"This article focuses on ethical challenges for journalists when contacting and interviewing vulnerable sources about grief in connection with crime and accidents. The study is based on in-depth interviews, with bereaved closely related to the deceased, about their encounters with journalists. Resul
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ts suggest editorial structures can contribute to violations, and the media attention can disturb and postpone the grieving process. When journalists no longer are interested, mourning relatives can feel abandoned. Paradoxically, proper ethical behavior from journalists can make this worse since respondents can feel more abandoned and even betrayed by journalists they consider sympathetic." (Abstract)
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"The project seeks to restore confidence in the media in South East Europe and Turkey. The focus is on improving media accountability mechanisms, media internal governance, and media and information literacy among citizens to strengthen civil society support for the media and demand for quality medi
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a." (Page 3)
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This Code of Ethics serves to inform beneficiaries, donors and the public of the internal guidelines, whereby IMS maintains the highest standards of integrity, governance, financial management, partnerships and implementation of our mission. This Code of Ethics consists of three parts: A brief intro
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duction to IMS; Guiding Principles (principles must be adhered to, when in a business relationship with IMS); Code of Conduct (outlines mandatory courses of action for specific situations). The principles and the standards of conduct set out in this Code of Ethics must be adhered to by: (List is non-exhaustive) IMS staff, Members of the board of IMS, Entities and/or individuals partnering with IMS, Consultants hired by IMS. Failure to comply may lead IMS to terminate the relevant business relationship. The IMS Code of Ethics takes inspiration from the Code of Ethics adopted by the World Association of Non-Governmental Organizations on 5 March 2005.
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"Toolkit Objectives: 1. Help journalists find practical applications for the “Journalists’ Pact for Strengthening Civil Peace in Lebanon.” 2. Practice reporting on issues in a way that overcomes divisions, provides solutions and develops stronger bonds between all members of the community. 3.
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Familiarise journalists with news assessment techniques that follow a systematic and scientific approach to measure story quality against journalistic values and potential impact on civil peace. The Pact’s 5Ws & H: What? A Journalists’ Pact for Strengthening Civil Peace that includes 18 articles. Where? Lebanon. When? 2013. Who? Launched by UNDP Lebanon in partnership with the Ministry of Information endorsed by 32 media institutions, National Council for Audiovisual Media, press and editor’s syndicates. Why? To support the role of the media in strengthening civil peace in Lebanon. How? By enabling greater ethics in the practices of Lebanese media, focusing on the principles of accuracy, fairness and humanity in reporting." (Pages 4-5)
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"El módulo explora la importancia crítica de la ética para medios tradicionales, como el periodismo, y para medios modernos, como las redes sociales. La presencia de las redes sociales y las noticias digitales ha aumentado la responsabilidad ética de la gente que opera en este campo, especialmen
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te teniendo en cuenta el alcance global y el poderoso impacto de estos nuevos tipos de medios de comunicación. Estos cambios, junto con las noticias falsas y el aumento de las restricciones a los medios de todo el mundo, hacen que este módulo sea importante y relevante para alumnos de cualquier disciplina. Reconociendo este panorama cambiante, el módulo extiende la discusión de las responsabilidades éticas más allá de los periodistas profesionales hasta la gente que consume las noticias, los usuarios de las redes sociales y los llamados "periodistas ciudadanos". Está diseñado para ayudar a los ponentes a ampliar la comprensión de sus alumnos de quién es exactamente un proveedor o un consumidor de medios de comunicación, y qué tipo de consideraciones éticas deben tener en cuenta quienes desempeñan estas funciones. Este módulo también busca hacer que los alumnos comprendan el efecto perjudicial que puede tener la falta de integridad y ética en la provisión y el consumo de medios de comunicación." (Introducción)
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"With this guide, I aim to help journalists navigate the ethical dilemmas they encounter as they interview people who have experienced harm. While there are numerous practical guides on such interviewing, especially on trauma journalism, I have yet to find a guide that explores the deeper ethical qu
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estions of what conditions, if any, make such journalism morally justifiable and not purely extractive or voyeuristic. I’ve also encountered little public record of journalists discussing these ethical questions though I am confident that such conversations happen, whether at conferences or in private. This guide aims to bring those conversations to the wider public so that journalists and non-journalists alike can see how some of us are thinking through these questions and trying new approaches in search of a more mutually beneficial journalism." (Introduction, page 2)
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"1. The current use of imagery, particularly photography, in the anti-slavery movement risks harming anti-slavery efforts and survivors through misinformation and re-exploitation [...] 2. In order to utilise photography effectively and ethically, organisations looking to generate or use photography
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should seek out practices which incorporate survivor voice and perspective [...] 3. Participatory photography is an ideal methodology for creating original and impactful imagery. 4. Informed consent should be a priority in anti-slavery imagery [...] 5. Creativity and originality are vital when generating survivor imagery." (Summary of findings)
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"The five-minute film Mouth of a Shark (Isobel Blomfield, 2018) conveys a young woman’s experiences and precarious situation while she awaits an outcome on her refugee status determination in Australia. Aasiya (pseudonym) lives in community detention. Her interest in creating the film stemmed from
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her own acknowledgement that she had a platform as a young, literate asylum seeker woman with a “strong” story, and was therefore in a position to portray asylum seekers in a positive light. However, she cannot be identified in the film, even though it depicts her story, due to concerns over safety and her claim for asylum. We use this example to illustrate issues of anonymity and representation, and suggest strategies in line with our commitment to avoid depersonalising tropes in filmmaking. While we are committed to ensuring that people from refugee and asylum seeker backgrounds exercise agency in filmmaking, protecting Aasiya’s identity had to prevail. We wanted to avoid depersonalising tropes, and instead devised filming strategies that were more respectful of the protagonist and, within the constraint of anonymity, ensured that Aasiya could still represent her story in meaningful ways. We argue for an ethical model that reconciles the need for both anonymity and representation in filmmaking, especially through collaborative editing." (Abstract)
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"In the past decade, academic and professional debates about media accountability have spread around the globe – but have done so in a fundamentally different framework. In many Western democracies, trust in media – along with trust in politics and trust in institutions – as eroded dramaticall
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y. Fundamental shifts regarding the patterns of media use and the structure of media and revenue markets have made media and journalism more exposed to criticism from various stakeholders, and more vulnerable to the strategic influence of national and international actors. While many “Western” media professionals have reacted to these challenges to its credibility by new initiatives to demonstrate accountability and transparency, policy makers in other countries even in the “Global North” have tightened their grip on independent media and gradually weakened the concept of self-control. At the same time, an ongoing democratization in many parts of the world, along with a de-regulation of media markets, has created a growing demand for self-regulation and media accountability in countries formerly characterized by rigid press control." (Summary)
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"Yolanda Ruiz recuerda el día que habló con Pablo Escobar para hacer una entrevista que esperó más de dos décadas para ser publicada. Tiene vivo también el impacto de ver los restos del avión que, según se dice en una versión controvertida, mandó a derribar el capo. Ha narrado la muerte de
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mil maneras y también las búsquedas desesperadas de paz. Frente a las cámaras de televisión y los micrófonos de la radio ha acumulado treinta y cuatro años de periodismo y ha enfrentado retos humanos y éticos. Ese tiempo le permite ver el espejo retrovisor y recordar muchas anécdotas y encrucijadas a las que ha tenido que enfrentarse para narrar el país. ¿Cómo preguntarle a Clara Rojas por su hijo horas después de haber sido liberada tras siete años de secuestro, o a Claudia Morales cuando acaba de denunciar una violación de la que fue víctima en el pasado? ¿De qué manera rectificar si se acaba de decir al aire que el político e industrial Pedro Juan Moreno y sus compañeros de viaje salieron ilesos cuando el helicóptero en el que volaban se fue a pique? ¿Qué hacer si un expresidente cuelga el teléfono en una entrevista al aire? ¿Cómo se aborda la denuncia de un escándalo en la Corte constitucional? ¿Cómo enfrentar el reto digital y las noticias falsas? ¿Cómo informar sobre un secuestro de periodistas o cómo enfrentar una amenaza? ¿Cómo mantener distancia cuando estamos también en la mira de los violentos? Este libro, además de repasar algunos de los sucesos más recordados de Colombia en los últimos 30 años, nos asoma al tras escena de la información para dejarnos ver cómo se cocinan las noticias y entender cómo se toman decisiones difíciles en medio de momentos complejos. Es una evaluación reflexiva y profunda sobre cómo funcionan los medios de comunicación en Colombia, por qué las redes están transformando el oficio, y por qué el afán de la "chiva" sigue dejando muchas lecciones. Una evaluación que solo el tiempo transcurrido y la experiencia de una periodista como Yolanda Ruiz permiten hacer con responsabilidad y humanismo." (Descripción de la casa editorial)
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"Sin desconocer el esfuerzo del periodismo por contar las historias, cabe reconocer que se han cometido errores en el cubrimiento, de ahí la importancia de los periodistas, ya que el peso que tiene cada pequeña noticia, escrita o leída, puede convertirse en una pieza clave en la reconstrucción d
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e las historias y la verdad ante una desaparición. Consejo de Redacción (CdR), la Unidad de Búsqueda de Personas Dadas por Desaparecidas (UBPD), el Comité Internacional de la Cruz Roja (CICR) y el Programa de las Naciones Unidas para el Desarrollo (PNUD) decidieron unirse alrededor de este fenómeno para ofrecer una guía que aporte a mejorar el cubrimiento del tema y la construcción de registros de búsqueda de personas. Cada capítulo tiene ideas que dan luz para investigar historias y preguntas inspiradoras, que ayudan a que los reporteros de todo el país puedan remediar sus omisiones y contar todo aquello que aún no se cuenta. Algunos de los temas que se encontrarán son: el repaso histórico de cómo el Estado colombiano aceptó añadir este delito en el código penal, los casos esclarecidos por las cortes, los NN que aumentan la lista de desaparecidos, el daño que ha producido en la sociedad y los familiares la desaparición, el mal manejo de estas historias, entre otros." (https://consejoderedaccion.org)
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"Suicide attempt rates are on the rise in predominantly Islamic Republic of Pakistan. However, there exists an indigenous academic apathy toward exploring media-suicide relationships. This study, using content analysis and interviews, examines the lack of compliance with international ethical guidel
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ines for suicide reporting by Pakistani newspapers. In 553 reported suicide cases, 2,355 guideline violations were detected. The overall tone of suicide news stories remained overwhelmingly irresponsible, and analysis indicates that both Urdu and English language newspapers made similar violations. Largely ignorant of international standards, Pakistani journalists report attempted suicide cases just like any other crime. This study suggests a prompt action on the part of appropriate bodies to amend relevant codes of ethics and eventually educate relevant journalist fraternities to report suicides in a socially responsible way." (Abstract)
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"Ethical scandals involving journalists in English-speaking West African countries have been documented to include conflict of interest, freebies, intellectual theft, deception, carelessness, kowtowing to advertisers and politicians, use of dubious evidence, and outright bias. This study explores ho
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w pronounced and clear the rules relating to these breaches are in the codes of these countries and whether the similarities and dissimilarities in wording indicate the influence of individual actors involved in writing them. Relying on thematic and qualitative document analysis methods, the study found that rules in the codes addressing the ethical breaches are pronounced and clear. Although largely similar in content, the codes also feature important differences that are strongly related to the composition of the groups that wrote them. This study discusses why ethical challenges in these countries persist in the midst well-written code of ethics." (Abstract)
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"The ninth edition of Media Ethics: Issues and Cases has been updated to reflect the most pressing ethical issues in media. Featuring 25 new cases on hot topic issues from fake news to drones and a new chapter on social justice, this authoritative case book gives students the tools to make ethical d
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ecisions in an increasingly complex environment." (Publisher description)
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