ethics in a global era; addresses all major approaches to global media ethics; contains contributions by leading, internationally recognized authors in the field of media ethics." (Publisher description)
"The book covers the definitions and uses of six philosophies, analytical methods, cultural awareness, visual reporting, documentary, citizen journalists, advertising, public relations, typography, graphic design, data visualizations, cartoons, motion pictures, television, computers and the web, aug
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mented and virtual reality, social media, the editing process, and the need for empathy. At the end of each are case studies for further analysis and interviews with thoughtful practitioners in each field of study, including Steven Heller and Nigel Holmes. This second edition has also been fully revised and updated throughout to reflect on the impact of new and emerging technologies." (Publisher description)
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"Media accountability has attracted the interest of journalism scholars, media managers and policy makers as the debate grows on how to ensure a free and accountable media. However, media accountability is rarely studied beyond the theoretical and academic debate, especially in many parts of Africa.
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This article presents the findings of an investigation into media accountability policies and practices at two newsrooms in Kenya. Data came from document analysis and face-to-face interviews with various cadres of journalists and media managers of the newspapers. A range of policies and practices for media accountability guide the journalism at the newsrooms. The editorial policy and other ad hoc policies, routine gate-keeping processes, internal editorial evaluations and capacity-building processes are used to ensure quality and professionalism. The newsrooms also have various practices designed for dialogue and interaction with members of the public. However, media accountability is hampered by a weak professional culture; the dominance of commercial values; and deep ethnic and political fissures in the country. The management of the newsrooms should be encouraged to invest in media accountability as a moral obligation to society and to justify their quest for autonomy and independence from political and economic pressures." (Abstract)
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"This thoroughly updated third edition of Communicating Ethically provides a broad introduction to the ethical nature of communication, bringing together classical and modern theories of ethical philosophy to address issues at play in specific careers and domains throughout the field. By incorporati
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ng a simple framework for ethical reasoning, the reader will be able to develop their own understanding of the various criteria for making ethical judgments. Communicating Ethically applies ethical theories such as virtue ethics and dialogic ethics to contexts of interpersonal, organizational, political, and digital communication. This edition contains expanded coverage of contemporary and non-Western theories and contexts, including Black Lives Matter, #MeToo, social media and "fake news," and concerns of inclusion and marginalization. Each chapter contains a Preview and Key Ideas sections, and the book contains a Glossary." (Publisher description)
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"This book Globalance looks specifically at balancing values in global politics and global economics. Globalance, the title and topic of this book, is the alternative to the disorder of the world. ‘Globalance’ was in fact my main underlying passion and vision during the last four decades of my l
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ife and work in academic research, as journalist, in global development cooperation and the Globethics.net foundation." (Introduction, page 24)
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