"This paper has shown that media assistance donors to Central Europe misplaced their emphasis on the trainign of journalistic craft skills as a principal means of introducing what they rather uncritically called 'democratic journalism' to post-Communist societies. There are many narrative choices in
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telling stories, even news stories, and there are few convincing reasons to beleive that mainstream western news conventions are the most likely to contribute to democratic political culture." (Conclusion)
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"Programme Making for Radio offers trainee radio broadcasters and their instructors focused practical guidelines to the professional techniques applied to the making of radio shows, explaining how specific radio programmes are made and the conventions and techniques required to produce them. This bo
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ok describes how and why these methods are applied through the use of a behind-the-scenes glimpse at working practices and procedures used in the industry. It considers the constraints and incentives that limit or stimulate creativity and innovation within programme production. Programme Making for Radio examines the individual roles and responsibilities of the whole production team and the importance of team-working skills. Chapters focus on the specific requirements of specialist programmes and offer advice from a range of programme makers working in local and national broadcasting. There is a case study example that follows the progress of a feature programme from pitching the original idea, through assembling material to final transmission." (Publisher description)
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"¿Es posible lograr que en la Redacción de una empresa periodística convivan los conceptos de calidad y creatividad con los de eficiencia y productividad? ¿Son aplicables en las Redacciones las herramientas tradicionales de gestión de empresas? De estos interrogantes parte el autor para analiza
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r las particularidades del trabajo en un medio de comunicación y proponer herramientas para que editores y periodistas mejoren su gestión. “Estamos convencidos –sostiene Jornet– de que la independencia económica de un medio es esencial para lograr independencia editorial. Y que las redacciones tienen mucho para aportar en este camino”. Y agrega: “No se trata de convertir al periodista en un burócrata ni olvidar que la principal misión de un editor es pensar el mejor producto para la sociedad a la que se dirige. Se trata, sí, de aprovechar las herramientas de gestión para mejorar nuestro trabajo en las redacciones”. El libro se dirige básicamente a directores periodísticos, jefes de Redacción, editores generales o de secciones, productores, jefes de servicios informativos y coordinadores de noticias en medios gráficos o audiovisuales. Pero también a cronistas o redactores que deseen tener una visión más amplia del proceso editorial; a estudiantes de periodismo que se preparan para el ejercicio profesional; a quienes se vinculan con las redacciones desde otras áreas de los medios de comunicación o desde organizaciones civiles o gubernamentales." (Resumen)
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"Der Band ist eine systematische und grundlegende Einführung in die Medieninhaltsforschung in Deutschland. Der erste Teil beschäftigt sich mit der quantitativen Inhaltsanalyse als Methode und gibt dem Leser Kriterien an die Hand, die ihm die Beurteilung der Qualität und die Interpretation von inh
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altsanalytischen Befunden erleichtern sollen. Der zweite Teil stellt die wichtigsten Ergebnisse inhaltsanalytischer Studien in den Bereichen aktuelle Berichterstattung (z.B. Politikdarstellung, Gewaltanteil, Darstellung von Risiken), unterhaltende Medieninhalte sowie Werbung zusammen. Ziel des Lehrbuchs ist ein systematischer Überblick über die Medieninhalte in Deutschland." (Verlagsbeschreibung)
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"The Russian mass media system has experienced tremendous change since the Soviet era. It has been argued that some similarities still exist between the old Soviet system and the new post-Soviet media, such as the practice of self-censorship. Pressure has been mounting on the mass media's level of e
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ditorial freedom since the late Yeltsin era, beginning with a raft of new laws introduced under the guise of keeping the media ‘honest’. One contemporary influence constraining and shaping media de velopment is Russia's ‘war on terrorism’. Ever since the infamous apartment bombings of August 1999, over 1000 people have been killed and scores more physically and emotionally scarred by acts of terrorism on Russian soil. The political, social and economic costs have been considerable. Russia's ‘war on terrorism’ has provided the authorities with ample excuses to curtail media reporting, such as protecting the work of the security forces in combating terrorist activity, stopping the spread of terrorist ‘propaganda’ and protecting victims of terrorist acts. Numerous bills have been debated in the Duma on prohibiting activity by the mass media during an incident. Senior representatives from the mass media have been involved in talks with the authorities on the issue and in drawing up industry guidelines for reporting on a terrorist act." (Abstract)
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"In transitional societies where political pressure on the press is coupled with a commercial media system and a professional journalistic culture, the politics of self-censorship is likely to involve a strategic contest between the media and political actors. Language plays a significant role in th
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is contest. The present study focuses on the case of Hong Kong. It analyzes how two local newspapers, facing an important yet sensitive political issue, constructed two different overall storylines and used two different sets of discursive strategies in their editorials to handle political pressure, market credibility, and journalistic integrity simultaneously. The elite-oriented Ming Pao constructed a storyline of the debate as a factional struggle in order to posit itself as an impartial arbitrator. This approach was further sustained and justified by the discursive strategies of balanced and qualified criticisms and the rhetoric of rational discussion. The mass-oriented Apple Daily, on the other hand, constructed a storyline of a sovereign people whose rights are encroached upon by a powerful entity. The paper was therefore much more critical towards the power center. Nevertheless, it also appropriated the dominant discourse, constructed internal contradictions, and decentralized the Chinese central government to smooth out the radicalism of its criticisms." (Abstract)
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