"Several themes and actions that emerged from the multistakeholder discussion are summarized below: 1. Promotion of human rights through the effective functioning of Indigenous media [...] 2. Legal recognition and supportive media policies [...] 3. Financial viability and access to resources for Ind
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igenous media [...] 4. Utilization of digital media and content production relevant to Indigenous peoples .. 5. Reclaiming the narrative and raising awareness about Indigenous issues [...] 6. Preparedness of Indigenous media for emergency and crisis situations [...] 7. Collaboration, partnerships, and knowledge sharing among Indigenous media." (Pages 6-7)
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"A Associação Brasileira de Pesquisadores e Comunicadores em Comunicação Popular, Comunitária e Cidadã (ABPCom) tem ampliado os espaços de estudos e de pesquisas sobre cidadania comunicativa. Sua trajetória de mais de 15 anos e as contribuições dos seus associados demonstram que as comunic
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ações alternativa, popular e comunitária estão presentes no escopo central das reflexões críticas apresentadas nas atividades propostas. As abordagens teóricas e empíricas evidenciam as relações que conectam e direcionam para a comunicação cidadã, seus atravessamentos e transversalidades reconhecendo as vivências individuais e coletivas como parte do processo comunicativo." (Resumo)
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"O artigo analisa os impactos da plataformização na criação de redes de divulgação coletiva de podcasts no Brasil, formadas por grupos tradicionalmente subalternizados como mulheres, comunidade LGBTQIAP+, população negra, entre outros. A partir de entrevistas, os dados demonstram que a luta
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contra a invisibilidade nas plataformas digitais de áudio permite o encontro e a troca de experiências entre os participantes, um enfrentamento à desigualdade e a colaboração mútua dos grupos na defesa de direitos, além de sustentar o apoio do cenário de rádio expandido para a emergência de novos atores e novas tensões sociais por meio do podcasting." (Resumo)
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"[Este libro] condensa textos elaborados por mujeres que llevan adelante proyectos colectivos, gestionan, producen, investigan, aprenden y enseñan. Recirculan la palabra desde la experiencia pero, también, desde la teoría comunicacional [...] Sobresale una convicción: no es posible transformar e
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l mundo sin transformarnos entre nosotras y nosotros. Por eso mismo, lejos del tono celebratorio o autocomplaciente, las autoras nos señalan los desafíos de las experiencias de comunicación popular. Ofrecen un balance crudo. Sin omitir errores ni contradicciones." (Cubierta del libro)
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"Media development has long been a staple in Africa and literature about its conceptualisations, practices and impact abound. One defining characteristic of this literature is that it focuses primarily on media development’s impact on the media’s ability to resist penetration by the state. This
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chapter outlines a re-theorisation of ‘journalist’ and ‘media development’ within the African context. While the combination of new communication technologies and citizen journalism is bringing new voices, new experiences and novel information into the information ecosystem, more work is needed on the political economy of citizen journalism, particularly in light of the increasing corporatisation and centralisation of the internet. Africa and the rest of the Global South have seen an upsurge in funding from international donors and aid agencies directed at supporting free and independent media in developing and transitional countries." (Abstract)
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"This article explores the use of YouTube in the increasing practice of vlogging in Zimbabwe. Vlogging counters authoritarian media policies that restrict the entry of new media players and democratic participation in existing traditional media. This dearth of public debate on traditional media has
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created a window of opportunities for social media as alternative voices through YouTube ‘televisions’. We consider this a metaphorical yearning for alternative television stations in the mainstream media-dominated context of Zimbabwe. Employing the theoretical concept of counterpublics, this article presents a thematic analysis from three selected YouTube channels: Bustop TV, Goldgator TV and TV 7. The findings reveal that although authoritarian media laws are a huge setback to freedom of expression, YouTube empowers non-professional journalists to challenge those who possess political power. The article establishes that authoritarian media laws are no longer as effective in stifling dissent. We argue new thinking towards a liberal trajectory is called upon." (Abstract)
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"This edited collection investigates the use of sound and audio production in community engaged participatory arts practice and research. The popularity of podcast and audio drama, combined with the accessibility and portability of affordable field recording and home studio equipment, makes audio a
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compelling mode of participatory creative practice. This book maps existing projects occurring globally through a series of case study chapters that exemplify community engaged creative audio practice. The studies focus on audio and sound-based arts practices that are undertaken by artists and arts-led researchers in collaboration with (and from within) communities and groups. These practices include - Applied audio drama, community-engaged podcasting, sound and verbatim theatre, participatory sound art, community-led acoustic ecology, sound and media walks, digital storytelling, oral history and reminiscence, and radio drama in health and community development. The contributors interrogate the practical, political, and aesthetic potentialities of using sound and audio in community engaged arts practice, as well as its tensions and possibilities as an arts-led participatory research methodology." (Publisher description)
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"In contrast to the top-down approach newsrooms have traditionally deployed, Community-Centered Journalism offers a more people-cen tered approach focused on meeting the demonstrable needs and priorities of communities. Instead of newsrooms assuming they know what information people need, they gathe
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r this knowledge through a comprehensive process incorporating deep listening and collaboration, as well as ongoing engagement and feedback. Andrea Wenzel of Temple University, a leading proponent of Community-Centered Journalism, describes this as “journalism produced with and for communities.” Through these efforts, journalists seek to actively build trust and credibility by producing news and information that is relevant and beneficial to the daily lives of the communities they are working with. Although the methods used to deliver these goals may be different, this activity is in line with what the American Press Institute notes is a core purpose of journalism: “To provide citizens with the information they need to make the best possible decisions about their lives, their communities, their societies, and their governments.” Establishing and meeting community information needs takes time. But an inclusive process is fundamental to under standing the stories and issues that matter to communities, and in determining how to best tackle them. That might include building relationships with communities and local partners (such as non-profits, government agencies, busi nesses and libraries). It also means meeting people where they are (e.g., language, delivery format, etc.) to maximize impact." (Pages 10-11)
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"This volume presents case studies of news media employing and integrating social media into their news production practices. It links social media use to journalistic practices and news production processes in the digital age of the Global South. Critically, the chapters look at seminal cases of st
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art-up news media whose content is informed by trends in social media, ethical considerations and participatory cultures spurred by the wide use of social media. There has been considerable research looking at the potential of new media technologies, traditional journalism and citizen reporting. The extent to which these new media technologies and 'citizen journalism' have morphed or reconfigured traditional journalism practice remains debatable. Currently, there are questions around the limits of social media in journalism practice as the ethical lines continue to become blurred. It is this conundrum of the role of social media in the reconfiguration of the media, news making, production and participatory cultures that requires more investigation. Social media has also turned the logic of the political economy of media production on its head as citizens can now produce, package and distribute news and information with shoestring budgets and in authoritarian regimes with no license of practice. This new political economy means the power that special interest groups used to enjoy is increasingly slipping from their hands as citizens take back the power to appropriate social media journalism to counter hegemonic narratives. Citizens can also perform journalistic roles of investigating and whistleblowing but with a lack off, or limited, regulation." (Publisher description)
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"A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged
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from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once artistic and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. In contexts of stigma and exclusion, cartonera collectives give form to a decolonial aesthetics of resistance, making possible a space of creative experimentation through which plural worlds can be brought to life." (Publisher description)
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